Chapel Hill Art + Transit partners with local artists for LGBTQ+ themed designs - The Daily Tar Heel | Canada News Media
Connect with us

Art

Chapel Hill Art + Transit partners with local artists for LGBTQ+ themed designs – The Daily Tar Heel

Published

 on


Chapel Hill’s Art + Transit program unveiled a new LGBTQ+ themed bus and bus shelter after partnering with two local queer artists.  

The bus, titled “Can’t Stop Pride,” is a collaboration between Art + Transit and the Town’s LGBTQIA+ Employee Resource Group.   

Staff members of the group chose Durham artist Wutang McDougal for the bus’ design, which features LGBTQ+ imagery within a bright color palette. McDougal did not respond to The Daily Tar Heel’s requests for comment.

Raleigh-based installation artist Jane Cheek designed the bus shelter, “We Knew Intersectionality Was the Way Forward,” which features overlapping circles that display the colors of the Progress Pride Flag. 

Including the Pride installation, nine new bus shelters and one art bus now join the more than 30 art installations on local transit infrastructure. Art + Transit,  an initiative led by Chapel Hill Community Arts & Culture and Chapel Hill Transit, began its initiative in 2018 to make commutes more vibrant through bus and bus shelter art.

Steve Wright, the public art coordinator for Chapel Hill Community Arts & Culture, said Art + Transit wanted to focus specifically on LGBTQ+ Pride. 

“For the bus wrap, we definitely knew we wanted to have a wrap themed for Pride,” Wright said.

In their artist statement, McDougal said they wanted to represent pride in Black queerness, the transgender community and queer love through the design. 

Cheek said that while the Town didn’t give specific thematic guidelines for the piece, her focus involved building community and increasing queer visibility.  

“I know for me personally, one of the things that makes me feel welcomed or safe is seeing Pride flags,” Cheek said. “So incorporating that into my work has been kind of a theme recently.”

Brian Litchfield, Chapel Hill’s transit director, said the Art + Transit program centers around enlivening the community, making art more accessible for community members and supporting local artists.  

“This year one of our focuses was on supporting local artists and also providing an opportunity to express our support and values related to the LGBTQIA+ community,” he said. 

The other new bus shelter installations feature varying themes, ranging from Antonio Alanis’ “Sun,” which draws inspiration from Latin American designs, to Sally Gregoire’s “Barning Around in North Carolina,” which is an acknowledgment of the agricultural history of North Carolina, according to her artist statement on the piece.

Collage artist and photographer Sara Roberts said her installation, “Blooms Over Chapel Hill,” was primarily aimed at bringing joy to community members. Roberts said her art is heavily inspired by her time spent in nature while growing up in North Carolina.           

“For this particular installation, I just wanted to capture the bright things in the community,” Roberts said. “I just wanted people to find some light.”  

Her floral design incorporates Chapel Hill landmarks like the Old Well and Varsity Theatre, and each petal features her original photography from the area. 

Roberts said a large part of the project involved giving back to the community in a way that was readily accessible.

“As artists, we love people,” she said. “And the best way we can give back to people is through public art, and I think it’s super, super important.”

Wright said Art + Transit plans to continue its public art initiative in the spring when there will be a new round of bus shelter installations and an additional art bus.       

@taylorbarnhill_

@DTHCityState | city@dailytarheel.com 

To get the day’s news and headlines in your inbox each morning, sign up for our email newsletters.

Adblock test (Why?)



Source link

Continue Reading

Art

Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

Published

 on

In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

Continue Reading

Art

Ukrainian sells art in Essex while stuck in a warzone – BBC.com

Published

 on


[unable to retrieve full-text content]

Ukrainian sells art in Essex while stuck in a warzone  BBC.com



Source link

Continue Reading

Art

Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

Published

 on

The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

Source link

Continue Reading

Trending

Exit mobile version