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Can ‘Spider-Man: No Way Home’ Catch ‘Avatar’s’ Domestic Box Office Record?

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Spider-Man: No Way Home” is the box office juggernaut that can’t be caught.

The comic book adventure, starring Tom Holland as Marvel’s favorite teen web-slinger, opened in theaters in December and spent every weekend except one as the top movie at the domestic box office. This weekend proved to be no exception. Now in its seventh weekend of release, “No Way Home” has again secured the No. 1 spot over holdovers, including “Scream” and “Sing 2,” capping off a particularly quiet January at the movies.

Over the weekend, Sony’s superhero sequel collected $11 million from 3,675 North American venues, a scant 17% decline from its prior outing. Those ticket sales put Spidey’s latest exploits at $735 million at the box office, maintaining its position as the fourth-highest grossing domestic release in history.

Presently, “No Way Home” is only $25 million from unseating “Avatar” ($760 million) as the third-biggest movie ever (not adjusted for inflation). For any other pandemic-era release, adding another $25 million in ticket sales would be a high — if not insurmountable — barrier to cross since the movie has been available in cinemas for nearly two months. At one point, it seemed unlikely that “Spider-Man” would be able to reach those particular box office heights. But, as past weeks have demonstrated, “No Way Home” is no ordinary movie. It has the kind of legs that most arachnids would kill for. In other words, James Cameron’s groundbreaking 2009 sci-fi epic may soon find itself bumped from bronze. But worry not, Na’vi Nation. “Avatar” will easily maintain its all-time global box office title with $2.802 billion.

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“As the film continues its dominance and notched numerous box office records, it’s a very safe bet that ‘No Way Home’ has yet another milestone to conquer — and that is surpassing the mighty ‘Avatar’s’ North American box office gross to become the third-highest grossing film of all-time,” predicts Paul Dergarabedian, a senior media analyst with Comscore.

Catching the No. 1 and 2 spots in North America, “Avengers: Endgame” ($858 million) and “Star Wars: The Force Awakens” ($936 million), would require nothing short of a miracle. But, hey, third place isn’t so bad considering the state of the world.

At the international box office, “Spider-Man: No Way Home” became one of the select films to cross the $1 billion mark. Even more impressive, it surpassed that milestone without playing in China, the world’s biggest moviegoing market. With $1.74 billion globally, “No Way Home” ranks as the sixth-highest earning movie of all-time at the worldwide box office.

Without any new nationwide releases, “Scream” once again took second place on domestic box office charts. The Paramount Pictures slasher “requel” brought in $7.3 million from 3,518 locations between Friday and Sunday, marking a 40% dip from last weekend. It takes North American revenues to $62.1 million, a decent tally since “Scream” only cost $25 million to produce.

Universal’s “Sing 2” landed at No. 3 with $4.8 million from 3,450 screens. The cartoon musical sequel, which debuted around Christmas, has generated an impressive $134.5 million to date, making it the highest-grossing animated film in pandemic times.

Another Universal release, the faith-based romantic drama “Redeeming Love,” secured fourth place with $1.85 million from 1,963 theaters. Ticket sales fell 48% from its opening, bringing its total to a paltry $6.5 million. Universal is only distributing this film, so at least it isn’t on the hook for production fees.

Disney and 20th Century’s “The King’s Man” rounded out the top five, grossing $1.8 million from 2,440 venues over the weekend. After six weekends in theaters, the prequel in the “Kingsman” action comedy series has earned a moderate $34 million in North America and $114.4 million globally.

After a month that’s been light on new releases, movie theater operators hope attendance picks up in the coming weeks with Lionsgate’s disaster movie “Moonfall” and Paramount’s prank comedy “Jackass Forever” on Feb. 4, Disney and 20th Century’s whodunit “Death on the Nile” on Feb. 11 and Sony’s video game adaptation “Uncharted” on Feb. 18. The next superhero to save the day won’t arrive until Robert Pattinson’s “The Batman,” from Warner Bros. Pictures, hits theaters on March 4. Bat-Signal, consider yourself activated.

