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CES Preview: Content Takes Center Stage (Top 5 Storylines For Media & Tech) – Forbes

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Well, it’s that time of year again. No, not the holidays. I’m talking about the Consumer Electronics Show (CES) that kicks off the new year to showcase the latest and greatest in tech (and snap us all out of our holiday hibernations). And, this time, media, entertainment and content share the stage with all the new gadgetry in this annual gathering of the tribe. Jeffrey Katzenberg (the quintessential Hollywood mogul) and Meg Whitman (his NorCal tech titan doppelganger) will keynote the event to discuss their pioneering new mobile-first video service Quibi and reveal Quibi’s first mini-sodes. The dynamic duo’s “Hollywood meets Silicon Valley” Quibi storyline serves as the perfect mantra for this year’s CES. NBCUniversal’s secondary keynote adds more content fuel to the CES punch. Execs from the Peacock will also discuss their upcoming entry into the overall subscription video on demand (SVOD) wars – which, for better or worse (you be the judge), is actually called “Peacock.”

Here’s a preview of CES’s headline stories for media, entertainment and tech execs.

(1) The Great Streaming Wars of 2020

Netflix versus all SVOD comers – and there are now lots of them – is the headline media story for CES. Netflix, of course, remains the undisputed champ amidst long-time SVOD rivals Amazon Prime Video and Hulu (respectively 2 and 3 in the U.S.). But 2020 promises to be a whole new world for the champ, since both Disney+ and Apple TV+ are now immediate mega-players with mega-cash. I recently wrote about Netflix’s daunting future for Forbes, and all other SVODs also face an uncertain future given the intensity of the competition amongst goliaths. Perhaps Disney+ is least immune and most certain to be a long-term winner, given that Disney holds content and franchise crown jewels that no others can match (not even close). These include Star Wars, Marvel, Pixar, the Disney Princesses, and its new Fox and friends (X-Men, Avatar, The Simpsons). CES gives each SVOD contender a chance to tell its story and convince us that it can win amidst this SVOD fever.

(2) The Coming 5G Wave

5G promises to be a massive overarching story at CES for myriad reasons, not the least of which is its anticipated transformational role in our media and entertainment experiences. 5G speed and capacity mean that we all will have more reason to live our lives heads down on our mobile devices. Gone are the days of pixelation and buffering. We will voraciously consume copious amounts of video content on our smallest of screens since our movie and television experiences will be even more impactful. But it’s much more than video. 5G promises to accelerate the already explosive growth of eSports – a $1 billion plus industry today that will double in just a few years. Cloud-based gaming takes center stage as 5G networks deploy, since latency becomes a thing of the past (think Google’s Stadia and Apple’s Arcade here). 5G also means that, at long last, augment reality’s (AR’s) mass market promise begins to reveal itself given the edge-based computing 5G facilitates.

(3) AR Gets Real

Speaking of AR, 2020 promises to be its break-out year due, in large part, to 5G’s transformational power. Expect the AR ecosystem (both content/experiences and the hardware/glasses that facilitate them) to immerse CES as a result. Apple’s great hope (and our collective expectation) for its “next big thing” may be its long-anticipated AR glasses. Many expect to see those enter the marketplace in 2020. Maybe that’s why Apple will actively participate at CES this year for the first time in nearly three decades (yes, decades!). (Of course, Apple also faces pressure to convince us that Apple TV+ will be a breakout hit, because results have underwhelmed so far). Many attendees will also look for long-time AR darling Magic Leap to see how it plans to justify its near $3 billion investment to date. Entertainment experiences drive a significant part of its story, and now it’s time for Magic Leap to deliver a real, significant and scaling monetization story (rather than a semi-immersive promise of one).

(4) AI’s Home Invasion Accelerates

Artificial Intelligence (AI) already has transformed our entertainment experiences in significant ways. Amazon’s Alexa and Apple’s Siri have become our new DJs, serving up our favorite music choices on demand in our homes and on our smart speakers (which are sure to abound at CES). The music business benefits greatly from this home invasion, which is yet one more factor that continues to drive annual double-digit growth for a long-starved industry that is expected to more than double in size to $45 billion by 2030, according to Goldman Sachs. AI moves beyond music in 2020 and begins to actively transform our video experiences as well, and we will see those early efforts on display at CES. AI-born virtual beings will also join us in Las Vegas this year, giving us an early sign of the mind-blowing things to come.

(5) TV’s, TV’s & More TV’s

CES wouldn’t be CES, of course, without TVs filling every inch of Las Vegas’s convention walls and halls. Each year, the industry gives us yet more reasons to ditch our existing living room screens for their “next big thing” – always bigger and better (after all, TV size and resolution have no limits, do they?). And, now that the great streaming wars have kicked off in earnest – and our SVOD-driven premium television and movie programming choices are better than ever – we have even more reasons to listen to the tech pitch people. Let’s also not forget about our new “TV’s” – our mobile devices. New mobile form factors will fill the halls (remember last year’s foldable phones?), especially with the coming onslaught of 5G. That’s good news for mobile-first Quibi. Katzenberg and Whitman have timed it well.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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