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Canadian sculptor's artistic roots lead to Mann Art Gallery donation – Prince Albert Daily Herald

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The Mann Art Gallery in Prince Albert received a major boost in November thanks to a prominent international artist and former Prince Albert resident.

Canadian sculptor Aganetha Dyck and her family donated 66 pieces for the Mann Art Gallery, including a shrunken clothing series titled ‘Sizes 8-46’ and later work with honeybees involving jars, feeder boards, drawings, and beeswax-covered ceramics.

“I was just so delighted,” Mann Art Gallery curator and director Marcus Miller said when asked about the donation. “It was really just fantastic.”

Miller received a message from Dyck in late September about a possible donation. The donation it will take gallery employees months to catalogue and appraise the collection.

“All that backroom kind of stuff is going to be done over the course of the next year,” Miller explained. “In August, I think, it should be all processed and we should be able to start showing them after then.”

Dyck was born to a Mennonite family in Winnipeg in 1937. She moved to Prince Albert with her husband in 1972 and began her artistic training under the instruction of George Glenn and Margaret van Walsem.

Although Dyck and her family moved back to Winnipeg in 1976, she continued her artistic pursuits, and had her first solo show in 1979. Since then, she’s shown her work at hundreds of solo and group exhibits across Canada, and in the United States and Europe. She’s won a number of awards for her work, including the Governor General’s Award in Visual Arts and Media in 2007.

TURN – Mann Art Gallery adds to permanent collection with two new purchases

Although she became an international artist, Dyck never forgot her artistic roots in Prince Albert. Miller said that was a big reason for the donation.

“She wrote me this lovely email and she explained that she actually had her artistic formation when she lived in Prince Albert,” Miller said. “I’m just tickled pink that we have that fantastic donation from her.”

Dyck is best known for her work with honeybees, which she started in 1989. She describes the work as a collaboration, placing objects into bee hives and allowing the insects to build honeycomb on top of the pieces. A single work can sometimes take years to complete.

The most prominent is ‘Glass Dress: Lady in Waiting’, which is on display in the National Gallery of Canada, and took six years to complete.

“(The Mann Art Gallery) is a great home for the Aganetha Dyck works,” Miller said. “She became an artist in Prince Albert, so I’m just so happy to have these.”

Dyck’s works weren’t the only new pieces the gallery acquired towards the end of 2021. Thanks to the generous patronage of Roger and Diane Mann, the gallery was able to purchase two new paintings from local artists: ‘Complex Sky’ by Gregory Hardy, and ‘Wildfire’ by Ken van Rees.

Both works are on display until Jan. 15.

“These two paintings by these two artists who work in our midst and work in our area are really going to enhance our collection,” Miller said. “The Mann Art Gallery is the place for this.”

Both artists have a collection of works on display at the Mann Art Gallery, and Miller said he’s confident they purchased the best ones.

Ken van Rees’ work is the most recent, having just been completed in 2021. The piece uses charcoal logs placed on canvas and mounted on a birch panel.

A former soil scientist with the University of Saskatchewan, van Rees was inspired by the charred wood left at a soil plot in northern Saskatchewan following the 2015 wildfires. He noticed the charred remains rubbing off on his clothes, and decided to put it to artistic use as a member of the local Men who Paint group.

“I believe that we got the most beautiful (work),” Miller said. “These are abstract works, but they’re also produced in the boreal forest around our area. It’s a very different way of making the paintings, but they’re also beautiful.”

Hardy’s completed his painting in 2019. It’s a charcoal and acrylic paint on canvas that features Saskatchewan skies prominently. Like van Rees, Harding has a local connection, having created the work at his cabin not far from Prince Albert.

“What he’s really known for—and what would strike you if you walked into this show—is how concrete and prominent the sky is in all his paintings,” Miller said. “The one we purchased, I think, is the stellar one in the show. It’s a beautiful, beautiful painting. It’s a fantastic, dazzling painting.”

Miller also thanked the Manns for their support, which he credited for helping build the Mann Art Gallery’s collection into one of the best in the province.

“Today, we have about 4,000 objects in our collection,” he explained. “I would say it’s probably one of the most important public collections of art in the province, and it’s thanks to Diane and Roger Mann.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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