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Ashcroft Art Club holding virtual art show starting on June 15 – Ashcroft Cache Creek Journal

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For the first time in its 53-year history, the Ashcroft Art Club Show and Sale had to be postponed this year, and while members of the club are still hoping there might be a “live” show later in 2020, a virtual art show will be taking place starting on Monday, June 15, proving that art — like life — will find a way.

Marianne Munro, secretary of the Art Club, says that the idea for a virtual show came from club president Heidi Roy.

“We’d planned a regular meeting to do planning for the art show, but had to cancel that because of COVID-19. Then we got to thinking that perhaps we needed to look at postponing the show, because we have more than 50 show up on opening night, so how do we do social distancing?

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“We made the decision to postpone the show, not cancel it. Club members started talking about maybe booking a show for September, but we thought that the danger of doing that would be having to keep cancelling it. Heidi is very tech literate, and involved with our website, and she came up with the idea of a very simple art show online.”

Roy says that the idea came to her because people were telling her how much they would miss the show.

“People said they looked forward to it. It’s an important annual event. The artists have been busy painting, and wanted to show their work, and we wanted to spread some positivity. There’s a lot of negative news, so we wanted to spread some art for a bit of happier news.”

Munro says the next step was talking to the artists to find out who was interested in a virtual show and who was able to submit work; something a few artists had reservations about.

“Taking pictures of art is tough. Some people do a good job, and some don’t. Lighting is the biggest thing when photographing art. In one of my paintings the colour was orange in the actual artwork but it looked coral in the picture.”

Munro and Roy sent out some simple instructions, and were able to help artists with fixing and cropping pictures. “We said we’d go and take pictures for them, but most people were able to send them,” notes Munro. “We left it open to everyone.

Eleven artists will be taking part, with one major difference between the virtual and live shows being that each artist can only submit a total of three works, as opposed to the 10 they can usually submit. “We’re not sure how long we’ll be keeping the paintings up,” says Munro, noting that as with the regular show, the works on display will be available for purchase.

“Depending on the feedback, we could keep it up all summer, and if we sell one painting we could put up another. We’re kind of winging it. It’s new to us and certainly new to our artists. If people like it, who’s to say we can’t have items online even when we have the [regular] art show.”

A link on the Ashcroft Art Club website’s front page will direct people to the gallery, which will include information about each work, such as the title, name of the artist, size, medium, and price, as well as a link to the artist’s website if applicable. Anyone interested in purchasing an item can do so via a form on the website.

“It would be great to make sales, but we’re mostly just trying to provide positivity at this time,” says Munro. “People have said they missed the art show, and asked when can we have one or when will we be able to have one. It will be something to see when you’re at home.”

Munro says she has “absolutely” been painting during the pandemic. “When you’re an artist you want to just paint. I’ve taken some online courses, and my daughter is an artist as well, so we’ve been doing some challenges online. I know a lot of artists have been doing work or taking workshops, keeping up with their art. I think it’s in us.”

Marilyn Anderson is another artist who didn’t stop painting during COVID-19. “I have three pieces [for the show] that I’ve never shown before, but it was difficult to go from 10 down to three,” she says. “I’ve got quite a few new pieces, and was very happy to hear we were doing a virtual show.”

Anderson is submitting three larger pieces, one of which depicts Indian war horses: her first time painting an Aboriginal subject. She says that she’s gone back to painting animals after doing landscapes for a while, and has been working on a series of artworks that can be put together or shown separately. This will be her second appearance at the Ashcroft Art Show, after making her debut there in 2019, when she was named a runner-up in the People’s Choice category, and she’s looking forward to having a display of her work at the Sidewalk Gallery in Ashcroft in October.

She admits that getting pictures of her works to submit for the online show was a challenge.”Natural light is what makes for the best picture, but it wasn’t so much the lighting as getting the artwork completely flat so it wasn’t distorted in any way. But I think that having a virtual art show is great.”

Roy says that while she hasn’t done much painting in the last couple of months, she had done a lot over the winter in the months leading up to the art show, traditionally held at the end of April. “People look forward to displaying their works, and getting submissions from members. It was difficult to just pick three.”

However, she agrees with Munro that if a number of works sell, they can look at swapping them out with new works. “And we’re still holding out hope for a show, so we’re holding back work for the fall. It’s wait and see, because no one really knows what’s happening with regulations [about gatherings], and we like to have works that haven’t been seen before. If we had all the works in the virtual show, then if we did have [an actual show] in the fall people wouldn’t have many new works to show.

“But it depends on the club and on scheduling. Fall could be busy with events that have been put off going ahead.”

Roy says she hopes that the virtual art show will be an exciting opportunity for the community to see art virtually, if not in person, and Munro agrees.

“We thought this would bring a little light,” she says. “That’s all we can do, and we’re excited about it. It’s pretty new and pretty different.”

The Ashcroft Art Club’s Virtual Show and Sale will go live at 6 p.m., the traditional opening time for the annual show, on Monday, June 15. For information and to view the gallery, go to the Ashcroft Art Club’s website at http://www.ashcroftartclub.com/.



editorial@accjournal.ca

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Collaborative art project highlights the artistic and healing properties of trees – GuelphToday

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Combining nature, art and science came to fruition with a collaborative stick weaving project today.