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Jon Stewart Slams the Media for Coverage of Trump Trial – The New York Times

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Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.

Media Circus

Opening arguments began in former President Donald Trump’s criminal trial on Monday, with much of the news media coverage homing in on as many details as possible about the proceedings.

Jon Stewart called the trial a “test of the fairness of the American legal system, but it’s also a test of the media’s ability to cover Donald Trump in a responsible way.”

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The Punchiest Punchlines (Insano Edition)

The Bits Worth Watching

Jimmy Kimmel’s sidekick, Guillermo Rodriguez, took the stage with Madonna in Mexico City over the weekend.

What We’re Excited About on Tuesday Night

The economist Stephanie Kelton will chat with Jordan Klepper and Ronny Chieng, the guest co-hosts, on Tuesday’s “Daily Show.”

Also, Check This Out

In “Under the Bridge,” Hulu’s chilling new series, Riley Keough and Lily Gladstone investigate the murder of a teenager.

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Jon Stewart lampoons media’s coverage of Trump’s first day at trial – CNN

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‘Decisive, definitive and regretful’: Iran’s foreign minister issues warning to Israel

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Jon Stewart rips media over coverage of ‘banal’ Trump trial details – The Hill

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Jon Stewart blasted the media for covering the “banal” details of former President Trump’s first of four criminal trials, which began with opening statements Monday following a week of jury selection.

In his Monday night broadcast of “The Daily Show,” Stewart poked fun at the TV news media for tracking Trump’s traffic route from Trump Tower to the courtroom, compiling footage from various outlets, as they tracked each turn his car made.

“Seriously, are we going to follow this guy to court every f‑‑‑ing day? Are you trying to make this O.J. [Simpson]? It’s not a chase. He’s commuting,” Stewart said. “So the media’s first attempt — the very first attempt on the first day — at self-control failed.”

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Media outlets have closely covered Trump in recent days, as he makes history as the first U.S. president to stand trial on criminal charges. Trump is also the presumptive GOP nominee for president this year.

Trump currently faces 34 criminal counts of falsifying business records in connection to reimbursements to his then-fixer, Michael Cohen, who paid adult film actress Stormy Daniels $130,000 ahead of the 2016 election to stay quiet about an alleged affair she had with the former president a decade prior. It is the first of four criminal trials Trump will face, and perhaps the only one that will go to a jury before the November election.

Stewart, in his broadcast, took aim at TV news outlets, suggesting they were covering small news alerts as significant breaking news developments.

Stewart pretended a producer was talking in his earpiece and paused midsentence, saying, “Hold on. We’re getting breaking news,” and cut to a clip from an earlier interview conducted by CNN’s Jake Tapper, who similarly cut off his guest momentarily to identify a photo displayed on screen to his audience.

“I’m sorry to interrupt. Just for one second. I apologize,” Tapper said in the clip. “We’re just showing the first image of Donald Trump from inside the courtroom. It’s a still photograph that we’re showing there. Just want to make sure our viewers know what they’re looking at.”

Stewart shot back, saying, “Yes, for our viewers who are just waking up from a 30-year coma, this is what Donald Trump has looked like every day for the past 30 years. Same outfit.”

Stewart ripped CNN again for analyzing the courtroom sketches so closely, saying, “It’s a sketch. Why would anyone analyze a sketch like it was — it’d be like looking at the Last Supper and going, ‘Why do you think Jesus looks so sad here? What do you think? It’s because of Judas?’”

“Look, at some point in this trial, something important and revelatory is going to happen,” Stewart said. “But none of us are going to notice, because of the hours spent on his speculative facial ticks. If the media tries to make us feel like the most mundane bullshit is earth-shattering, we won’t believe you when it’s really interesting.”

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