Last month, while the cultural elite wrapped up Art Basel with the usual lavish purchases of Keith Herring paintings and Daniel Arsham decayed sculptures, a different crowd had gathered just a couple blocks down the South Beach coastline. The world’s first “Metaverse star” was about to perform.
FLUF Haus, the first in-person gathering for a community of virtual 3D Rabbits (known as Flufs), was hosting a concert for the music star known as “Angelbaby”—a large tattooed pink rabbit whose identity, appearance, and music had been created entirely on the metaverse.
Despite Angelbaby’s entirely virtual existence, some 600 people—largely stakeholders in the NFT community, FLUF World—had flown from across the globe to witness the in-person debut. A projection screen overlooked the dance floor where guests including Trinidad James and Boyz Noise commingled amidst fire breathers and models. Screens scattered throughout the venue displayed various Fluf avatars, broken up by animated scenes from FLUF World.
The event—which felt like a bit of a coming out party for newly created FLUF World—underscored a crucial, often overlooked detail of the booming NFT space: community.
“The most important thing to me with FLUF World was the Discord.” said Robert Hellauer, a 33-year old financial analyst who became a Fluf holder in September. “I went to all the Discords, and all the metaverses have a different vibe…And you could just feel the energy with this one.”
Like the notorious Bored Apes or CryptoPunks, the value of a Fluf isn’t just as a piece of digital art, but as a digital identity. Much like how Supreme or Thrasher did for skaters, NFTs codify culture into appearance, branding one’s allegiance to virtual clans and online subcultures. Buying into a community, literally, helps carve out one’s metaverse identity. FLUF World recognized this early on, and decided to intentionally avoid the toxicity present in many virtual worlds, instead focusing on creating a dynamic and inclusive world to house their digital animal characters.
This appeal of intentional community has seemingly paid off, as many at Fluf World expressed having previous interest in the metaverse, but hadn’t yet found a space that appealed to them.
“These guys think about things other guys don’t,” says Tom Soler, a software manager attending the event. “Decentraland launched way ahead but it feels very empty. These guys have thought through what is the most engaging way to create a community for people who want to hang together.”
This engagement is reflected in Fluf World’s 42,000 member Discord where “#new-fluffers are greeted with a reminder to “treat each other with respect”, and after searching through the Fluf Radio and sales channels can navigate to the “Above Ground” section, to find channels such as #health-and-wellness, and #time-to-talk.
That’s not to overlook the draw of Fluf World’s impressive technology and artistic detail. Rather than use 8-bit images or 2D cartoons, Fluf World features fully 3D characters designed by animators who’ve worked on projects including Avatar and the Lord of The Rings trilogy. Characters hover over customizable, multi-dimensional environments—which include both personalized character music and location based-backgrounds that range from a desert to futuristic city (collectively known as “scenes and sounds”).
Along with the 10,000 original rabbit ‘Flufs’, FLUF World introduced their second line of characters —known as Party Bears— of which all 10,000 sold out in under 10 minutes. Beyond avatars, stakeholders can also purchase virtual real estate known as “burrows”, and even AI-brained spiders (known as “thingies”) which use pattern recognition to create and mint their own new virtual art. All of Fluf World’s characters constantly evolve, and often contain hidden attributes that develop and reveal themselves over time.
Together, this technology, art, and community channels weave together a digital world that shows promise of true depth; an online space with the potential to create a self-perpetuating cycle of growth based on bottom-up user participation.
“When it comes to other [metaverse] platforms, it’s all about roadmaps,” says FLUF World superfan Nick Synodis, (who goes by the handle Knux). “Fluf is in a league of its own. Its competitor is Spotify. It’s Facebook.”
A Record Label For The Metaverse
One of the most promising examples of FLUF World’s potential to be a truly dynamic multi-channel world is their partnership with NFT music collective, Hume.
Described by co-founders Jay Stolar and David Beiner as the “Web3 version of a record label,” Hume is the NFT music minting service that allows Flufs to commercially own and display exclusive music snippets in their character environment. With a tagline of “we are hume. we are many,” Hume has the most active twitter following in the Fluf World community, acting as both differentiator and hype builder for the virtual world.
“We’re creating music-driven Metastars,” says record producer Gino the Ghost, the event’s emcee and Hume evangelist. “The next Billie Eilish or Drake is gonna be in the metaverse.”
Asked what made him interested in migrating his experience from the traditional music realm, Gino (who has composed music for the likes of rapper Saweetie) expressed both an ardent fascination with FLUF World, as well as sharing a commonly held frustration with the revenue structure of the music industry.
”What I primarily do, I work with the pop side, the rap side, the dance side —and they all want to know, ‘How do I get into NFTs?’ All these creatives are so tired of the labels and the royalties—and music NFTs are a way out that isn’t cash-grabby.”
