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CMTN's Freda Diesing School of Northwest Coast Art holds annual exhibit – Terrace Standard

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Dozens came together this month to celebrate the progress of first and second-year students from Coast Mountain College’s (CMTN) Freda Diesing School of Northwest Coast Art at their annual exhibition in Terrace.

On Friday, Feb. 7, art students showcased their paintings and prints on opening night at the Terrace Art Gallery, which will be on display until the end of the month.

“I see that everybody here is an interesting individual and everybody has a unique way in how they learn and in the way they do art, it’s hard to explain without seeing it,” says Stephanie Anderson, instructor and former student of the program.

As a graduate from last year’s program, Anderson who is Wet’suwet’en of the Laksilyu clan, says the art school has really helped her form an identity as an artist in the industry. Recently, she was awarded the emerging artist award from the YVR Art Foundation scholarship for her yellow cedar panel and will have her work revealed at a ceremony at the Vancouver International Airport this spring which will then be on display for a full year.

Last June, Anderson also placed second in Historica Canada’s National Indigenous Arts and Stories Contest for her “Wolf and Moon” carving.

READ MORE: Community airport becomes ‘busiest art gallery in Northwest B.C.’

Now as a full-time instructor at the school, primarily teaching carving, she says it’s been a transforming experience to learn how to teach art and see her students grow.

“I am coming fresh from being a student so I’m really aware of the challenges and struggle. When I walk into a classroom, I give everybody the benefit of the doubt and the chance to impress me,” Anderson says. “It’s been a really interesting experience.”

One of the first-year students that had their work on display was Jessica McCallum-Miller, who is also the City of Terrace’s youngest city councillor. She says splitting her time between city hall and the classroom has been an exhausting journey but she believes that it will benefit the community by learning more about her Indigenous roots.

“It’s been difficult to balance having such an intense cultural experience but it’s also been extremely healing for me,” says McCallum-Miller, who is Gitxsan.

“I just hope to take a bit of this back to the community when I’m representing my culture, my people and all of the people of Terrace… and I want to help my community by beautifying this place with art.”

READ MORE: Five murals to be painted in Terrace this summer

She adds there is a growing number of local artists in the area and wants to take part in everything the art scene here has to offer, like the Skeena Salmon Art Festival and the downtown murals. The Freda Diesing School of Northwest Coast Art has also been a great hub to meet other Indigenous artists from across the province which has helped her gain perspective on how different places operate from a councillor’s approach.

“A lot of us weren’t born on reserves or sometimes we stray from our communities so we’re learning about each other’s cultures and about ourselves while delving into our history books and our own family lineage, including how far our art dates back,” McCallum-Miller says. “It’s been extremely eye-opening.”

Displayed at this year’s exhibit were two pieces selected for the Coast Mountain College President’s Art Award. First-place winner Dennis Nyce was awarded $2,500 for his three-panel piece that interprets his Nisga’a name, and is on display in the lower gallery. Second-place winner Miller McKay was awarded $1,000 for her killer whale ink painting.

Both art pieces will be put on permanent display at Coast Mountain College and prints produced will be used as gifts throughout the year.

The exhibition runs until Feb. 29.


 


natalia@terracestandard.com

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Instructor and master artist Dempsey Bob speaks to the crowd at the Terrace Art Gallery about the importance of cultural art on Feb. 7. (Natalia Balcerzak/Terrace Standard)

Group photo of students and instructors present at the Terrace Art Gallery event. (Natalia Balcerzak/Terrace Standard)

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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