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Defence suggests complainant made up ‘rape story’ after consensual sex with Hoggard

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TORONTO — Defence lawyers are suggesting a young woman made up a “rape story” about Canadian musician Jacob Hoggard because she was embarrassed to have fallen in love with a rock star who used her for sex.

During cross-examination Monday, defence lawyer Megan Savard suggested Hoggard and the woman, who was 16 at the time, had consensual sex in the singer’s Mississauga, Ont., hotel room in September 2016, after he sent a limousine to pick her up in her hometown north of Toronto.

Savard suggested the teen became upset at the end of the encounter because Hoggard called the driver to pick her up, and she was too embarrassed to tell her friend – one of two people who knew where she’d gone – why she was leaving hours earlier than planned.

“The thing that upset you is the fact that after having sex with this rock star, he called the car to pick you up earlier,” Savard told the woman at Hoggard’s sex assault trial in Toronto.

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“The thing that upset me was that he had unconsensual sex with me where he hit me, I was bleeding and I continuously told him no and was crying. That’s what upset me,” the woman replied.

“I was very happy to get out of that room, I could not wait to get out of that room,” she said, adding she was the one who asked to be picked up early after pretending she was being called in to work.

The woman said she wasn’t embarrassed to tell her friend what happened, but was feeling “emotional” in light of what she had just experienced.

At a different point in her cross-examination, Savard suggested the teen gave the same “story” to her mother more than a week later in order to gain her sympathy and get a ride to the hospital to get tested for pregnancy and sexually transmitted infections.

She also suggested the teen felt “like a fool” for believing Hoggard’s lines and having consensual sex that was “meaningless to him.”

“You were upset that you had fallen in love with a rock star and that he used you for sex,” she said.

The woman acknowledged being upset but said she felt “betrayed” because she was raped. She realized she had been manipulated into trusting Hoggard, she said. She previously told the court she was a big fan of Hedley, the band Hoggard fronted, and had a “fangirl crush” on the singer from a young age.

The woman, who is one of two complainants in Hoggard’s sex assault trial, alleges the singer repeatedly raped her vaginally and orally in his hotel room, and attempted to do so anally. She told the court he called her a “slut” and a “whore,” and that she deserved what was happening.

An agreed statement of facts says Hoggard had a sexual encounter with her at a hotel on Sept. 30, 2016. The document says he also had a sexual encounter with another woman, the second complainant in the case, on Nov. 22 of that year.

Hoggard has pleaded not guilty to two counts of sexual assault causing bodily harm and one of sexual interference, a charge that relates to the sexual touching of someone under 16.

In her cross-examination on Monday, Savard questioned how Hoggard could have held down the complainant throughout the hotel encounter, including while removing her clothes and his own, as the woman alleges he did.

The defence lawyer also suggested the woman wasn’t screaming or making a lot of noise during the encounter, as she testified, nor did she appear dishevelled or in pain when she left the hotel room afterwards. Savard noted Hoggard escorted the teen out to the lobby and didn’t try to hide her presence in public.

Savard suggested no one at the hotel intervened because the complainant looked like she had just had “normal” and consensual sex.

Earlier Monday, Savard suggested the woman was “reciprocating” Hoggard’s sexual interest as they exchanged messages in lead-up to the hotel encounter. She pointed to the fact that the two had traded nude photos.

The woman replied that while she may “potentially” have expressed sexual interest in Hoggard, they weren’t “sexting” or describing sexual acts they wanted to do.

“There was never a message that said that I wanted to have sex with him,” or discussing having sex on the day they met up, she said.

The defence later noted that, while getting ready to go meet Hoggard on Sept. 30, the teen asked her friend to help her pick out clothes, including underwear.

“I am going to suggest to you (that) you were careful that your underwear match your bra because you were planning on having Mr. Hoggard see it that day,” Savard said.

The complainant denied that suggestion, saying she regularly wears matching undergarments.