With the creation of their metaverse star Angelbaby, Gino and the founders at Hume are optimistic that Web3 could create a paradigm shift not just in how artists generate revenue, but how fans can benefit from their artist loyalty. In this case for instance, by financially supporting Angelbaby’s origin story (which involved being lost in the desert after being transported 1000 years back in time), fans received some of Angelbaby’s original minted music. This music in turn grows in value as Angelbaby’s popularity rises.
“People who helped Angelbaby in the desert, now they all own a piece of their song that is worth $400-500. Over time this increases the value of their own NFT,” says Beiner.
Gino explains the relationship a bit more simply: “It a way for fans to make fucking money supporting their favorite artists.”
World Competition, or Synergy?
As Gino’s introduction wraps up and Angelbaby’s giant character is projected onto a screen in front of a sea of cellphone recordings, one aspect of FLUF Haus becomes immediately clear: it’s surprisingly normal.
For all the talk of Web3 and NFTs the metaverse, the event feels much like any other concert—with people dancing in close quarters, and having a good time with people they know. Save for the fact that the performing artist is a 13-foot tall pink rabbit with no known human identity, you’d be hard pressed to know this was an NFT event.
And in a way, that’s kind of the point. As virtual representations of ourselves continue to grow—and the metaverse becomes increasingly populated—so too inevitably will our online identities. But that doesn’t mean we will forgo our personalities in the physical world. Like gamertags, or bitmojis or animal crossing islands, spaces like FLUF World will add another layer onto our beings that enhance, not replace our existing lives. FLUF Haus was trying to demonstrate that connection to the world.
“The meta verse is going to be this amazing digital space,” says Knux. “But the ultimate goal of it is to live in both worlds.”
Nature is an Artist explores relationship betwee art and nature – MorinvilleNews.com
Nature is an Artist was released last week and is available wherever books are sold.
by Stephen Dafoe
Sturgeon County’s intergovernmental advisor Jennifer Lavallee has published her first children’s picture book.
Vancouver’s Greystone Books released Nature is an Artist, written by Lavallee and illustrated by Argentinian artist Natalia Colombo, on May 17.
The book looks at the various art forms children can find in the natural world surrounding them and follows a group of children exploring nature and discovering an art show in front of them. They are inspired to create works of art, recreating what they have seen in nature.
Although Nature is an Artist is Lavallee’s first published picture book, it is far from her first published work. The author has previously written articles for local newspapers and magazines, including Morinville Online. She has also written for national publications and many of Lavallee’s short stories have appeared in anthologies.
“Those have been more adult-focused stories, Lavallee said of her short story work. “This is my first professional publication in the world of children’s literature,” and that is where I am focusing all my efforts. That’s really where my passion is.”
Lavallee explained that when she was trying to determine the direction of her writing, it dawned on her that children’s writing was a great pairing to where her interests were.
“I’m an adult, but I still read middle-grade books and YA [young adult] and that kind of literature,” she said. “So it just kind of clicked – yeah, I should be focusing my attention here.”
Lavallee recently spent the day at École Morinville Public School reading her new book to students. Children were surprised to learn that an adult enjoyed books written for children.
“I said absolutely I do because I think there is something so very special about pairing really beautiful illustrations [with words],” Lavallee said. “When you look at illustrations in picture books, you can find some really special artwork. Pairing that with beautiful text; it reminds me of magic, kind of, and it’s almost like comfort food.”
Lavallee said she has always been someone who loves fairy tales and someone who loves to watch classic children’s movies over and over again. Films like the adaptation of William Golden’s Princess Bride, Hook and Peter Pan have helped form her current writing path.
“I’ve always just been in that space,” she said of her interests and the types of books she wants to write, paraphrasing author Toni Morrison’s quotation – ‘If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.’
But writing a children’s book is challenging for the mother of three, balancing full-time employment with Sturgeon County, completing graduate school, and taking care of her family.
From the initial idea in the author’s mind, writing the manuscript, then being able to drive to Chapters and take the book off the shelf, was a four-year journey.
“It takes a long time. There are not even 500 words in here,” Lavallee said of the new book, adding that just finalizing the text with the publisher is a lengthy process. “It has to be exactly right, and the thing about this book is it’s a rhyming book. Not only do you have to find the right words, but the right rhyming words to match the story you are trying to tell. It was about a year to finalize the text.”
Working with Buenos Aires-based illustrator Natalia Colombo was also an exciting experience for Lavallee, which also took a year.
“This is her twenty-third book, so that was a neat experience. Most people think I drew the pictures, but I wish I could draw,” Lavallee laughed. “The illustrations are what makes picture books pop, and I’m so pleased with how it came out. It’s very bright and cheerful.”
