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Dan Fumano: Questions, shock as art studio's death blamed on COVID-19 – Brockville Recorder and Times

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Although Vancouver has, sadly, seen the loss of many art spaces in recent years, many agreed the particular case of William Clark Studios seems unusual.

Artist Dana Cromie, who with other artists, has his studios at William Clark Studios in Vancouver.

Arlen Redekop / PNG

Vancouver artists were devastated this week to learn of a long-running studio’s seemingly abrupt demise and are hoping it’s not too late to prevent yet another loss of crucial art space.

News has been spreading about the imminent closure of William Clark Studios, described as “an institution” of the city’s art scene for more than two decades where about 50 artists rent space. While the building’s managers blamed the facility’s closure this month on losses incurred because of the pandemic, artists who use the space and city staffers told Postmedia they have unanswered questions — as does the commercial landlord who ultimately owns the East Van property.

The disappearance of Vancouver’s cultural spaces is a long-standing problem faced by arts groups and city hall alike, both of whom released reports in the past year on the subject, warning of the risk of becoming “a city without art.”

The scale of this week’s William Clark situation — 50 artists told to vacate with only one month’s notice — makes it one of the biggest single losses in recent memory, said Esther Rausenberg, artistic and executive director of the Eastside Culture Crawl, which has used William Clark Studios in its annual event since its inception in the 1990s.

Vancouver “just can’t afford this type of loss,” Rausenberg said.


Artists Dana Cromie and Janine Brecker, who with other artists, have their studios at William Clark Studios in Vancouver, B.C., June 2, 2020.

Arlen Redekop /

PNG

Although Vancouver has, sadly, seen many studio closures in recent years, Rausenberg and others agreed the particular case of William Clark seems different.

In Vancouver, as in other cities from San Francisco to Berlin, the biggest culprit in recent loss of art spaces has been real estate development pressures. But in this case, William Clark management blamed COVID-19 for the studio’s closure in a message sent the night of Sunday, May 31, telling artists to clear out by the end of June.

The tenancy arrangement at William Clark Studios is not uncommon for these kinds of art spaces. The property, a warehouse on Clark Drive, is owned by a group of investors, who lease it to William Clark Studios Inc., which then rents studio space to the individual artists.

When artist Janine Breck received the sad news Sunday night in an email from William Clark’s managers, she replied to inquire if her contacts at the city might be able to help save the space. But managers Tina Ozols and Gregg Steffenson replied to Breck saying the closure was a done deal, due to the “unprecedented pandemic event.”

Ozols expressed her sadness about the situation, but said she couldn’t discuss details. “I appreciate the care that people have for this situation, it’s too bad that I can’t really talk about it because it is confidential business,” Ozols said.

Ozols said William Clark was no longer viable after “a handful” of tenants moved out since the start of the COVID pandemic, and management couldn’t fill those spaces.


Artists Janine Breck (front-left) and Dana Cromie (front-right) with other artists who have their studios at William Clark Studios in Vancouver, B.C., June 2, 2020.

Arlen Redekop /

PNG

Dana Cromie, a painter who works at William Clark, said: “This place has been an institution. … It just doesn’t make sense to me to kick everybody out so it can sit empty.”

As is common in these situations, the artists said they had no idea who owned the property, but wondered whether plans might be in the works to redevelop the site.

But that’s not the case here, the landlords say.

Michael Chiang, a representative of the company that owns the property, told Postmedia that while his group might consider redeveloping the property in the future, they have no plans and “no timeline” to do so. Chiang said he only learned of William Clark Studios’ closure when Postmedia asked him about it.

The landlords had offered to waive some of the rent to support William Clark Studios’ application for federal assistance, Chiang said, although it seems the studio may not qualify for that program. The landlord also offered to defer half the rent until “an undetermined time,” Chiang said, but did not get a response from William Clark.

“We understand small businesses are having a tough time during the pandemic and we are trying to help out as much as we can,” Chiang said. “Now I’m finding out they’ve told their tenants over the weekend that they’re getting kicked out. It’s weird, I don’t know.”

The city is also stepping in to see if there’s anything they can do to help save William Clark.

Alix Sales, Vancouver’s head of cultural spaces and infrastructure, said Wednesday her team has been working to track down both the landlords and William Clark management since learning Monday about the “brutal” closure.

“It’s such a big blow, it’s such a critical space,” Sales said.

Sales and her colleague, cultural planner Kristen Lambertson, agreed some of the details and questions surrounding the William Clark closure make it an unusual one.

But, Lambertson pointed out: “We’re also in a very unusual time.”

dfumano@postmedia.com

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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