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Audain Art Museum buys Emily Carr painting shown at Venice Biennale

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The Audain Art Museum in Whistler has a sterling collection of paintings by Emily Carr, including War Canoes, Alert Bay (1912) and The Crazy Stair (The Crooked Staircase, 1928-30).

So when an art dealer emailed Michael Audain pitching another work by Carr, Audain wasn’t that interested. But the dealer persisted, and the painting turned out to be so special that Audain bought it sight unseen.
Wednesday morning, Audain unveiled the painting, titled Survival, in an event at the Vancouver Club.

It was painted in 1940, only five years before Carr’s death at age 73. It’s a classic late-period Carr, a swirling, lively work featuring a solitary old tree that’s somehow managed to survive while the forest that used to surround it was either clearcut or burnt.

“It really demonstrates Emily’s concern for the environment, which is a very big concern today,” said Audain, who was on vacation in Thailand when he bought the painting.

“Later in her life she was very much appalled by what was known as industrial logging in those days, where they clear the land and all that. This painting says something about that. You can see where all the slash has been burnt, there’s just stumps left, but for some reason this old gnarled tree is still standing.”

The provenance for the painting is impeccable. It was one of four Carr paintings selected by her great champion, Group of Seven painter Lawren Harris, to represent Canada at the 1952 Venice Biennale.

It was the first time Canada had been invited to show work at the Biennale. The other three Carrs from the Biennale are at the National Gallery of Canada and the Art Gallery of Ontario.

Emily Carr’s 1943 painting Survival.

Survival has only been exhibited in public three times — at the Vancouver Art Gallery in 1943 and in Montreal in 1959.

The painting probably left B.C. in the late 1940s when it went to Carr’s art dealer Dr. Max Stern in Montreal. It was once owned by James Coyne, a former governor of the Bank of Canada and the father of journalist Andrew Coyne.

“I always had a childhood fascination with (James) Coyne because I used to see his signature on our currency,” said Audain. “I thought that was a marvellous thing, that one could sign these pieces of paper and it would be worth so much money.”

In recent years it’s been owned by a Montreal collector. Because this was a private sale, Audain declined to divulge how much he paid for Survival.

He laughed when he recalled buying the painting sight unseen.

“They sent me an image of the picture, and I thought ‘Oh, it’s an old-timer like me!’ said Audain, 85.

“I felt it’s time to bring the old-timer back to British Columbia. I think it kind of rounds off our museum.”

The painting will go on display in April.

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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