Congress and the media after Jan. 6 - Boise State Public Radio | Canada News Media
Connect with us

Media

Congress and the media after Jan. 6 – Boise State Public Radio

Published

 on


MICHEL MARTIN, HOST:

This week marked a year since a pro-Trump mob attacked the U.S. Capitol, trying to keep the lawfully elected Joe Biden from taking office as president. President Biden marked the occasion Thursday with a strongly worded speech to urge Americans not just to remember what happened that day but to see the threat posed to American democracy as he does, as ongoing. Here’s part of what he said on Thursday.

(SOUNDBITE OF ARCHIVED RECORDING)

JOE BIDEN: I did not seek this fight brought to this Capitol one year ago today, but I will not shrink from it, either. I will stand in this breach. I will defend this nation. I will allow no one to place a dagger at the throat of democracy.

MARTIN: Needless to say, that violent attack took place in the context of deep divisions in this country, divisions that had been stoked or enabled by any number of forces. But those forces has to include the media. So we thought it appropriate to start the program today with a look within, to be frank, to consider how the media is or should be covering this critical moment and these divisions going forward. It’s a big topic, but we thought we’d home in on Congress because that’s where the attack took place. And that’s also where the repercussions continue, with some members demanding accountability for what took place and others dismissing it and even denying that it happened. For that, we’ve called two veteran congressional reporters who were both at the Capitol the day of the attack. Kadia Goba is a political reporter for BuzzFeed News, and Paul Kane is a senior congressional correspondent and columnist for The Washington Post. And they’re both with us now. Thank you both so much for joining us.

PAUL KANE: Thank you for hosting us.

KADIA GOBA: Thanks for having me.

MARTIN: Congress has seen intense conflict before, I mean, throughout history, I mean, I think, you know, over any number of things – the Vietnam War, certainly over slavery. You know, but now it’s not unusual for members of Congress to make outright false statements – about the 2020 election, about COVID-19, about vaccines, about each other. And if they’re not outright false, they’re certainly incendiary. How do you think the media is handling that? Kadia, how do you think the media should handle that? I mean, does your news organization have a philosophy about that?

GOBA: Yeah. It’s an ongoing struggle, right? So because in order to debunk a lie, you have to give life to it. You have to write about it. So journalists – well, I’ll speak to – for myself. I’m always at odds at what’s too much coverage about – on misinformation or the people that spew the misinformation versus what’s not enough. And this is something I came across covering the presidential election, covering Trump.

I think my editors at BuzzFeed News have the right idea. They’re just always asking the question, have our readers seen this before? So not only is it about not amplifying misinformation but also not rewriting the same story just to knock it down again, which, I mean, after a while, it just starts to result in diminishing returns. So I think that’s one way to handle it.

MARTIN: Paul, where are you on this? – because you’re both a reporter, and you’re also a columnist. You have a local audience, and you also have a national audience. And you see this argument playing out all the time. On the one hand, people say, why are you giving these statements air? You know, why are you kind of giving these statements any kind of a platform at all? But other people say, if you’re not creating a record, how are you – how can you demand accountability if people don’t know that these things are being said? Where do – how do you think about this?

KANE: Look, Michel, I wish we had a better answer. And I wish we had a more fulsome, detailed policy on it at The Post, but the reality is it’s kind of ad hoc. It’s kind of case by case. You know, I think of Congresswoman Boebert and when she was caught telling just a completely made-up story about riding an elevator with Ilhan Omar and, you know, of a fake Capitol Police officer being worried that Omar was actually a terrorist.

MARTIN: Basically, just to catch people up, Lauren Boebert is a member of Congress from Colorado. She made this – what she obviously considered a joke sort of implying that Ilhan Omar, because she is a Muslim, is somehow – you know, had a backpack, and so therefore she said that she was, you know, scared and plotting. This was played up for laughs, and it’s obviously racist and offensive.

KANE: Yeah.

MARTIN: Obviously racist and offensive. And now the question becomes what should be done about this? But members are still arguing about whether she should be censured or sanctioned in some way for this. Similarly, it was a similar incident earlier where another member distributed an anime that implied that a colleague of his should be harmed. I mean, so there have been a number of these incidents. So just to catch people up on that, your take on that is what? Like, how to how to handle that?

