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City of Toronto and Government of Québec will collaborate to host ArtworxTO symposium “Public Art of Tomorrow” – City of Toronto – toronto.ca

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News Release

November 12, 2021

The City of Toronto and the Government of Québec will host a three-day virtual symposium, focusing on the future of public art in cities. The ArtworxTO symposium “Public Art of Tomorrow” will run from Monday, November 22 to Wednesday, November 24, as part of ArtworxTO: Toronto’s Year of Public Art 2021–2022.

This virtual symposium will celebrate Toronto’s impressive existing public art collection, while discussing the future role of art and artists within urban centres. Keynote speakers, panelists and industry leaders will discuss pandemic recovery and rebuilding — specifically the essential role of the cultural and creative sectors within urban areas.

Public art is at the heart of a city’s development and vitality. By reimagining and animating public spaces, cities can bring people back to plazas, main streets and neighbourhoods that were severely impacted by the pandemic. The integration of public art in communities city-wide connects citizens to their surroundings and assists with the social development and sustainability of the sector.

Building upon the relationship between Toronto and the province of Québec, the symposium will connect arts organizations, industry professionals and businesses from Toronto, Montréal and Québec to work together towards economic recovery. The Content Director of the symposium is MASSIVart and the three-day virtual event will be hosted on Swapcard.

The symposium will include conferences, panels, discussions, artist showcases, an ArtworxTO call for proposal to artists with ties to Ontario and Québec representing the theme “Public Art of Tomorrow”  and art displays throughout Toronto that the public may view in-person. Attendees will get to vote on the temporary public artwork that they want to see installed as part of ArtworxTO.

Confirmed symposium speakers include:

  • Tom Finkelpearl, former Commissioner of the New York City Department of Cultural Affairs
  • Sara Diamond, President Emerita, OCAD University
  • Ana Serrano, President & Vice Chancellor, OCAD University
  • Ashley McKenzie-Barnes, Curator and CCO/Founder, D.PE Agency
  • Pierre Poussin, artist
  • Farnoosh Talaee , Director of Mayten’s
  • Guillaume Aniorté, Partenariat Quartier des spectacles, Montréal
  • T’uy’t’tanat Cease Wyss, Interdisciplinary artist (Toronto/B.C.)

Participating speakers, artists and industry leaders will be live from all over North America, discussing topics including: “Public Art: A Real Possibility for Social Change?”; “Actions to Take Now for A Better Public Art Future”; “How to Export Canadian Public Art Expertise”; and “Reaching the Community & Citizens Through Public Art”.

The symposium is part of ArtworxTO: Toronto’s Year of Public Art 2021–2022, which kicks off the City’s new 10-Year of Public Art Strategy and signals Toronto’s renewed commitment to public art.

The City’s 10-Year Public Art Strategy is available here

More information about ArtworxTO: Toronto’s Year of Public Art 2021–2022, including an interactive map of the City’s extensive collection of public art, is available here

Registration for the symposium is available here

Quote:

“Public art continues to play a critical role in the vitality of cities, especially during this period of pandemic recovery and rebuilding. I’m delighted that the City of Toronto and the Government of Québec are partnering through this symposium to discuss the essential role of the cultural and creative sectors within urban areas and to celebrate Toronto’s impressive public art collection.”

– Mayor John Tory

Toronto is home to more than 2.9 million people whose diversity and experiences make this great city Canada’s leading economic engine and one of the world’s most diverse and livable cities. As the fourth largest city in North America, Toronto is a global leader in technology, finance, film, music, culture and innovation, and consistently places at the top of international rankings due to investments championed by its government, residents and businesses. For more information visit the City’s website or follow us on Twitter, Instagram or Facebook.

Media contact: Media Relations, media@toronto.ca

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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