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Bendi’s Arts and Crafts Supplies fulfills lifelong passion for art – TheChronicleHerald.ca

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AMHERST – Although she has worked for years in the automotive financing industry, Brenda Lewis always had an artistic touch.

When she grew tired of her career, she thought she would shift gears and do something else and Bendi’s Arts and Crafts Supplies was born.

“I’ve always had a passion for arts and crafts and carpentry for as long as I can remember,” Lewis said. “I worked in my carpentry shop with my dad and it never left me.”

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Even when she was working in the auto industry she would come home at the end of the day and pick up her brush or work on another creation.

Both she and her husband Brian Sanderson, an engineer, had always talked about easing into retirement and doing something else. Then COVID-19 sped things up. While many businesses were struggling to keep their heads above water, amid the financial crash that came with the global pandemic, Lewis and Sanderson decided to do something akin to jumping off a cliff – they opened a new business.

“I was tired of automotive after 25 years,” said Lewis, who got her start as a nurse and moved to Amherst in 1999. “COVID was an eye-opener. I worked in my garage and decided this is what I want to do. I said to myself, ‘I don’t want to do cars anymore.’ I sold off all the inventory and made the switch.”

Lewis and Sanderson have operated a small business for several years, including a small dealership on South Albion Street, so they are used to adjusting and adapting as well as overcoming.

“The writing was on the wall there. No one knew what the market was going to do,” Sanderson said. “The interesting thing is how much this market spiked. People are at home working, their kids are at home and they want something to do. People were coming to our garage asking if we could sell them some paint or some vinyl, or to cut some wood for them because they couldn’t go out and get it.”

Lewis said it wasn’t hard to open the business, while Sanderson said an opportunity to good to pass up became available with an opening in Dayle’s Grand Market in downtown Amherst.

“We were looking around for property and this opportunity came available,” she said.

After opening July 4 they have done very well. The biggest issue was getting product in on a regular basis. They are trying to purchase as much as possible from Canadian suppliers, although there are some items they have to get from the United States.

“Now we have a good flow,” she said.

Sanderson said the traffic is not where it should be, but they’ve noticed it is improving almost daily as people return to the pre-pandemic shopping patterns.

For the artist, Bendi’s has paints, acrylics, oil paints, pastels, brushes, canvases, paper and even furniture paint. There’s a bit of home décor and craft and she hopes to display local artists and will offer art classes.

It also stocks permanent vinyl and heat transfer vinyl.

Sanderson said there’s a vibrant art community in Cumberland County, including the art gallery in Tidnish Bridge and the Deanne Fitzpatrick’s Rug Hooking Studio in Amherst.

He said it’s difficult to survive as a bricks and mortar art supply business without going online to sell on Etsy and other portals.

They also enjoy being part of the Dayle’s Grand Market success story with a number of small businesses operating under one roof and treating each other as family.

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Unique art collection on display – CTV News Vancouver

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Unique art collection on display  CTV News Vancouver

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This N.B. artist joined an online movement. Now her art is being shown across the world. – CBC.ca

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Since joining a community that dreams of an internet free from giant corporations that can exploit users’ time and data, Victoria West’s digital artwork has been exhibited across the globe.

West, a photographer and digital artist based in Burton, 30 kilometres southeast of Fredericton, has had her work shown in Paris, Rome, Barcelona, Townsville in northeastern Australia, Miami, New York City, and even a museum in Albuquerque, N.M., — all through connections she’s made in Web3.

West warned it was a “rabbit hole,” but what she found in wonderland she doesn’t believe she’d find anywhere else.

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Web3 is a future version of the internet. 

WATCH | Step inside Eden’s Dye, Victoria West’s NYC exhibit:

N.B. photographer explains how AI has freed her art from constraints

3 days ago

Duration 2:23

The work of Victoria West, a photographer and digital artist based in Burton, was recently showcased at an immersive exhibit in the Big Apple.

Web1, West said, was the first version of the internet, in which users passively consumed information.

As the 2000s dawned, Web2 emerged, and users could now post their own content — think Twitter, blogs, YouTube. People are now creating more and more in digital spaces, but the downside of Web2 is that corporations are technically still the owners of all that creation, and they could take your data and potentially do with it as they please.

Enter Web3, which still exists more in theory: nobody and everybody owns the internet. This version aims to be decentralized. It doesn’t eradicate the distrust some people have in mega companies like Google and Meta — it just removes the need for it, because no one person or organization can own the blockchain Web3 operates on. 