Great art is significant for Lavallee’s book, which is about the artistic beauty found in nature.
“You can go into nature and see things that are like fine works of art,” Lavallee said. “A sunset is like a beautiful painting, or a rainbow is like stained glass. The point of it is to inspire young readers to see themselves as artists, but in the context of also having respect for nature, and wanting to get out into the environment and the natural world. It’s the pairing of those two.”
Lavallee said Nature is an Artist is perfectly aligned to the existing curriculum, lending itself to simple crafts based on the content of the book.
“Some of those things that you need to learn in the younger years about artistic styles are all interwoven into the story,” Lavallee explained.
The author worked with the publisher to create some free downloadable companion guides to the book for parents and teachers.
Nature is an Artist is available wherever books are sold, including Chapters and Amazon. It retails for $22.95 per copy.
Lavallee has written a sequel to the new book and hopes to see it published in the future. She is also working on a longer chapter book aimed at middle grades.
The author is also doing workshops at the upcoming St. Albert Children’s Festival.
Contest open to young artists; art grads needed more than ever – SooToday
Art students in Grades 6, 7 and 8 are invited to submit samples of their work to be included in a separate exhibition and contest within the annual St. Mary’s College art show to be held at the Second Line East high school beginning at 7 p.m. Tuesday, June 14.
Students have until 3 p.m. Thursday, June 9 to submit their drawings, painting or digital art work with their identification and contact information in person at SMC’s main office.
While the SMC art show is an annual event – featuring work by artists from Grades 9 to 12 and including not only visual art but also musical and dance performances in one night – this year marks the first show and contest for students in Grades 6 to 8.
The contest is the brainchild of Adriano DiCerbo, SMC art teacher and Samantha Lance, an SMC graduate now pursuing a career as an art show curator in Toronto.
“Adriano approached me with this idea. He wanted to get the ball rolling on this and try to attract kids’ attention to this. We came up with the title Spring Back To Life, to get students to think about what inspires you about this new season?” Lance said.
- What images of spring best represent your personal connection to this season?
- What moments of spring do you cherish?
- Are there certain aspects of spring (flowers, plants, landscapes, animals) that hold a special place in your heart?
The contest poster has been designed and will be sent out soon to parents and teachers across the H-SCDSB system.
DiCerbo hopes word will get out to art students in Grades 6 to 8 students in other school boards.
Students and parents can contact DiCerbo by email
Lance will judge the Grades 6 to 8 art show.
“I first got immersed in visual arts in Grade 10 with Mr. DiCerbo’s class and then I started helping with the arts festivals from Grade 10 to 12 and I realized, while curating the work, that art is what I wanted to do as a career,” Lance said.
Lance graduated from SMC in 2017 and went on to study art for four years at Toronto’s Ontario College of Art & Design – OCAD University.
There she earned her Bachelor of Fine Arts, specializing in Criticism and Curatorial Practice, learning how to organize art shows at galleries, museums, art shows and festivals.
She plans to attend the University of Toronto in September to begin a Master of Curatorial Studies program.
At OCAD, she was inspired by the work of many artists including Vincent Van Gogh, American photographer Nicolas Bruno and Christian painter Akiane Kramarik.
“After I graduated from high school I came back to help curate the arts festival at SMC. Every year it was nice to see the work and the talent students brought to the table,” Lance said.
“I appreciate art history and love looking at the different types of media people bring into their art. When I go for my Masters in Toronto I want to support local, national and international artists by showcasing their art,” Lance said, adding she’ll always enjoy keeping in touch with the Sault arts scene.
Admission to the June 14 SMC art show is free for kids, $10 for adults.
Proceeds from admission go to Tumaini Afrika, a Sault Ste. Marie-based, non-registered group of volunteers dedicated to working with children and women in Kenya in such spheres as education and nutrition.
“After COVID, everybody needs this art show,” Lance said.
Both Lance and her high school art mentor DiCerbo spoke of the importance of art and art education for kids despite the heavy emphasis on science, technology, engineering and math in schools.
“Art speaks when words can’t,” Lance said.
“Art gives anyone – students, young and old – to speak about their background, their culture and their response to everything that’s happening in the world in their own way, it gives them that freedom to do that. That’s so critical, to express yourself, and to have that confidence.”
As for exposing younger students to art at an early age, Lance smiled “if we nurture this at the beginning in younger students we could be fostering the next Monet or Van Gogh.”
“I believe in having a well-rounded education. Yes, science and math, but the arts as well,” DiCerbo said.
“That enables students to have creative skills, critical thinking skills and they need those opportunities to be self expressive. It’s an incredibly valuable skill for the 21st Century, more than we realize. It helps us to connect with nature and each other. An arts festival is a celebration of when we come together and celebrate creativity.”
