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ATLANTIC SKIES Could humans live on Mars? – TheChronicleHerald.ca

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As NASA’s Perserverance spacecraft speeds towards its February 2021 landing on Mars, many people are pondering the possibility of ordinary humans one day traveling to and living on the planet.

In the 1910s, Edgar Rice Burroughs’ masterfully written fictional books about Mars excited the public’s imagination with tales of humans traveling to the Red Planet and interacting with the native Martians. Hollywood’s 2015 movie, The Martian, teased the possibility of human survival (tenuous as it was) on Mars. Could humans really live, work and play on the surface of Mars, or will such an idea forever remain but a fantasy of literary fiction and cinematic CGI?

The problem of safely travelling to Mars aside, the first question that needs to be asked and answered is where would we live once we got to Mars? Due to the significant, constant solar radiation – not to mention periodic solar flares – that the surface of Mars is subject to due to its thin atmosphere (Earth’s atmosphere protects all life on its surface from the greater portion of the sun’s harmful radiation), we would have to live in some sort of underground structure.

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Current estimates indicate at least five meters below the surface would provide the same protection level as our atmosphere. While the technology certainly exists to build such structures (NASA already has prototype Mars One shelters under construction), they would still have to be transported to Mars and constructed, perhaps by robotic construction crews, prior to any human settlers arriving.

OK, so we have a place to live once there, what other things are required? Foremost would be a supply of air to breathe – a properly-proportioned mixture of oxygen, nitrogen, and other trace gases to match that of Earth’s atmosphere. We would have to transport an adequate supply for the number of settlers on hand. That’s not a problem for a couple of astronauts carrying their own backpack supply, but certainly a more difficult task for a large number of settlers planning on emigrating there. It might be possible, over time, to grow enough oxygen-producing plants within specialized structures to generate the needed oxygen amount (to then be mixed with the other required gases); something, with enough space and time, that’s well within the realm of achievable, perhaps, once again, by robots pre-human arrival.

The next two requirements would, by necessity, be a high priority – food and water. At least initially, there would be no immediate means of obtaining water or growing crops, all water and food supplies would have to be transported to Mars, a significant and expensive logistics problem for those planning the trip, particularly if a large number. Terra-forming the Martian surface to generate a breathable atmosphere, a climate, and soil conducive to growing crops, and establishing an adequate water supply (from underground ice deposits) would probably take at least a few hundred years.

Could humans survive on Mars? Yes, at least a few could, for a short period of time, provided they took everything they needed for the time they planned to be there. Long-term settlement, however, would require a massive investment of time, money, technology, and effort; doable, yes, but would it be worth it? Perhaps. After all, the early explorers and settlers of our own planet faced many unknown challenges and life-threatening risks (though, perhaps, not to the same degree) when they set sail for distant lands, unsure of a safe arrival and what life would be like in the new world. In many ways, settling Mars would be a similar challenge, just on a much larger scale.

However, despite my own astronomy interests and science fiction-fueled dreams of traveling to distant planets, I think we humans would be far better off to invest all that time, money, technology, and effort into mitigating the significantly endangering environmental and social issues that are already confronting us. We live on a very unique (as far as we know), special and extremely beautiful island in the middle of a vast celestial ocean. It’s time we woke up to that fact and collectively worked to maintain and preserve that uniqueness, specialness and beauty, not only for ourselves, but also for the generations that follow.

Yes, the urge to and fascination of traveling midst the stars to other planets is exciting, and perhaps one day, in the distant future, humans will travel out there and settle other planets (including Mars), but if we don’t soon start to take care of the planet we live on, we’re not likely to survive as a species to ever step foot on any of those distant worlds.

This week’s sky

Mercury is too close to the sun, and, thus, not observable at present.

Jupiter (magnitude -2.54) is visible above the southern horizon around 8 p.m. It reaches its highest point (21 degrees) in the southern evening sky around 9:20 p.m., remaining visible until about 12:40 a.m., when it sinks below seven degrees above the southwest horizon.

Saturn (magnitude +0.35), as it has all summer, follows Jupiter into and across the early evening sky, becoming visible 18 degrees above the southeast horizon around 8:15 p.m. It remains visible until shortly before 10 p.m., when it disappears from view after dropping below 10 degrees above the southwest horizon shortly after 1 a.m.

Mars (magnitude -1.98 on Sept. 7, and -2.12 by Sept. 13) will continue to brighten this month and next, as it heads for its Oct. 13 opposition (when it will be at its brightest). The Red Planet is visible above the eastern horizon shortly after 10 p.m., reaching an altitude of 50 degrees above the southern horizon shortly before 4 a.m., and lingering in view until it’s lost in the dawn twilight around 6:25 a.m.

Venus (magnitude -4.3) rises in the east around 2:50 a.m., and reaches a height of 38 degrees (its highest point of the year) above the horizon before fading with the approaching dawn by about 6:25 a.m. On the morning of Sept. 13, look for the crescent moon directly above Venus in the pre-dawn sky.

Until next week, clear skies.

Events:

  • Sept. 7 – Venus at highest point in sky for 2020
  • Sept. 10 – Last quarter moon

Glenn K. Roberts lives in Stratford, P.E.I., and has been an avid amateur astronomer since he was a small child. He welcomes comments from readers at glennkroberts@gmail.com.

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NASA hears from Voyager 1, the most distant spacecraft from Earth, after months of quiet

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CAPE CANAVERAL, Fla. (AP) – NASA has finally heard back from Voyager 1 again in a way that makes sense.

The most distant spacecraft from Earth stopped sending back understandable data last November. Flight controllers traced the blank communication to a bad computer chip and rearranged the spacecraft’s coding to work around the trouble.

