THUNDER BAY — A City of Thunder Bay official expects the cost of remediating contaminated soil around the site of the new waterfront art gallery will be nowhere near the maximum amount outlined in a city report three years ago.
An estimate provided to city council in 2017 pegged the bill for dealing with the issue as high as $5.7 million.
That figure assumed that total excavation, removal and replacement of all contaminated soil would be required.
The same report stated the cost could fall to as low as $250,000, assuming only minimal remediation activity would be needed.
Tbnewswatch.com published the figures last week in a story that updated the city’s efforts to meet the provincial government’s requirements for the redevelopment of brownfield (former industrial) properties.
After submitting two Risk Assessments to the Ministry of the Environment, Conservation and Parks in the past year, the ministry recently asked the city to clarify some of the data it provided.
Although the ministry has not signed off on the city’s plan as yet, Director of Asset Management Gerry Broere indicated Monday that he is optimistic about the outcome.
Referring to the cost of remediation, Broere said “I can tell you with confidence that we won’t be near the high end. We will be at the lower end, but not at the lowest end” of the 2017 estimate.
“What we’re looking for from the ministry is confirmation of the strategy that we want to utilize. Based on the strategy that we’ve proposed is the numbers that I’m talking about today,” he told Tbnewswatch without disclosing any revised figures.
The city’s strategy, Broere revealed, includes capping the contaminated material.
He clarified, however, that the city has had no indication yet if the ministry feels the plan is appropriate.
Capping involves installation of a surface barrier that restricts water infiltration into a contaminated subsurface.
Broere also noted that the city won’t be solely responsible for the cost of whatever approach is eventually approved.
He said it will be shared with the Thunder Bay Art Gallery based on the amount of land utilized by each party.
The city is developing some public lands in the vicinity simultaneously with the construction of the art gallery.
The gallery will lease its site from the municipality.
Gallery executive-director Sharon Godwin said Monday “We don’t have the numbers yet,” but added “At this point, we don’t anticipate huge costs around remediation.”
Godwin echoed Broere in saying that’s based on the expectation the environment ministry will not require the removal of large amounts of soil.
A spokeswoman for the ministry confirmed the city has been asked for additional information about its proposal, but she declined to provide details.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
