K-pop band BTS are joining forces with some of the world’s leading artists for an ambitious global art project.
Called Connect, BTS, it will see Sir Antony Gormley creating a giant aluminium “scribble” in New York, and the creation of a “virtual forest” inside London’s Serpentine Gallery.
In Argentina, Tomás Saraceno will “float” a human above the Salinas Grandes in a solar-powered balloon.
BTS said the project was meant to send a “positive message for the world”.
Installations will go on show in London, Berlin, New York, Buenos Aires and Seoul, funded in part by the band’s seven members.
“What was meaningful for us is how these artwork are completed through the experience of the people who see them,” said band-member Jeon Jung-kook.
“We also feel our performances are made complete with our fans. So we found a common ground between what we do with the music and with the art.”
One of the works, Yiyun Kang’s Beyond The Scene, is billed as a “re-imagining of BTS’ signature dance movements”, projected onto the walls of the Dongdaemun Plaza in downtown Seoul.
Kang said she had studied the band’s choreography for hours while developing the installation. “Sometimes my eyes cannot focus on the screen anymore, because I’ve been watching so many videos on YouTube,” she told the BBC.
She also interviewed the band’s fans, known affectionately as the “BTS Army”, to give her piece added context.
“Just copying the choreography doesn’t make sense,” she said. “The essence of the BTS phenomenon is that you have to be more inclusive, to be more sustainable so we can live together. “
Not to be outdone, Angel of the North sculptor Sir Antony Gormley is creating a “drawing in space” on Brooklyn Bridge in New York using 16km of aluminium tubing that loops around and turns in on itself.
The artist confessed he hadn’t heard of BTS until he was approached to take part in the project last month.
“I had to do a very rapid, self-taught course on K-Pop,” he said.
Tomás Saraceno will attempt to set several world records in Argentina, as he “floats” a human into the sky, lifted by a balloon “powered only by the sun and the air we breathe, without fossil fuels, solar panels, batteries or helium”.
“The way it flies is simple: The hot air inside expands and becomes lighter than the cold air outside, lifting the sculpture,” he explained.
‘Building bridges’
The artist also announced plans to send a self-powered balloon from London to Seoul, with the help of BTS fans.
The craft, which is made of recycled plastic bags, will be launched in London and travel across Europe, Russia and China before reaching its final destination in Korea – with fans tracking its progress online, and helping out if it gets marooned.
“It’s a way to connect people across countries, across energies, across generations,” Saraceno told the BBC (Organisers of Connect, BTS have clarified that this project is not an official part of their programme, although it was inspired by it).
In Berlin, 17 performance artists will explore themes of healing and community; while London’s Serpentine gallery is host to Catharsis, a digital recreation of an ancient forest by Danish artist Jakob Kudsk Steensen.
Visitors will find themselves seeing everything from the trees’ underground roots to the view from the forest canopy high in the sky as it changes with the effects of sunlight and wind. Fans can also experience the “virtual forest” online at catharsis.live.
Serpentine Gallery artistic director Hans-Ulrich Obrist said the project was about “bridge-building”.
“It’s about connecting everyone who is interested with BTS with everyone who is interested in contemporary art. It’s all about creating these new junctions.”
It has not been disclosed how much the whole Connect, BTS project will cost.
Since their debut in 2013, BTS have become one of the biggest bands on the planet, playing two sold-out nights at Wembley Stadium last year.
Speaking by video-link from Seoul, the septet said the art project was an attempt to “give back some of the amazing love that we receive”.
“We have always been inspired by the ability of music to communicate across borders, which is not very different to what art does,” they said.
“I just became a fan of what they call fine art and visual art from last year, so I’m just a beginner,” added singer Kim Nam-joon, who is also known to fans as RM.
“So currently my favourite hobby is to visit all the galleries and museums and see all the great pieces. It gives me a whole other world of thrill and shock and inspiration.”
The project has been curated by renowned Korean artist Daehyung Lee, who pulled together the various strands in just seven months.
“Connecting five different cities means connecting five different time zones and five different [art] institutions,” he explained. “So conceptually, ‘connect’ is a beautiful word – but physically and mentally and biologically it’s quite dangerous.”
He said the goal was to unite people of “different cultural backgrounds, social classes, ethnicities genders and identities”, reflecting the way BTS’s music had broken down borders.
Sir Antony Gormley said it was this philosophy that had persuaded him to take part.
“This is such a refreshing break-out,” he said. “We have become used to the silos of the culture industry. We have been used to receiving art through the agency of the gallery, the museum, the art fair and the Biennale. All of them are speaking to the converted.
“This is a little, self-serving art world. Here is an opportunity for us to jump out of our silos.”
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