NASA’s Jet Propulsion Laboratory in Southern California declared success after receiving good engineering updates late last week. The team is still working to restore transmission of the science data.

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It takes 22 1/2 hours to send a signal to Voyager 1, more than 15 billion miles (24 billion kilometers) away in interstellar space. The signal travel time is double that for a round trip.

Contact was never lost, rather it was like making a phone call where you can’t hear the person on the other end, a JPL spokeswoman said Tuesday.

Launched in 1977 to study Jupiter and Saturn, Voyager 1 has been exploring interstellar space – the space between star systems – since 2012. Its twin, Voyager 2, is 12.6 billion miles (20 billion kilometers) away and still working fine.

 

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SpaceX launches 23 Starlink satellites from Florida (photos)

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SpaceX sent yet another batch of its Starlink internet satellites skyward today (April 23).

A Falcon 9 rocket topped with 23 Starlink spacecraft lifted off from Florida’s Cape Canaveral Space Force Station today at 6:17 p.m. EDT (2217 GMT).

The Falcon 9’s first stage came back to Earth for a vertical landing about 8.5 minutes after launch as planned. It touched down on the SpaceX droneship Just Read the Instructions, which was stationed in the Atlantic Ocean.

It was the ninth launch and landing for this particular booster, according to a SpaceX mission description. Five of its previous eight liftoffs were Starlink missions.

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The Falcon 9’s upper stage will continue carrying the 23 Starlink satellites toward low Earth orbit (LEO) today, deploying them about 65 minutes after liftoff.

This evening’s launch was the 41st of the year for SpaceX, and the 28th of 2024 dedicated to building out the huge and ever-growing Starlink megaconstellation. There are nearly 5,800 operational Starlink satellites in LEO at the moment, according to astrophysicist and satellite tracker Jonathan McDowell.

The Starlink launch ended up being the first half of a spaceflight doubleheader: A Rocket Lab Electron vehicle launched two satellites, including a NASA solar-sailing technology demonstrator, from New Zealand today at 6:33 p.m. EDT (2233 GMT).

Editor’s note: This story was updated at 6:30 p.m. ET on April 23 with news of successful launch and first-stage landing.

 

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Exploring ecological networks in a digital world | News | Vancouver Island University | Canada – Vancouver Island University News

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Getting to know Samantha Letourneau

By day, Samantha Letourneau is Vancouver Island University’s Canada Learning Bond project lead and Volunteer Tutor Coordinator. She’s also a musician and dancer and for the past two years, she’s been collaborating with Swedish artist Mårten Spångberg, thanks to funding obtained through Crimson Coast Dance, to create a digital art installation that goes live on Friday, April 26. A launch event takes place at Black Rabbit restaurant in the Old City Quarter that night. Samantha is also hosting a creative process workshop on April 27 and 28.

Can you share a bit about your background as an artist and how you got into it?

I have been working in art for a very long time, as a musician and dancer as well as an art administrator and program coordinator. I started music at the age of 11 and dance came later in my life in my early 20s. I always wanted to do dance, but I grew up in a small community in Yellowknife and at that time the only dance classes available were highland dancing, which I was not very interested in. 

In my early 20s while living in Vancouver, I took classes in contemporary dance and was fortunate to land a small part in the Karen Jameison Dance company for a piece called The River. The River was about rivers and connection between the reality of a real and physical outdoor river and the different reality of “the river within.” It was both a piece of art and outreach for the community. It included working with the S’pak’wus Slu’lum Dancers of the Squamish Nation. Somewhat ground-breaking for 1998.

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From there I was hooked and wanted to do more in dance. I studied a lot and took many classes. Fast forward to now, I have been involved with productions and performances with Crimson Coast Dance for more than 15 years and greatly appreciate the talent and innovation that Artistic Director Holly Bright has brought to this community. She is amazing and very supportive of artists in Nanaimo.

How did this international exchange come about?

The Nordic/Nanaimo exchange is one of the innovative projects Holly created. At the height of the pandemic, funded by BC Arts Council and Made In BC, Crimson Coast Dance embarked on a project that explored the ways in which Nanaimo artists could participate in online exchanges. 

Two artists in Nanaimo – myself and Genevieve Johnson – were introduced to artists from Europe and supported through this international exchange. My collaborator, Mårten Spångberg, is a Swedish artist living and working in Berlin. An extension of that exchange is funded by Canada Council for the Arts – Digital Now.

What brought Mårten and myself together – and I quote Mårten here – is “questions around climate change, ecology and the influence contemporary society has on its environments. We are not interested in making art about the ecological crises or informing our audience about the urgency that climate change implies, but instead through our research develop work that in itself proposes, practices and engages in alternative ecologies.”

We share an understanding that art is a unique place, in the sense of practice, activation, performance and event, through which alternative ecologies can emerge and be probed and analyzed.

Tell us about the launch event.

We are launching the digital art installation that Mårten and I created on April 26 at The Attic at Black Rabbit Restaurant. The event is free to attend but people must sign up as seating is limited. I produced video art with soundscapes that I recorded mixing field recordings with voice and instrumentation. Marten explores text, imagery and AI.

My focus is on the evolving and ongoing process of how we communicate with each other and to nature within a digital context.

During our collaboration, Mårten and I talked about networks, though not just the expansive digital network of the internet but of nature. We shared thoughts on mycelium, a network of fungal threads or hyphae, that lately has received much attention on the importance of its function for the environment, including human beings.

Building off this concept, ideas of digital and ecological landscapes being connected emerged. From this we worked both collaboratively and individually to produce material for this digital project. Mårten will be there via Zoom as well and we will talk about this two-year process and the work we created together.

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