Augmenting our reality: Ottawa ARt City is virtually painting the town - Ottawa Citizen | Canada News Media
Connect with us

Art

Augmenting our reality: Ottawa ARt City is virtually painting the town – Ottawa Citizen

Published

 on


Ottawa ARt City is an augmented reality art festival that is accessed through a locally designed iOS app called Hidelight.

Article content

This summer, a new type of festival has landed in downtown Ottawa; one that exists digitally, not physically.

Advertisement

Article content

Ottawa ARt City is an augmented reality art festival that is accessed through a locally designed iOS app called Hidelight. The app allows users to physically explore and visit a library of virtual art exhibits scattered around the city, created by various local art institutes from Ottawa.

App designer and artist, Paul Sharp, offers an original take on the use of technology for civic engagement with arts and culture during a time where mass social gatherings are discouraged.

When users load the Hidelight app, they will be presented with a map marked with local exhibits to be visited. Once within range of an art piece, users can use their camera to view the exhibit superimposed over the physical scene in front of them.

Advertisement

Article content

Users are also able to learn more about the virtual art pieces which have been submitted by the Ottawa School of Art, Ottawa Public Art, and the Ottawa Art Gallery.

Ottawa ARt City also encourages the contribution of local citizens by allowing them to upload their own content into Hidelight’s augmented reality. Users can add their own video, audio, and 3D models into virtual exhibit space to be explored by other visitors.

“Your phone is your ticket for this safe and futuristic festival,” writes Sharp on the Ottawa ARt City website.

Augmented reality (AR) is an interactive experience of a real-world environment where objects that reside in the real world are enhanced by digital information.

This technology is being used with Ottawa ARt City to virtually display art pieces at specific locations.

Advertisement

Article content

This merging of real and virtual worlds is often called mixed reality, an environment where physical and digital objects co-exist and interact in real-time.

Exhibit details are accessible through the Hidelight app. Max Peacock/Capital Current jpg

Hidelight uses the user’s mobile device camera to overlay a digital reality over their physical setting. Virtual objects remain spatially proportional and present in augmented reality as users move around in their environment.

Virtual spaces and events have been growing in popularity during the COVID-19 pandemic, but often lack spatial presence and compelling interactivity when being viewed from behind a screen. AR offers some solutions to these challenges in a time where physical spaces are not accessible to everyone.

Back in 2016, Niantic’s Pokemon Go took the world by storm, essentially overlaying a fantasy world over daily physical reality to create a gamified scavenger hunt for virtual assets. This fictional-reality approach to AR is but a single example of how physical and digital worlds can be merged to bring communities together in their local space.

Advertisement

Article content

With ever-present innovation in software and hardware, new possibilities for entrepreneurs and artists alike are on the rise. While many tech giants like Google, Microsoft, and Apple are designing their own interfaces for interacting with mixed realities, Hidelight showcases a local artistic integration of the same technological fundamentals.

While the festival officially ran from July 10 to 18, the exhibits remain accessible through the Hidelight app on iOS devices. If you’re looking for a way to safely engage with local arts and culture while also getting a preview of the next wave of tech, Ottawa ARt City is a summer bucket list must.

This story also appears in Capital Current, the community news site run by Carleton University’s journalism program.

Advertisement

Comments

Postmedia is committed to maintaining a lively but civil forum for discussion and encourage all readers to share their views on our articles. Comments may take up to an hour for moderation before appearing on the site. We ask you to keep your comments relevant and respectful. We have enabled email notifications—you will now receive an email if you receive a reply to your comment, there is an update to a comment thread you follow or if a user you follow comments. Visit our Community Guidelines for more information and details on how to adjust your email settings.

Adblock test (Why?)



Source link

Continue Reading

Art

40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

Published

 on


[unable to retrieve full-text content]

40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



Source link

Continue Reading

Art

John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

Published

 on


[unable to retrieve full-text content]

John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



Source link

Continue Reading

Art

A misspelled memorial to the Brontë sisters gets its dots back at last

Published

 on

 

LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

Source link

Continue Reading

Trending

Exit mobile version