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COLUMN: Is it still ‘art’ with artificial intelligence?

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I’m terrible at making art.

I probably have the artistic ability of a five-year-old, drawing stick men and the like, but I can usually colour within the lines in a colouring book, so I’m not completely without talent.

My wife, on the other hand, is quite a creative artist and I envy what she can make every day.

However, being a photographer helps me feel a little better about myself when it comes to creating art. I usually know what I want to capture and how I want to capture it when I pick up my camera.

I also know that I have a wild imagination. If only I could express that somehow, because making photos is almost always about capturing the real world and not the make-believe that resides in my head.

And then I noticed a friend posting these fantastical images on social media that looked too good to be true, worlds that could only have come from an imagination like my own. The characters and scenes that he had made were so true-to-life that it was hard to dismiss it sometimes as completely make-believe.

That was my first introduction to AI art — pictures that are generated through artificial intelligence (AI) software. Basically, digital images created out of thin air from a text prompt.

The user — or “artist” — types in a description of a scene that they wish to create, using as many or as little descriptive words as desired, and the software then builds that scene using an algorithm based on formulaic algebra. And within minutes … voila! You are presented with a piece of “art” that was created by machine learning.

The computer algorithms are written to “learn” a specific aesthetic by analyzing countless thousands of images across the internet, and the algorithm tries to generate a completely new image that adheres to the aesthetics it has learned.

Using this new technology has been a wildly entertaining rabbit hole I’ve fallen into, and it can be addictive for some who have a bit of time and an endless imagination.

But is it really art?

This is a question that researchers and artists alike have been wrestling with for years.

I do see it as an art form, as the algorithms and the computing power could be interpreted as being no different than the tools a traditional artist uses, such as a canvas, brush and paints.

The art is just in a different physical form, and what is driving the results in both the case of the painter and the person like myself using a computer, is the imagination of that person.

This isn’t a new argument. Decades ago, the same was said about the use of PhotoShop to create and alter images, and since that time graphic art has mostly become the byproduct of algorithms used by software.

I do feel bad for graphic artists, though, as AI art will probably become so commonplace, that it will do away with a large chunk of the industry, as clients will be generating their own artwork to create advertisements, event posters and other media that was once the domain of talented and experienced artisans.

There are upsides, of course. Musicians, many of whom struggle financially in our new economy, can now create their own record album covers and posters to promote their shows.

Artists themselves can use the technology to physically map out a design or vibe of what they see in their head even before picking up a paint brush or pencil.

And, of course, the “artistically handicapped” people like myself can endlessly express themselves without worry about their inabilities to harness the hand-eye co-ordination required to accurately transfer thought to canvas.

Now excuse me while I get back to creating my steampunk Star Wars characters and disco Muppets.

Kevin Lamb is a local photojournalist whose work often appears on BarrieToday. 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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