“There are jobs out there for creative people,” DiCerbo said.
“They’re just not as visible as the teacher, the doctor, the dentist. There are so many creative people behind the scenes working in traditional and digital media, architectural studies, the business world needs creative thinkers. They’re needed.”
“Imagine Paris without the Eiffel Tower. What if the Mona Lisa vanished? It’s priceless. These are iconic pieces of art that help define who we are. The Group of Seven helps define who we are. Filmmakers, musicians give us a sense of identity and belonging. How can we possibly take that out of our world? We need more of that particularly during these times more than ever before,” DiCerbo said.
“Hopefully we get a lot of submissions,” Lance said.
“We’re not expecting students to donate a huge painting or drawing, but it’ll be exciting to see what comes in.”
Lance said she hopes it will be an encouragement for kids to start building a portfolio and consider a career in art.
It’s late in the school year but kids can submit work they’ve done earlier in the current school year.
Prizes of $100, $75 and $50 will be awarded to first, second and third place winners in the Grade 6-8 show and competition.
'Deaf Shame to Deaf Same': Art exhibit aims to destigmatize hearing loss – CTV News Regina
A new art exhibit at the George Bothwell Library is hoping to examine and remove the feeling of shame associated with people who are deaf and hard of hearing.
Students in Winston Knoll’s Deaf and Hard of Hearing (DHH) program helped create the art installation “Deaf Shame to Deaf Same.”
Different dioramas illustrate the students’ collective experiences with isolation, bullying, humiliation and challenges with communication and acceptance due to their hearing loss.
The stories for the installation are based on personal narratives from the students.
The exhibit was made up of different dioramas representing the DHH students experiences within school. (Allison Bamford/CTV News Regina)
“I’ve often felt a lot of shame because in my past it was quite traumatic, going to school and even at home,” said Grade 11 student Amna Warda Wahid.
“A lot of people would bully me because I was deaf.”
Warda Wahid said she used to identify as a hearing person before she entered the DHH program.
Her experience is quite common among DHH students, according to Michelle Grodecki, certified teacher for the deaf.
“Many times students say, ‘I can’t do it, I’m stupid,’” Grodecki said.
“But it’s not that they’re stupid, they just don’t have the access.”
Six students from Winston Knoll’s DHH program helped create the dioramas at the centre of the exhibit. (Allison Bamford/CTV News Regina)
Yamama Alrweilei, a Grade 11 student in the DHH program, struggled in “mainstream classrooms” without an interpreter.
“I didn’t understand a lot of what the teacher was saying, people talk very fast and I was missing a lot,” Alrweilei said.
Through the DHH program supports and interpreter, she said she can now understand the lessons.
Grodecki said hearing loss needs to be normalized in society and in the classroom. If that happens, she said, bilingual education and supports of all modalities will be widely accepted.
For now, she said the goal of the art exhibit has been achieved, and her students have accepted themselves and their identity.
“For each of our students to stand in front of an audience and proudly say, ‘I am hard of hearing. I am deaf. I wear my hearing aids. I have my confidence back,’ I would confidently say we’ve achieved our goal,” Grodecki said.
The exhibit is a collaboration between the DHH program, SKArts and Deaf Crows Collective.
From Deaf Shame to Deaf Same will be on display in the Creation Cube at the George Bothwell Library until June 25.
No trend detected in latest real estate data – Whitehorse Star
The latest on the French-language Conservative leadership debate in Laval
Bankers buck gloomy trend by forecasting growth amid concerns about economic slowdown – The Globe and Mail
Silver investment demand jumped 12% in 2019
Europe kicks off vaccination programs | All media content | DW | 27.12.2020 – Deutsche Welle
Global Media Markets, 2015-2020, 2020-2025F, 2030F – TV and Radio Broadcasting, Film and Music, Information Services, Web Content, Search Portals And Social Media, Print Media, & Cable – GlobeNewswire
Media19 hours ago
Analysis: Media coverage of Texas school massacre invokes Sandy Hook – CNN
Health48 mins ago
Monkeypox: Cases in Canada climb to 16, PHAC says – CTV News
Business20 hours ago
Airbnb is closing shop in China
Business20 hours ago
Starbucks announces it’s pulling out of Russia
Sports12 hours ago
Instigator call the turning point in Rangers’ Game 4 win over Hurricanes – Sportsnet.ca
Art1 hour ago
'Deaf Shame to Deaf Same': Art exhibit aims to destigmatize hearing loss – CTV News Regina
Science51 mins ago
Boeing capsule returns from space station after test flight with no crew – CBC News
Tech15 hours ago
Today's Wordle Answer (#339) – May 24, 2022 – GameSpot