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Bike or walk your way through self-guided public-art tours that turn Vancouver and area into outdoor gallery

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If you’re craving a cultural fix, but COVID has you sticking to the great outdoors, a host of self-guided biking and walking tours are waiting to show you a new world of public art.

So while you may be well-acquainted with the giant sparrows in Myfanwy MacLeod’s sculpture The Birds in Olympic Village or the howling mass of bronze figures in Yue Minjun’s A-maze-ing Laughter at English Bay, there are dozens of lesser-known but equally enticing creations tucked along the region’s pathways and bike routes.

Grab your smartphone, your sunblock, and, if you’re so inclined, your two wheels: here are a few artfully minded tours to take on your next day out.

<span class=”picturefill” data-picture data-alt=”Marcus Bowcott’sTrans Am Totem near Science World, part of the Vancouver Biennale’s public art legacy.”>
Marcus Bowcott’sTrans Am Totem near Science World, part of the Vancouver Biennale’s public art legacy.
Vancouver Biennale

BIKEnnale/WALKennale

Vancouver Biennale offers 12 unique, self-guided GPS routes through the city’s neighbourhoods, highlighting great public art, architecture, and layers of local history until August 30. You can register for $5 to get access to all of the new routes that get unveiled each weekend. The Ride With GPS app allows registrants to follow the BIKEnnale/WALKennale paths, guided by a friendly turn-by-turn voice. And note that the bike-share service Mobi by Shaw Go offers free 24-hour passes to registered participants on each Sunday during the event.

Artworks of interest: Marvel at works that the biennial public-art celebration has brought to the city: Chinese artist Michael Zheng’s The Stop, a series of stop signs with their backs painted pink, at Alberta Street and West 3rd Avenue; or Brazilian artist José Resende’s WOW Westminster, a gigantic red W built from four cantilevered shipping containers along New Westminster’s riverside walk.

Info: vancouverbiennale.com/

<span class=”picturefill” data-picture data-alt=”Gathie Falk’s 18 Pairs of Blue and White Running Shoes at West 35th and Cambie.”>
Gathie Falk’s 18 Pairs of Blue and White Running Shoes at West 35th and Cambie.
Maureen Smith

City of Vancouver self-guided public-art tours

The City of Vancouver has handy maps to follow by phone, complete with pictures and details about the pieces you discover. Self-guided tours include the downtown waterfront area and Yaletown.

Artworks of interest: Check out Samuel Roy-Bois’s Still Standing, a 2019 installation at 1750 Pendrell Street—a folding screen made up of aluminum “shingles” that recall the cedar shakes of old West End houses, First Nations plank houses, and fish scales. And now’s your chance to see the latest public artwork by West Coast legend Gathie Falk: 18 Pairs of Blue and White Running Shoes, at West 35th Avenue and Cambie Street, is lined up along a concrete planter wall in a Washington Properties development. Installed with two other sculptures by the artist on the site (900 Oranges and 10 Baseball Caps), it illustrates her ability to raise everyday objects into high art, repeating the imagery to comment on ideas of gender and status. And don’t miss Peter Gazendam’s A Long Conversation (For Oona), his 2017 series of larger-than-life bronze banana slugs, installed in and around Columbia College’s Terminal Avenue campus.

Info: vancouver.ca/parks-recreation-culture/explore-the-public-art-registries.aspx

<span class=”picturefill” data-picture data-alt=”The City of North Vancouver’s Nebula Garden, by Claudia Cuesta and Bill Baker.”>
The City of North Vancouver’s Nebula Garden, by Claudia Cuesta and Bill Baker.

North Shore public art map

With its own ever-expanding array of conversation-starting public artworks, the city offers self-guided tours customized for areas like Central Lonsdale, Lynn Valley, Deep Cove, and Edgemont, complete with online map, photos, and background info.

Artworks of interest: Claudia Cuesta and Bill Baker’s mesmerizing Nebula Garden in Lower Lonsdale is a 40-foot curved wall that features formless liquid masses shifting and changing with atmospheric conditions—a transcendent, digitally lit salute to the terrestrial and the galactic. Elsewhere, you’ll have seen, but maybe not fully appreciated, Douglas Senft’s steel cathedral in a park near Lonsdale Quay, a spidery construction that reflects the peaks of the surrounding North Shore mountains.

Info: gisext2.cnv.org/publicart/

John Marston’s Honouring Our Cedar in North Vancouver.
North Vancouver Culture Compass

North Shore Culture Compass

Just as COVID-19 was pushing us into lockdown this spring, North Vancouver launched this user-friendly map-guide to the area’s cultural resources—including all of its public art, with helpful background info and a handy TransLink trip planner.

Artworks of interest: Look hard for Ken Clarke’s hidden Coho Creek—Spirits, which finds the titular creatures nestled in a bioswale alongside the Green Necklace pathway. Coast Salish carver John Marston’s Honouring Our Cedar, from 2015, is also worth a stop as you roll along the Mosquito Creek pathway—a contemporary-edged work that pays tribute to the ancient material and its importance to the region.

Info: www.northshoreculturecompass.ca/ 

 

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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