Twenty-year-old Astin Parore says his art business turned over six figures in revenue last year – and says there should be more discussion about how other young people could be encouraged into entrepreneurship, too.
He started the online art business now called Essentials NZ at 16, during the first Covid lockdown.
He spotted that his mother, Sally Ridge, and her friends wanted to buy Sponti Gnomes by the artist Ottmar Horl but people had stopped selling them.
“I emailed the artist and got in touch with his publisher and ordered 20. Then I jumped on Instagram and started an Instagram account for a preorder. I knew exactly what everyone wanted and said they would be coming from Germany and would be a month. Then I used that capital to buy the gnomes and start the company…. People kept buying them and here we are today.”
It took about a year before the business was delivering a sound income, he says.
Over time, he has added more artists, including Mika Cotton and Remy Aillaud, and a range of pop art on acrylic skateboards from Artlab.
Parore said his model of online selling with in-home viewings was unique.
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Works by Remy Aillaud.
He estimated he turned over six figures in 2022. “I’m shocked at how well it’s going. Selling gnomes there isn’t huge margin and we’ve had to add more things. To be fair, the expenses are low because it’s online, we don’t have rent we don’t have any of that stuff.”
He said no one spoke about the possibility of starting a business as a young person. “We’re told to go to school, get good grades and just get on with it. I started this at 16 and still managed to get great grades through school. I’m at uni now and have this side hustle that keeps me living. No one encourages people or gives people ways to do it but if you have an idea, it’s not as hard as people think.”
He has now brought Ridge on as a shareholder and creative director to help find more artists. “She has more experience in the art department, which I never really appreciated until last year.
“Mum has a rich background of interior design and has immersed herself in the art market for most of her life. She is very knowledgeable in this aspect and poses as a key member to the Essentials team. This knowledge is exactly what I needed when I took my business to the next step, I couldn’t do it alone. Now it’s a great partnership and is boosting the company.”
He said he was still battling stigma, both from within the industry and generally because of his age.
“I’d definitely say there is a certain stigma directed at young people trying to achieve things in the business sector in New Zealand. Although from my personal experiences, this stigma is to be ignored as it is usually fuelled by jealousy and desire. Achieving above average results in NZ as a young person isn’t always received well by people, and these achievements can be torn down not acknowledged. Defining success is difficult, success varies from person to person. When I first started the business at 16 I kept it very quiet, no one knew it was me behind it bar my family.
“I would definitely say underestimating young people in business is a rookie error. Young people are just as capable at creating successful businesses, especially with the knowledge of technology and its importance in today’s society. Technology plays a huge role in today’s world, and young people really know how to work it. With modern technology advancing, you could argue young people have the upper hand. Pressure is a privilege.”
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
