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Can Anything Stop the News-Industry Meltdown? – The Atlantic

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For a few hours last Tuesday, the entire news business seemed to be collapsing all at once. Journalists at Time magazine and National Geographic announced that they had been laid off. Unionized employees at magazines owned by Condé Nast staged a one-day strike to protest imminent cuts. By far the grimmest news was from the Los Angeles Times, the biggest newspaper west of the Washington, D.C., area. After weeks of rumors, the paper announced that it was cutting 115 people, more than 20 percent of its newsroom.

The Times was once a pillar of the American media establishment, celebrated in David Halberstam’s classic media study, The Powers That Be. Now it has become a national exemplar of what the journalist Margaret Sullivan calls the “ghosting” of the news—the gradual withering of news-gathering muscle as once-proud publications become shadows of their old selves. The biotech billionaire Patrick Soon-Shiong looked like a savior when he bought the Times from its cost-cutting corporate parent in 2018. For a few years, he was; Soon-Shiong invested about $1 billion, by his count, to build up the depleted organization. But he turned out to have his limits. Facing mounting losses, in June last year the Times dropped 74 people from its newsroom. Last week’s even bigger blow was foreshadowed by managerial turmoil: Three top editors, including the executive editor Kevin Merida, resigned just before the news came down. “I won’t fault him for being unwilling to write checks,” Matt Pearce, a Times reporter who is head of the newspaper’s union, told me, referring to Soon-Shiong. But, he added, “we don’t seem to have a clear theory of the case as a business. We need to execute on a strategy. And we don’t have one.” (Soon-Shiong declined to comment for this article.)

The decline of the legacy news media has been playing out for decades, exacerbated most recently by the advent of the internet and the explosion of digital platforms, especially the ad-revenue-gobbling tech giants Google and Meta. Even when when the ad-supported model of journalism still worked, the history of American media was punctuated by periods of dramatic expansion and contraction, often coinciding with the arrival of new technologies. The latest round of cuts, however, represents a grim new milestone. The Washington Post, NBC News, ABC News, NPR, Vice, Vox, and BuzzFeed, among others, have shed hundreds of journalists over the past year. (Disclosure: I’m one of them. In December, I took a buyout from The Washington Post.) No corner of national media seems unaffected. Even Condé Nast’s The New Yorker magazine, heretofore seemingly impervious, announced a numerically insignificant but symbolically freighted staff cut in December. All told, job losses among print-, digital-, and broadcast-news organizations grew by nearly 50 percent during 2023, according to the consulting firm Challenger, Gray & Christmas.

What makes this so unnerving is the fact that the meltdown has come amid—and in seeming defiance of—a generally booming economy. The ranks of professional journalists keep declining even as overall unemployment stays low, incomes rise, and the stock market reaches new heights. What’s more, a presidential-election cycle tends to produce a surge of readers, viewers, and advertisers as people pay closer attention to the news. Not this time, at least so far: Traffic to leading news sites and Nielsen ratings of national cable news trended down throughout 2023.

It’s the same old story, only worse. Since the 2020 presidential election, Facebook has steadily reduced the amount of news that users see in their feed, wiping out a major source of traffic and, as a result, ad revenue. Meanwhile, the 2024 cycle has yet to deliver the expected “Trump bump”—the surge of public interest and subscription revenue generated by fascination with, or alarm over, the previous president—and it may never come. To the contrary, some studies suggest that “news fatigue” has reduced audience demand for journalism in the post-pandemic era.

By far the greatest damage to the news ecosystem over the past 20 years has been at the local level. Nearly all of the 2,900 newspapers that have closed or merged since 2005 have been small weeklies, according to researchers at the Medill School of Journalism at Northwestern University. This has left broad swaths of the country lacking professional reporting of any kind. The death rate among daily papers has been less extreme, if only because many continue to exist in greatly diminished form. One example: Denver’s two primary dailies, the Rocky Mountain News and The Denver Post, employed more than 600 journalists before the Rocky went under in 2009. Ever since, the Post has been peeled like an onion by its owner, the hedge fund Alden Global Capital. Today, its newsroom directory lists just 59 journalists, who are tasked with covering a region that is home to nearly 3 million people.