West said within Web3 there’s an art movement, with artists working together and taking control of their work. Imagine if Leonardo da Vinci had an internet connection, as well as Raphael, Michelangelo and Donatello. It’s the renaissance all over again, West said, except it’s happening with digital art.

“And it’s happening online on a much bigger scale.”

Before learning about W3 in 2021, West said she was in a photography bubble.

A floor lights up with a digital winding path and flowers. The walls are artistic images of women with flowers blossoming from their faces.
Victoria West designed this whole exhibit, including the floor. Working with a coder friend and two well-known actors and poets, Vincent D’Onofrio and Laurence Fuller, Eden’s Dye became a multi-media experience. (Victoria West)

Photography isn’t the art form West imagined herself pursuing when she was younger. But when she bought a camera after the first commercial digital models arrived on the market in the mid-2000s, she was hooked.

“I was bothering everybody around me to take their portrait,” she said.

She built up her portraiture business, becoming involved with the Professional Photographers of Canada and competing in photography contests. Still, West didn’t want to just capture moments — she wanted to make them. 

A piece of art shows a naked man curled up in the palm of a giant, stone-like hand. The world appears a wasteland in ashes behind them.
Victoria West created this piece of digital art, which was exhibited at The Crypt Gallery, another gallery in New York City. (Submitted by Victoria West)

That’s when artificial intelligence came on the scene. 

West was using Midjourney, a generative AI program, when it was still in beta testing. Around the same time she became involved with Web3, she experimented with blending AI-produced textures into her photography. In her business, AI quickened her workflow and allowed her to change backdrops and furniture. 

While creating a piece in 2023 called When I Die, West wanted to design a man underground with roots blossoming into a tree. Well, there aren’t any blossoming trees in Canada in February, West joked — so she made the tree using AI.

“I feel like someone took handcuffs off me, and I’m free,” she said.

A woman with long, wavy hair in balayage blonde colouring stands in a photography studio.
West says technology will progress and the internet will change, but what she really wanted was for people to walk into Eden’s Dye and be amazed by the experience. (Shane Fowler/CBC)

Lauren Cruikshank, an associate professor in culture and media studies at the University of New Brunswick, has spoken about the use of AI in universities, but she also thinks about it through an artistic lens.

From the camera to spell check, Cruikshank said the same discussion happens with each new medium: how much of the artistry belongs to the artist, how much to the tools they’re using?

“For some people where it gets uncomfortable is where the role of the human is minimal compared to how much the AI tool is creating or having creative influence,” she said.

With AI, Cruikshank agreed there are degrees — there’s a difference between prompting an AI to generate an image of a beautiful sunset and claiming it as your artwork and what West is doing, combining AI with her own artistry. 

“That sounds really compelling to me,” Cruikshank said.

A smiling woman with wavy blonde hair and wearing a charcoal turtleneck stands in front of a bookshelf.
Lauren Cruikshank is a professor in the media studies department at the University of New Brunswick. (Submitted by Lauren Cruikshank)

When West first saw Lume Studios on Broadway in lower Manhattan, the place she’d eventually display Eden’s Dye, her immersive art exhibit, she knew she wanted it immediately.

She collaborated on the exhibit with some of her Web3 friends. Los Angeles actors and poets Laurence Fuller and Vincent D’Onofrio wrote poetry to accompany each piece of art, which West created using both photography and AI. A coder friend joined the crew, and the result was a floor-to-ceiling immersive exhibit. West’s collaborators also choreographed performances to complement the art, using music produced by AI.

“Why wouldn’t I do that if I can?” West asked. “It’s freeing, I think, and lets you push the boundaries of photography and what you can do with it.”

While the exhibit leaned heavily on romantic, classical themes and Baroque aesthetics, Eden’s Dye is almost a premonition: minted, digital artwork taking up entire walls in people’s homes, flowers growing from code, experiencing art in virtual realms.

Demand will only grow, West said. Technology will progress and the internet will change. But what she really wanted was for people to walk into Eden’s Dye and be amazed by the art they were experiencing.

“They came because of the art, and they were there enjoying the art. You don’t really need to understand anything beyond that.”

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Niagara quilt expo to explore history of modern art form – Welland Tribune

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These aren’t your grandma’s quilts.

Being a grandmother herself, Lorna Costantini said she’s not a huge fan of the above phrase, but she can’t help but use it to describe modern quilting.

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