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Construction of new Art Gallery of Nova Scotia put on hold – CBC.ca

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The new Art Gallery of Nova Scotia planned for the Halifax waterfront is on hold.

Premier Tim Houston said his government had decided the project should be “paused indefinitely” due to rising costs. Construction was slated to begin later this year.

 “The commitment at the right time, at the right budget remains,” Houston told reporters at Province House Wednesday. “And the placement of it will be the same.”The cost of this is out of control right now.”

The new gallery was expected to cost about $137 million when it was announced three years ago. But the province says it now expects that figure to increase by $25 million or more with inflation and rising construction costs. That was based on a re-evaluation of the costs by the construction firm Ellis Don.

The Premier’s office provide a one-page summary of those increased costs but refused to publicly release the full assessment.

According to that “July 2022 High Level Estimate”, the project would cost $162,594,778 rather than the “2020 control budget” of $136,594,928, a $25,855,850 difference.

Houston suggested that figure was the minimum increase in the price tag and that the new gallery could cost a lot more than that by the time it was ready to open.

While announcing the consolidation of five Crown corporations into two Tuesday, Premier Tim Houston would not answer directly when asked if he was considering cancelling the project altogether.

“I’m a believer in the arts, believer in this project at the right price,” said Houston Wednesday. “It’s not the right time to proceed.”

Disappointment, understanding

Grant Machum, acting chair of the Art Gallery of Nova Scotia (AGNS), said he heard the news Tuesday evening. He said the premier asked to meet with him around 5:15 p.m.

“It was disappointing, but it was explained to us … there’s too much uncertainty to go ahead with the project as it was currently set up,” Machum said.

Machum said the board has reached out to those involved like the capital campaign council and major donors since becoming aware of the higher cost of the project.

A rendering of the proposed new Art Gallery of Nova Scotia on the Halifax waterfront is shown. (Norm Li/KPMB Architects)

“They all understand that we’re in a different world right now,” he said. “Everyone wants the gallery and it’s just a matter of timing.”

He said he doesn’t know when the project could go ahead. He thinks next year might be a possibility.

A rendering of the inside of the planned art gallery is shown. (Art Gallery of Nova Scotia/Twitter)

“But currently, the prices to build are very high,” he said.

He said Sarah Fillmore, the AGNS acting director and CEO, has agreed to stay in her role until the fate of the gallery is clearer.

Opposition reactions

Nova Scotia NDP Leader Claudia Chender said Nova Scotia’s cultural sector has been hit “harder than most” during the pandemic.

“We understand that we are in an inflationary moment and in a cost-of-living crisis,” Chender said, noting that $137 million for an art gallery “may be difficult for people to stomach.”

She said she hopes the premier is both determining a better use for the millions that were supposed to be spent on the new building, but also finding a way to accommodate the cultural sector.

Claudia Chender is the leader of the Nova Scotia NDP. (Robert Short/CBC)

Nova Scotia Liberal Leader Zach Churchill said the decision will be “a disappointment” for those involved in the project.

Zach Churchill is the leader of the Nova Scotia Liberals. (Robert Short/CBC)

“Our real question right now is, ‘What happens with the savings? How are those funds deployed?'” Churchill said. “That’s something that the government has not indicated.”

Like Chender, Churchill pointed to cost-of-living issues and health care as potential areas for more funding. He said he wants to know if inflation will impact any other infrastructure projects, like new schools and the Halifax Infirmary redevelopment.

“Of course we want to have a healthy, robust arts and culture economy,” he said. “To assess this decision, we have to first know where those funds are going to be deployed.”

The project was originally announced in April 2019, with the province committing $70 million to the project. The federal government pledged $30 million and Halifax Regional Municipality said it would put up $7 million.

The Donald R. Sobey Foundation and the Sobey Foundation announced a $10 million pledge in November 2020.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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