Savard also suggested the woman made up that Hoggard repeatedly touched her buttocks after a Toronto concert in April 2016, just a few weeks after they started texting.

The woman began her testimony last Thursday, saying she met Hoggard on a few occasions at concerts and fan events for Hedley and they began messaging each other after a meet-and-greet when she was 15.

She testified the messages grew romantic and sexual over time, and Hoggard told her he loved her and saw a future with her.

The other complainant is expected to take the stand Tuesday.

This report by The Canadian Press was first published May 9, 2022.

 

Paola Loriggio, The Canadian Press

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India tells Canada to remove 41 of its 62 diplomats: official

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OTTAWA –

Canada needs diplomats in India to help navigate the “extremely challenging” tensions between the two countries, Prime Minister Justin Trudeau said Tuesday in response to demands that Ottawa repatriate dozens of its envoys.

India reportedly wants 41 of 62 Canadian diplomats out of the country by early next week — a striking, if largely anticipated, deepening of the rift that erupted last month following Trudeau’s explosive allegations in the House of Commons.

The prime minister bluntly spoke of “credible” intelligence linking the Indian government to the shooting death in June of Hardeep Singh Nijjar, a 45-year-old Sikh leader India has long assailed as a terrorist.

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The demand, first reported by the Financial Times, comes less than two weeks after the Indian government first called on Canada to establish “parity in strength and rank equivalence in our diplomatic presence.”

Canada has a much larger diplomatic corps in India, owing in part to the fact it’s a country of 1.4 billion people, compared to 40 million in Canada — about 1.3 million of whom are of Indian origin.

Trudeau would not confirm the reports Tuesday, nor did he sound inclined to acquiesce to India’s request.

“Obviously, we’re going through an extremely challenging time with India right now,” Trudeau said on his way to a caucus meeting on Parliament Hill.

“That’s why it’s so important for us to have diplomats on the ground, working with the Indian government, there to support Canadians and Canadian families.”

Canada, he continued, is “taking this extremely seriously, but we’re going to continue to engage responsibly and constructively with the government of India.”

Foreign Affairs Minister Melanie Joly said largely the same thing.

“In moments of tension, because indeed there are tensions between both our governments, more than ever it’s important that diplomats be on the ground,” Joly said.

“That’s why we believe in the importance of having a strong diplomatic footprint in India. That being said, we are in ongoing conversations with the Indian government.”

During Tuesday’s daily briefing at the State Department, deputy spokesperson Vedant Patel was at pains to avoid exacerbating tensions any further.

“We are — and continue to be — deeply concerned about the allegations referenced by Prime Minister Trudeau and we remain in regular contact with our Canadian partners,” Patel said, a message the U.S. has had on repeat for weeks.

“It’s critical that Canada’s investigation proceed and the perpetrators be brought to justice. We also have … publicly and privately urged the Indian government to co-operate in the Canadian investigation and co-operate in those efforts.”

Patel also demurred on the potential impact of an escalating tit-for-tat exchange of diplomatic staff on the U.S. Indo-Pacific strategy, a key element of U.S. efforts to mitigate China’s growing geopolitical influence.

“I certainly don’t want to get into hypotheticals,” he said. “As it relates to our Indo-Pacific strategy and the focus that we continue to place on the region, that effort and that line of work is going to continue.”

David Cohen, the U.S. ambassador to Canada, has already confirmed that the allegations were buttressed in part on intelligence gathered by a key ally from the Five Eyes security alliance, which includes the U.S., the U.K., Australia and New Zealand, along with Canada.

Subrahmanyam Jaishankar, India’s external affairs minister, confirmed last week that the subject came up in his meetings in Washington, D.C., with Secretary of State Antony Blinken and Jake Sullivan, the U.S. national security adviser.

Trudeau’s allegation “was not consistent with our policy,” Jaishankar told a panel discussion Friday hosted by the Hudson Institute.

