Colville, Picasso and Mitchell lead Heffel's auction as the global art market goes virtual - Canada NewsWire | Canada News Media
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Colville, Picasso and Mitchell lead Heffel's auction as the global art market goes virtual – Canada NewsWire

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Colville’s extraordinary 1976 Dog and Bridge and Picasso’s 1939 Tête de femme are among the highlights in Heffel’s auction, and are sure to excite collectors from across the world. For those unable to view these incredible artworks in-person, they can be experienced through high-definition, interactive virtual auction previews. In addition, Heffel has adapted its live auction model to ensure global buyers can experience the thrill of the live event in whatever way they choose. Among other longstanding remote bidding options, for the first time ever, Heffel will introduce online bidding in its live auction. Telephone, absentee and online bidders, as well as interested viewers can stream the entire sale live on Heffel’s website.

“The past few months have brought about unprecedented change, and it’s been incredible to see the ways that organizations have pivoted in response,” said David Heffel, President of Heffel Fine Art Auction House. “We’re proud to be a leader in the transformation of Canada’s art market and find new ways to bring art awareness, experiences and important masterpieces to collectors and enthusiasts.”

The resilience of the art market and its ability to join together has been proven over the last few months. Heffel has seen strong results in its recent online auctions, demonstrating a continued appetite for important works of art. The firm also expanded its Online Auction Partnerships (HO2) platform and worked with several notable galleries to curate specialty auctions. Most recently, in partnership with Toronto’s Nicholas Metivier Gallery and a group of well-known artists, Heffel held an online charity auction to raise money for Canadian food banks impacted by the spread of COVID-19, with an additional donation generously provided by RBC Foundation.

Highlights from the Heffel Live Auction

  • Fresh to the auction market is a well-known masterpiece by Alex Colville, Dog and Bridge. This exceptional painting is one of Colville’s most widely exhibited and written about works, and will undoubtedly capture the auction spotlight (est. $800,000 – 1,200,000)
  • Pablo Picasso’s portrait Tête de femme leads the Heffel auction by estimate. The oil on canvas is an important example by the iconic artist, painted in 1939, which relates to some of his most well-known masterpieces (est. $1,200,000 – 1,600,000).
  • Joan Mitchell, the globally–acclaimed Abstract Expressionist painter, shines in the sale catalogue with a dynamic Untitled triptych (est. $400,000 – 600,000). Mitchell’s works are widely exhibited around the world, and have been among the most sought-after works on the auction market in recent years.
  • Seven outstanding works by the prominent Automatist painter Jean Paul Riopelle are led by Le réveil, a commanding largescale canvas, more than nine feet wide (est. $1,000,000 – 1,500,000). Heffel will be sponsoring the upcoming exhibition, Riopelle: The Call of Northern Landscapes and Indigenous Cultures at the Montreal Museum of Fine Arts, opening November 2020. Heffel is also a proud supporter of several other projects and initiviates related to the artist, including the newly established Jean Paul Riopelle Foundation and volume 5 of the artist’s catalogue raisonné.
  • 2020 marks 100 years since the formation of the Group of Seven, Canada’s beloved artist collective. Heffel is proud to offer significant works painted by members of the Group, including Lawren Harris’ glowing North East Corner of Lake Superior (Lake Superior Sketch XXXVIII) (est. $250,000 – 350,000).
  • Lawren Harris’s North Shore, Lake Superior III (Lake Superior Sketch LXIX) came to Heffel with an astounding backstory. The painting was unearthed earlier this year by family members sorting through boxes that their late father had stored away around 1948 after moving to Los Angeles. He was Canadian-born, and a painter himself. It is an pleasure to offer this recently discovered work at auction (est. $125,000 – 175,000).
  • Yvonne Housser’s depictions of Cobalt are exceptionally rare to the market, and Town of Cobalt is a standout example from her long and important career. This vibrant and optimistic work is one of the few known Housser canvases of this subject in existence, and has been in one family’s collection for decades (est. $30,000 – 50,000).
  • Three works by Emily Carr are on offer in the Heffel sale, each focusing on separate and significant subjects. House and Totems highlights a later visit to the totem poles at Gitwangak (Kitwanga), the focus of some of her most well-known works (est. $200,000 – 300,000), Crécy-en-Brie, France is an early example from Carr’s formative years painting in France (est. $90,000 – 120,000) and Forest Interior is an energetic circa 1929 forest scene painted on canvas (est. $150,000 – 250,000).
  • An important highlight in the sale is the intricate and museum-quality sculpture by internationally collected artist David Altmejd, Untitled (est. $90,000 – 120,000). Altmejd’s works are very rare to market, and this standout example was created in 2007, the same year Altmejd represented Canada at the Venice Biennale.

Heffel Live Auction Schedule
To give interested buyers from across Canada an opportunity to view these works, the collection will be previewed virtually at Heffel.com, and by appointment, maintaining social distancing, in three cities leading up to the live auction.

  • Vancouver: Saturday, June 20 to Tuesday, June 23, 11 am – 6 pm, Heffel Gallery (2247 Granville Street)
  • Montreal: Thursday, July 2 to Saturday, July 4, 11 am – 6 pm, Galerie Heffel (1840 rue Sherbrooke Ouest)
  • Toronto: Friday, July 10 to Tuesday, July 14, 10 am – 6 pm and Wednesday, July 15, 10 am – 1 pm, Design Exchange (Exhibition Hall, 234 Bay Street)

The two-session live auction will take place on Wednesday, July 15 at Design Exchange (The Historic Trading Floor, 234 Bay Street, Toronto). The sale will be live-streamed online at Heffel.com and several remote bidding options will be available.

  • 5:00 pm ET — Post-War & Contemporary Art
  • 7:00 pm ET — Canadian, Impressionist & Modern Art

For details on the previews and live auction, and to access the online catalogues, please visit www.heffel.com.

About Heffel Fine Art Auction House
Heffel has sold more Canadian art than any other auctioneer worldwide, with sales totaling more than half a billion dollars since 1978. With offices in Toronto, Vancouver, Montreal, Ottawa and Calgary, Heffel has the most experienced team of fine art specialists in Canada and provides superior client service to both sellers and buyers internationally.

SOURCE Heffel Fine Art Auction House

For further information: to schedule an interview or media viewing, or for high-resolution images, please contact: Rebecca Rykiss, Heffel Fine Art Auction House, [email protected], 416-961-6505 ext. 323

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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