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There has been a changing of the guard in a long-running art program at Standing Oaks, a 10-bed home in Sarnia for individuals with complex care needs.
There has been a changing of the guard in a long-running art program at Standing Oaks, a 10-bed home in Sarnia for individuals with complex care needs.
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Sue Bendall, who created the art program a decade ago, has retired.
“It was time to pass the torch,” she said.
Standing Oaks opened in 2004 and was the result of years of work by a group of parents who formed Community Concerns for the Medically Fragile.
“Not only were they going to provide a very safe and medically-supportive environment for their kids, they really wanted there to be focus on quality of life,” said the group’s administrator Chris Steeves.
“They brainstormed ideas and decided to hire an art director who would obviously need to be somebody pretty special to figure out how they could initiate a program involving medically fragile individuals who have either no mobility or very, very limited mobility.”
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Bendall, who had worked with the blind and deaf, “and was an extremely gifted artist herself, created just a fantastic and unique – like, one-of-a-kind – art program,” Steeves said.
The program was called Hands on Art and Bendall adapted art projects to residents of Standing Oaks.
“She ran that program for 10 years and every single week, with a few exceptions,” Steeves said.
“To come up with new ideas for that many art sessions – if you do the math that’s 500ish – to work with an incredibly restricted population, is pretty extraordinary,” Steeves said.
Bendall’s final art session at the home was in June.
“The residents have come to just love the program,” Steeves said. “It puts them in a really good mood – really enhancing their day. It tuckers them out, somewhat, which is a good thing . . . because we need to have mentally challenging parts of our day,” she said.
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“To have accomplished all that, we think is extraordinary.”
Tracy Tobin, who was recommended by Bendall, has been hired to continue the program, Steeves said,
Also recently, the Catherine Wilson Foundation granted the program $1,000 for art supplies.
“It was very rewarding,” Bendall said of her time working with residents at Standing Oaks.
“They definitely had their favourite types of art they liked to do,” including painting notecards using marbles, as well as “swipe art where we use shower squeegees,” she said.
“They pick out their colours and we put dots on a page and they swish is all down,”
Bendall said previously she was always on the lookout for bubble wrap they would put on the floor so the residents could roll over it in their wheelchairs, creating a sound like fireworks.
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“We’ll have a dance party all over the bubble wrap,” Bendall told The Observer in 2016.
And then, the wrap would be collected and used for more art projects.
“There’s so many smiles,” she said. “During class, if we can get the music going and dance and be silly . . . that’s all a bonus.”
The program was also part of several exhibitions and community art events in years past.
Bendall said it was hard during the pandemic when the residents couldn’t have their regular weekly art sessions, although staff at the home did what they could.
“Some of the staff would call me for ideas to try,” Bendall said.
Recently, Bendall started her own business, SCQ Memories making “memory” stuffies and pillows from clothing of loved ones who have died.
“So I’m helping people in another way,” she said.
“I’m very grateful to Community Concerts for the Medically Fragile for giving me the opportunity,” Bendall said.
“I’m very excited that Tracy is taking over because she will do fantastic.”
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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
The Canadian Press. All rights reserved.
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