At the How To Draw A Tree Wellness Circle on Johnston Green at the University of Guelph, people were welcomed to join artists Dawn Matheson and Agnes Niewiadomski to create a sculpture made out of sticks. 

Trees saved Matheson’s life. She has her own challenges with mental health but being with trees in nature relaxes her and calms her mind.

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“It’s just a practice I’ve developed. It grounds me,” she said. 

She wanted to bring a bit about what fuels her creativity and helps her mental health to the public with this art project.

The process of the sculpture will continue to unravel in the next couple of weeks as people add sticks to it. About 50 people came out to the event on Wednesday.

Eventually the sculpture will be used as a set piece for a play put on by Guelph Collegiate Vocational Institute (GCVI) students. 

“Our idea is always like, challenge yourself to try something that you’re not used to,” said Gerard Gouchro, teacher and minor head of arts at GCVI. Students came to help create pieces of art as part of the sculpture. 

The project stemmed from an idea to get people engaged with the wellness circle. An art project called How To Draw A Tree was created by Matheson four years ago. Although the project is finished she hopes people will still engage with it. 

The team behind the project is a mix of artists, sound composers, students, poets, ecopsychologists and more. They created sound walks. People can go through a guided tour in the Arboretum while listening to artists talk about their relationship to trees.

There are four guided sound walks onsite and each person has a tree planted at the wellness circle that they connected with while working on the project.

The stick sculpture will be a work in progress. There will be a sign that reads anyone is welcome to add a stick to the sculpture. “It’ll become a true process based community sculpture, maybe it’ll get destroyed, which is fine by me. I’m a process based artist, there’s no final product,” said Matheson.

Most of the materials used for stick weaving are sticks from trees in the Arboretum that were pruned in the winter. Instead of the material being put into a chipper “this was a great opportunity to share it here for this project,” said Justine Richardson, director of the Arboretum. 

Matheson hoped with minimal instruction people felt free to add sticks to the sculpture wherever they saw fit.

“It’s just kind of come alive to see everyone’s contributions. I’m really impressed,” said Niewiadomski.

Trees are the ultimate improvisers; they move wherever the sun is, said Matheson. Trees are good listeners and you can’t experience a lot of rejection from them.

“There’s two parallel crises that are the biggest crisis in the world right now. And that’s mental illness and climate crisis,” she said. This is what the project is about.

There will be researchers from the U of G who will be studying the art project and will give feedback to see how beneficial creating a connection between people and the earth is.

The question that runs through Matheson’s mind is; how do we glean life and creativity from trees but also give back to nature?

The art piece will be up for the next couple of weeks on Johnston Green and people can contribute by adding in their own sticks.

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PHOTOS: 'Urban art advocates' brighten up London with public murals – The London Free Press

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Squatters at Gordon Ramsay's Pub Have 'Left the Building' After Turning It Into an Art Café – PEOPLE

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Squatters occupying one of Gordon Ramsay’s London pubs have vacated the property, one week after police were made aware of their activity.

The Camden Art Cafe, an “autonomous cafe” who had identified themselves as the occupants of the celebrity chef’s York & Albany pub, shared the news in an Instagram post.

“We are sad to announce Camden art collective have left the building after being served papers yesterday,” the post read. “We wish those left in the building the best of luck in their endeavours. We hope to be a part of the community again soon, watch this space!!”

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The account did not specify who is left in the building, and London’s Metropolitan Police could not immediately be reached by PEOPLE for comment.

On April 13, BBC reported that the Central London pub had been occupied by at least six people, who allegedly boarded the windows. PEOPLE confirmed on April 15 that Ramsay’s pub had been occupied by squatters. 

York & Albany pub.

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The building where York & Albany was located and rented by Ramsay was listed on the market for £13 million, or about $16 million U.S. dollars, in December.

The Camden Art Cafe spoke about the price when they shared an official statement on April 15 about occupying the building.

“We aim to open our doors regularly to anyone and everyone, particularly the people of Camden who have been victims of gentrification and parasitic projects like HS2,” the statement said, adding that they will provide free food and “space to display their art without the ridiculous red-tape that galleries require people to jump over.”

The post continued, talking about how the wealth disparities in Camden made it “fitting that £13 million properties that most locals would never be able to afford to visit should be opened up to all.” 

On April 15, the Metropolitan Police told PEOPLE that they were made aware of the squatters at a “disused property” near London’s Regent’s Park on April 10.

“This is a civil matter and so police did not attend as an emergency call out,” the statement continued. 

In the statement, the police said they would get involved if necessary: “We [are] in the process of identifying if any subsequent offences [sic] have occurred, and will take action where appropriate.”

Ramsay’s team declined to comment on the situation since it is being handled legally.

According to the U.K.’s official squatter rules on the government website, “Simply being on another person’s non-residential property without their permission is not usually a crime.”

But the website lists vandalization, not leaving when ordered by the court and using utilities as crimes that would permit police involvement.

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