“As local journalism declines, government officials conduct themselves with less integrity, efficiency, and effectiveness and corporate malfeasance goes unchecked,” observed PEN America in a 2019 white paper. “With the loss of local news, citizens are: less likely to vote, less politically informed, and less likely to run for office.” Not all citizens, though. A weakened local press corps is a gift to someone like George Santos, whose serial fabrications went mostly (if not entirely) unreported during his campaign for Congress.

The outlook for 2024 seems especially cloudy to Sewell Chan, the editor in chief of The Texas Tribune, a nonprofit publication that has been held up as a sustainable news-business model. Chan told me that the past year has been as gloomy for the news industry as 2008–09, the start of the Great Recession, when a number of titles went under. “I fear 2023–24 could be another extinction-level event,” he said.

Chan ticked off a handful of ominous trends: slow-growing ad budgets; rising inflation, which has stymied subscription growth; and a shortage of engineering and newsroom-tech talent that has crimped innovation. Chan suspects that audiences are experiencing subscription overload—too many streaming services, Substack newsletters, and digital publications chasing not enough would-be customers. Then there’s the decline in public trust in news media, a long-running phenomenon on the right that has recently become more bipartisan. An October Gallup poll showed a decline of 18 percent in media “trust” among Democrats and 13 percent among independents over the previous year. Chan also suggested that the media is turning off potential readers by being too relentlessly negative. “No doubt, accountability is at the core of our journalistic mission,” Chan said. “But if all we do is point out how bad politicians are, how our government is failing, and how our democracy is eroding, we’re not exactly offering an appetizing menu.” In August, The Texas Tribune, which emphasizes breaking-news coverage and investigative journalism, had its first layoff since its founding in 2009.

Efforts to arrest the news media’s decline have been ongoing for years. Philanthropic organizations such as the Knight Foundation and the Lenfest Institute for Journalism (which owns The Philadelphia Inquirer) have poured hundreds of millions of dollars into reporting initiatives, almost all aimed at local news. The biggest single commitment, $500 million over five years, was unveiled in September by the MacArthur Foundation, the mega-philanthropy that is leading a coalition of 20-odd charitable organizations to address what MacArthur’s president, John Palfrey, has called “a threat to our democracy.” (Specific grants have not yet been announced.)

Some have called for direct and muscular government intervention. Policy proposals include tax credits for publications that hire reporters and for advertisers that place ads in those publications, as well as increased government spending on public-service ads. A potentially more powerful mechanism: a law compelling Google and Facebook to compensate publishers for the news content the tech companies display on their platforms. Publishers around the world have lined up in support of a law enacted in Australia in 2021 known as the News Media Bargaining Code. The law creates a framework for publishers to negotiate payments from tech giants. Thus far in Australia, the law has resulted in more than $140 million a year in payments, according to the former government official who implemented the bargaining code—a tiny fraction of the $424 billion that Google’s and Facebook’s parent companies collected in revenues last year, but real money to Aussie media companies. The law’s apparent success in supporting journalism has spurred similar proposals in Canada, the United Kingdom, New Zealand, Indonesia, Brazil, Switzerland, and South Africa. California might pass a state-level bargaining code this year. In 2023, Democratic Senator Amy Klobuchar and Republican Senator John Kennedy introduced a federal version. The tech giants themselves, unsurprisingly, have balked; Facebook has blocked news in Canada rather than paying publishers there.

Still, even the threat of bargaining codes can nudge tech companies into negotiations that lead to meaningful payments to publishers, according to Anya Schiffrin, who has studied global media incentives as the director of the technology, media, and communications program at Columbia University’s School of International and Public Affairs, told me that. “I’m a huge believer in bargaining codes,” she told me. But, she predicted, the Klobuchar-Kennedy bill, despite its long list of bipartisan co-sponsors, is unlikely to become law anytime soon. “The Senate seems to have other things to do,” she said.

Among those who wish Congress would act is Soon-Shiong, who responded to criticism from Democratic lawmakers by urging them to pass a law to support news organizations. “I’d like to put the question to them,” he wrote, according to the Times own coverage. “What can they do to help preserve a free and robust press, one that is instrumental in upholding our democracy?”

It’s a fair question. The news industry has been in steady decline for two decades. Expecting some kind of free-market-based turnaround is lunacy. If journalism is essential for preserving democratic self-government, perhaps only democratic self-government can preserve journalism.

Support for this project was provided by the William and Flora Hewlett Foundation.

Paul Farhi recently left The Washington Post, where he reported on the news media for 13 years.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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