KANE: It’s really difficult because you can’t ignore these things. But at the same time, the whole adage that, you know, sunshine is the best disinfectant is an adage that’s built on the idea that there is shame, that people will be shamed by sunshine, and they will then clean up their act. Well, Boebert initially – when it first came out about, you know, the leaked video showing her making up this story about Ilhan Omar, she kind of apologized, and it almost looked like there was – this was going to be a moment. And they were going – she wanted to have an in-person meeting, and this was all going to happen.

Well, that didn’t happen. They had a call. It fell apart, and Boebert started yelling at her. And rather than being shamed, ultimately, what came out of it was Boebert being energized. She felt validated by all of this, and she doubled and tripled down on the behavior. And so that’s where you get into this, like, weird, you know, terrible catch-22 or whatever metaphor you want to use because if we keep giving air and oxygen to this in order to try and explain how bad it is, their actions, if there’s no shame, then there’s no disinfectant. And I don’t know where the line is. I’m not sure how to handle it. And we’ve grappled with this for several years now, and we don’t have an answer. And, you know, Kadia is being, you know, brutally honest, too. In BuzzFeed, they try to have a system, but it’s not a perfect one.

MARTIN: So it just – I’m just saying, hearing from both of you, that this is still an ongoing struggle. There really is no sort of hard-and-fast rule that you feel like you can apply to these changing circumstances. I just wanted to ask each of you, is there something that is fundamentally different about the way you do your job after January 6 and before January 6? Is there something that has sort of fundamentally changed for you in doing this work as a result of what happened last year? Kadia, do you want to start?

GOBA: Sure. Yeah. I’m very pointed with my questions nowadays. I am writing, trying to be unique in writing smart stories that just don’t amplify the misinformation. Buzzfeed News is really big on, like, misinformation and, like, trying to dissect it.

MARTIN: Big on highlighting misinformation, is that what you mean?

GOBA: Correct – and trying to dissect it, right? Just trying to understand where it’s coming from, who it’s impacting. I think one of the biggest challenges in the newsroom is how do we reach the audience that is reading the misleading information, right? I think the best examples are exploring some of that misinformation and showing how people got there and maybe what they’re doing as a result of being bombarded with misinformation. I think, like, stories about familial splits are really strong – you know, where the parent is, like, ostracized because they have been watching certain types of television all day long, and they just have been convinced that the election is stolen, things like that. I didn’t think about writing those stories two years ago when I came to DC.

MARTIN: Paul, what about you? Is there something that’s fundamentally changed for you in the way you do your job as a result of what happened last year?

KANE: You know, I’ll be honest. When it comes to stories about what happened on January 6 in the last year, it’s harder, you know? We lived it – Kadia, me and couple thousand others of – that were inside the building that day. And, you know, I think about watching that vote to award the Congressional Medal, the Congressional Gold Medal to the police that were there that day protecting us.

MARTIN: And what about going forward, as you look forward to covering the events of this year, not only the sort of the policy events of this year but the sort of midterm elections? Is there something that you think is fundamentally different or that has – you – just something that you feel is fundamentally necessary?

KANE: I think, you know, the – misinformation is going to be a key thing as to whether or not that continues to play a role. You know, the voters who are in these purple-ish swing districts that are going to determine the majority in Congress, you know, I don’t know how much they’re still impacted by that day. And instead, are they really just – do they really just want the Biden administration to finally get its testing regimen down pat and so their kids can go back to school and they can fully reopen their suburban office parks? I don’t know yet whether January 6 is going to play a big role in those elections. And that’s something that I’m kind of waiting to see.

MARTIN: That was Paul Kane, senior congressional correspondent and columnist for The Washington Post, and Kadia Goba, political reporter for BuzzFeed News. Thank you both so much for doing this with us, and thank you both for your work.

KANE: Thank you.

GOBA: Thank you for having us.

(SOUNDBITE OF DARDUST’S “LOST AND FOUND”) Transcript provided by NPR, Copyright NPR.

Adblock test (Why?)



Source link

Continue Reading

Media

Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

Published

 on

Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

Continue Reading

Media

What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

Published

 on

 

Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

Source link

Continue Reading

Media

Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

Published

 on

Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

Source link

Continue Reading

Trending

Exit mobile version