“If his government had anything relevant and specific they would like us to look into, we were open to looking at it. That’s where that conversation is at this point of time.”

Jaishankar went on to note that the issue of Sikh separatists living in Canada had long been “an issue of great friction,” notably after the 1985 bombing of Air India flight 182, the worst terrorist attack in Canadian history.

“In the last few years, it has come back very much into play, because of what we consider to be a very permissive Canadian attitude towards terrorists, extremists, people who openly advocate violence,” Jaishankar said.

“They have been given operating space in Canada because of the compulsions of Canadian politics.”

This report by The Canadian Press was first published Oct. 3, 2023.

With files from Mickey Djuric in Ottawa.

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In the news today: Regimental funeral today for B.C. Mountie, NDP victory in Manitoba – National Post

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All Flesh Redux

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Director’s Notes, Stacey Christodoulou

MONTREAL October, 2023 – Combining polyphonic singing, dance, and theatre, All Flesh REDUX is a poetic journey through time and space. Part sing-a-long, Dadaist performance piece as well as a love letter to our planet, the work enfolds the public in an intimate theatre-in-the-round setting where humour, music, storytelling and movement reign. Bringing together the worlds of medieval composers Guillaume de MachautHildegard von Bingen and modern composer John Cage, the company’s creation contemplates the unknowable past and the unimaginable future, and asks what acts of faith are possible in an uncertain world. October 13-22, seating is limited.

Director Stacey Christodoulou: “We could never imagine that the themes we spoke about in 2019 would become reality. In a certain way the show was prophetic. However, I believe that the message of creating beauty as a form of resistance is even more important now. The weaving of medieval song, contemporary dance and text continues our company’s interdisciplinary approach and reminds us that throughout history people have responded to turmoil with innovation and art.”

With: ENSEMBLE ALKEMIA (Jean-François Daignault, Dorothéa Ventura and Leah Weitzner), Stéphanie Fromentin, Erin Lindsay, Vanessa Schmit-Craan, Lael  Stellick

Musical direction by Jean-François Daignault; scenograpy by Amy Keith; sound by Debbie Doe; costumes by Cathia Pagotto; lighting by David Perreault Ninacs and technical stage coordination by Birdie Gregor.

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All Flesh REDUX

Studio Jean Valcourt du Conservatoire

4750, avenue Henri-Julien

Dates: Friday, Oct., 13, Saturday, Oct. 14 at 8pm; Sunday Oct. 14 at 3pm

Wednesday, October 18-Saturday, Oct. 21 at 8pm; Sunday, Oct. 22 at 3pm

Tickets/514 873-4032: $20, Students/Seniors: $15

Seating is limited

othertheatre.com/all-flesh-redux-en/

Website: othertheatre.com  Instagram: @othertheatremtl  Facebook: othertheatre

About THE OTHER THEATRE

Formed in 1991 by Artistic Director Stacey Christodoulou, The Other Theatre is devoted to contemporary creation. Working bilingually, their award-wining work has included adaptations, installations, theatre texts, and collectively written material performed in numerous venues in Montreal and abroad, including theatres, galleries, as well as a moving elevator.

Drawing inspiration from art forms other than theatre – dance, cinema, science, architecture, and the visual arts – the company presents evocative performances, grounded by thought-provoking texts.  From a creole Macbeth, to sci-fi with polyphonic singing, to the horror of H.P. Lovecraft, their original creations are thrilling and visually striking. They have also presented the work of International and Canadian writers, giving them their French-language premieres in Quebec. Exploring the large existential issues of the time, The Other Theatre aims to move audiences to greater emotional connection and reflection, bridging communities and languages to create a hybrid theatre that is reflective of the cultural richness of Montreal. They value and foster artistic exchange, both locally and internationally and share their artistic process in Canada, the US, Europe and Mexico, through mentorships, workshops and cultural mediation in local communities and schools.

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