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Deep Fake: The World's Largest AI Art Exhibition – nft now

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The AI art movement is accelerating fast. And because the very concept of AI art sits at the center of one of the most contentious cultural debates in recent history, the creators driving the trend forward seemingly have both nothing and everything to prove to those attempting to delegitimize the technology and its use.

Against a hostile backdrop, artists continue to push the boundaries of what can be accomplished with the help of civilization’s latest art tools. And the proliferation of those tools and the enthusiasm with which they’ve been adopted by millions across the globe means that physical exhibitions dedicated solely to AI-assisted artwork are becoming increasingly commonplace. 

Their presence at NFT Paris this week is just one example of this, with Superchief Gallery NFT collaborating with AI art pioneer and advocate Claire Silver on Artist x AI 000003. Co-curated by Silver, the exhibition will feature work from 39 of the most innovative AI-enabled artists in the space from 2:00-8:00 p.m. on February 25 and 26, with each work dropping as a 1/1 on Foundation on February 23.

That gallery neatly leads into another Superchief-hosted AI art exhibition in Los Angeles on March 3 entitled Deep Fake. The show is billing itself as the largest gathering of AI art ever. We spoke to artist and show curator ClownVamp about the exhibition’s significance, timing, and contribution to the larger conversation the world is having about AI art.

The line between real and artificial

Taking place in collaboration with the AI art collective MAIF, Deep Fake’s theme leans directly into critiques that AI artists and their works aren’t “real,” a motif that Claire Silver explored in her iconic collection “AI Art is Not Art.” Seventy-three pieces submitted by 62 creators in the collective will be on display during the show, which is being held at Superchief’s downtown Los Angeles gallery.

In a similar style to the NFT Paris exhibition, 62 of the 73 artworks will be minted on Foundation and available for auction a day before the show. The remaining 11 pieces are collaborative efforts by MAIF artists that will be released on Objkt as editions of 30 for 20 XTZ each. 

Credit: Jenni Pasanen

ClownVamp, the show’s curator, is a well-known and respected AI art collector and artist in the space. They believe the exhibition is a chance to explicitly make the community’s voice heard and ensure the often toxic conversation surrounding AI art isn’t one-sided.

“There has been such a huge explosion of interest in AI art,” ClownVamp said while speaking to nft now. “But I think most people don’t yet fully grasp what is possible in terms of sharing perspective with AI. These new tools have unleashed creative superpowers in a way that we have never seen before. What happens when people from all over the globe, connected by the internet, meditate on a single topic? Deep Fake is the result of that question.” 

Credit: Aloner One
Credit: Tomeo

The exhibition’s roster includes artists like Tomeo, Prostov, Str4ngeThing, Jenni Pasanen, Anna Condo, Stephan Vasement, Nikita Blank, 0009, Richard Nadler, Ren AI, Leônidas Valdez, and plenty more who have put their artistic spin on the concept of constructed and perceived realities.

“Perhaps these ‘fake’ tools can create some real thoughts and feelings.”

Clownvamp

ClownVamp hopes the exhibition will help underscore the idea that AI art tools’ inherent accessibility is heralding an unparalleled era in the democratization of creativity in society.

“In the past, new creative tools had barriers to entry,” ClownVamp elaborated on the distinction of AI art as a movement. “You needed a computer that could run Photoshop, a tablet for Procreate, or a DSLR camera. With AI being done over the cloud, [something] anyone with an internet connection can access, you have a technology that will have a fundamentally different adoption curve. This show is meant to embrace that. Some of our artists have been practicing art across media for thirty years. Others are six months into viewing themselves as an artist. What matters is the stories they are telling.”

Money raised from the sale of art on Objkt will be used to create the MAIF Art Fund, whose goal will be to acquire art from emerging AI artists. ClownVamp is donating their curator fee to the fund as well.

TH3 B00TL3GER. Credit: Str4ngeThing

Above all, the artists and community organizers behind Deep Fake aim to show how AI art tools can be an intimate and emotionally resonant conduit through which creativity and expression can flourish.

“So much of our culture is socially constructed meaning,” ClownVamp said of the exhibition’s theme. “AI is written off; we are fear mongered about deep fakes and all the negatives. [The exhibition] is meant to embrace this, to make us question where we are drawing these lines. The goal here was to have artists explore these lines and to use the art world’s ‘fakest’ toolset to do so. Perhaps these ‘fake’ tools can create some real thoughts and feelings.”

The show comes at a time when the AI art debate is at its most heated. With several lawsuits being filed against companies like Stability AI, the future of these tools and the art they help produce is still an open-ended question. For now, exhibitions like Deep Fake and Artist x AI 000003 are doing their part to remind the world that revolutionary tools and art traditions have always been disruptive and that history might offer the better part of wisdom in approaching them with curiosity and enthusiasm, not fear.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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