Neechee Studio is a studio led by emerging Indigenous artists that provides free art workshops for young Indigenous people. These workshops are made available for youth aged 14 – 30.
Savanna Boucher is the co-program coordinator alongside Lucille Atlookan, a founding member with Matilda Suganaqueb. When Boucher started in 2015, she was a youth committee member and she noticed a common theme: everyone attending was a young Indigenous student coming from all over Ontario.
“For me,” Boucher said, “Neechee studio stood out because I felt as though I could express myself and as a broke student…it was all free: the food, the art supplies and [the opportunity to] mingle with talented Indigenous artists.”
The workshops and supplies are always free. If students are unable to get transport, Neechee supplies free bus passes.
Through Definitely Superior Art Gallery, Neechee Studio is a collective created by Die Active. With these resources, Neechee is able to supply workshops to youth and allowing them to connect to others from different communities and create roots in Thunder Bay otherwise untouched.
Historical importance
Neechee studio began as a place for community. Being Indigenous in an unfamiliar town is already an added confusion when discovering yourself as a young person. At Neechee, they’ve created a space free of marginalized stigma.
It’s no secret that Indigenous youth face underlying, racial discrimination throughout Thunder Bay and, as Boucher said, it’s also blunt acts being experienced. Neechee is a space that allows young people to partake in activities free of any worry of preconceived, racial judgement.
By allowing young people to create in a safe space, Neechee challenges the stereotypical, racial setbacks these youth would otherwise face. By potentially dismissing preconceived images of the Indigenous culture, Neechee Studio gives the availability and opportunity to explore traditions and culture through creative expression.
Creative Workshops
The workshops offered are a plethora of culturally relevant material for Indigenous youth. Mitt making with Marnie Greenwald and Beau Boucher; Sketch book binding with Cynthia Edwards; and Birch Bark Etching with Darren Lentz are just some of the workshops that were offered in 2019 and 2020.
When planning for these workshops, Boucher added they find artists of every level. Whether they are professional or emerging, old or young, it doesn’t matter. They like to promote emerging, Indigenous artists to provide a more personal story giving youth a culturally relevant experience.
Boucher said the workshops have received nothing but support from the Thunder Bay community and, because of this, are always full with youth excited to embark on an artistic adventure they can personally relate to. Having a relationship with Definitely Superior Art Gallery has allowed Neechee to use their space.
Staying beautifully balanced
Like any business doing good for the community, Neechee experiences setbacks when trying to walk in the colonial world as an Indigenous collective.
“There are certain expectations Neechee Studio is expected to meet,” Boucher said. She’s happy that Neechee can balance between these two worlds to create a space for youth to connect to a support system.
With COVID-19 being an underlying setback for everyone, Neechee immediately stopped all planned workshops. It’s detrimental to every community, but especially the Indigenous community and elders.
“We did not want to contribute to any risk of losing a generation of wealth and knowledge,” Boucher said.
Always evolving, never settling
Going forward, the studio is planning the upcoming season for when restrictions are lifted but always being cautious and putting the safety of the community first.
Neechee is a foothold for the artistic and Indigenous community. By supplying youth with the tools and space for creation, they are breaking systemic racism throughout the city and creating a community that revolves around free expression and togetherness.
With classic traditions such as beading, leatherwork and quillwork, the teachings of culture and patience are being taught. As youth come into what is a mysterious and scary time; being away from their land and community and having to navigate a new place, Neechee studio welcomes, embraces and creatively allows them to discover their culture and future.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
