When Sara Lopez Assu took over the reigns of the Campbell River Art Gallery as its new executive director early in 2020, she was excited to get to work. Little did she know she was about to guide the facility and organization through one of the most challenging years in its history.
When COVID-19 was declared a pandemic in March, and restrictions began being put in place, her role leading an organization whose goal is to bring people together and celebrate art and artists suddenly became a lot more difficult.
And as she looked back on the year late last month, she wanted to see the statistics to see how bad it really was.
How many fewer people walked through the doors? How many fewer people were reached by the great work they were doing? How many fewer kids got to take advantage of their Super Saturday art sessions?
“It was a bit depressing at first, because obviously the numbers are so much lower than previous years,” Lopez Assu says, “but then we considered that we were 10 months in a pandemic, we turned it around and instead made it a celebration of the small victories and used it to pat ourselves on the back.”
Yes, the numbers were down, but she’s choosing to look at the positives.
After all, despite having no “openings” this year, the gallery still had 3,205 visitors.
People volunteered at the gallery for 533 hours.
Their live virtual talks brought in 128 viewers, and their online workshops had 31 people show up.
“Sure, we didn’t see tens of thousands of visitors last year,” she says, “but we managed to get a fair number of people through our doors despite what was going on in the world. So it was nice to reflect on how we managed to pivot and still engage with people in some capacity in what was maybe our hardest year ever. It would be easy to look back and be disappointed that we had to cancel things and got a fraction of the people in that we might have otherwise, but that’s not going to get us anywhere.”
And they learned a few things along the way that they’re going to use as they move forward into another year of uncertainty, Assu says.
“I think if there’s an overarching theme to what we’re looking at going forward it’s ‘community building,’” she says. “Celebrating close to home was the biggest take-away from 2020 for me, was that we can still be community builders and reach out to people while everyone became homebodies, so 2021 will be all about continuing to reach out to people and celebrating the things that are close to home.”
One of the ways they’ll continue that trend, she says, is to keep partnering up with other local organizations and developing an atmosphere of cross-pollination within the local art scene.
“When you think about Sugarbush Shrapnel in November, it had some strong themes of environmental sustainability and Indigenous ways of knowing, we made some connections with Greenways (Land Trust) on that,” she says. “While the folks at Greenways might not be intuitively interested in art, necessarily, there is art that can be interesting and important to people who have those kinds of interests. And similarly, how can we get folks who are interested in art engaged in the discussions surrounding climate change and environmental stewardship?
“We want to be community players and community partners, so cross-promoting each other like that is a really good way of everyone helping each other out,” she continues, “and it also helps bring together a diverse set of voices, which I think is really important, and is really what art is all about: having wide open conversations about complex issues and allowing different voices to chime in.”
And they’ll be starting off the year with another example of that: the annual Members’ Show, in collaboration with the Campbell River Arts Council, which once again celebrates local artists and artisans both in the physical gallery and online, beginning Jan. 14.
Watch both organizations’ social media platforms for information on how to experience the exhibition, and stay tuned for more exciting announcements from the gallery in the coming months as they continue to navigate another uncertain year in 2021.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
