Democrats are angry over media coverage of Biden. Is it a distraction? - The Guardian US | Canada News Media
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Democrats are angry over media coverage of Biden. Is it a distraction? – The Guardian US

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When an opinion poll in the New York Times found that a majority of Joe Biden’s voters believe he is too old to be an effective US president, the call to action was swift. But it was not aimed at Joe Biden.

“Amplifying flawed presidential polls, refusing to report on [Donald] Trump’s cognitive issues, the NYT is biased for Trump,” was a sample response on social media. “If you have a subscription to NYT, cancel it.”

The irate chorus aimed at one of America’s most storied media institutions followed finger-pointing at the legal system for failing to stop Trump in his tracks. Despite much wishful thinking, primary election results this week made clear that the nation is hurtling towards a Biden v Trump rematch in November.

That polling and media coverage are imperfect, and the wheels of justice of turn slowly, is beyond dispute. But whatever the merits of the arguments, critics argue that Democrats are at risk of playing a blame game that distracts them from the central mission: defeating Trump at the ballot box.

Tara Setmayer, a senior adviser to the Lincoln Project, an anti-Trump group, said: “Commiseration is not a strategy and Democrats need to stop throwing political temper tantrums and do the work to unify and get Joe Biden re-elected. The courts, the media, late-night comedians are not going to save us. So this whining and complaining about these aspects being unfair is not a strategy for victory.”

Among some Democrats, there has long been a yearning for a saviour who will stop Trump in his tracks. Hopes were pinned on the special counsel Robert Mueller, but his Russia investigation lacked teeth and failed to bring the president down. Two impeachments came and went and the Senate missed a historic opportunity to bar from Trump running again.

Now resentment is focused on the supreme court and the attorney general, Merrick Garland, for dragging their feet on holding Trump accountable for his role in the 6 January 2021 attack on the US Capitol. The court issued a unanimous decision that Colorado and other states do not have the power to remove Trump from the ballot for engaging in an insurrection.

A justice department case alleging that he sought to overturn the 2020 election, which had been due to begin this week, was postponed until the supreme court rules on whether he is immune from prosecution. And an election interference case in Georgia is also on hold because the prosecutor Fani Willis is dealing with allegations of a conflict of interest over a romantic relationship.

In Florida, where Trump is charged over his mishandling of classified government documents, he managed to draw a friendly judge who has indicated the trial will not start soon. That means the case likely to start first is one in New York relating to Trump paying hush money to an adult film star during the 2016 election campaign, widely portrayed in the media as the weakest of the four.

Yet such a case would have been devastating to any other candidate at any other moment in history. Allan Lichtman, a history professor at American University in Washington, said: “He’s going to be on trial for 34 felony counts in less than three weeks and the mainstream media has barely indicated the importance of this.

“‘Oh, it’s just a hush money trial.’ No it’s not. He’s not on trial for hush money. He’s on trial for election fraud, not just paying the hush money but deceiving the American people by concealing it as a business expense.”

Lichtman added: “If this was anybody but Trump, any other presidential candidate on trial, it would be the trial of the century and the mainstream media would be screaming that, if the candidate got convicted, he should be bounced from from the campaign. Instead they’ve misrepresented and trivialised this case.”

Trump has long challenged media orthodoxies. During the 2016 campaign, the New York Times used the word “lie” in a headline – a move that would have been seen as judgmental and editorialising in the pre-Trump era. In 2019, the paper changed a headline, “Trump urges unity vs racism”, after an outcry from readers and progressive politicians.

Television has also struggled to find the right approach. There was much introspection over how saturation coverage of Trump’s 2016 campaign rallies and tweets gave him $5bn in free advertising, according to the media tracking firm mediaQuant. Cable news networks have drastically reduced their live coverage of Trump’s speeches, although some commentators warm that the pendulum has swung too far in the opposite direction, contending that voters need to see his unhinged antics, verbal gaffes and extremist agenda.

With Super Tuesday’s primary elections clearing the way for another Biden v Trump clash, some accuse the media of focusing too much on polls and not enough on the stakes, treating Trump as just another political candidate rather than an existential threat. They say the intense focus on Biden’s age – he is 81 – is wildly disproportionate when set against Trump’s authoritarianism and 91 criminal charges.

Setmayer, a former Republican communications director on Capitol Hill, said: “The media has clearly not learned its lesson from 2016 or 2020 on how to cover Donald Trump. This is not a conventional horse race election. There’s nothing normal about any of this so, by covering Biden and Trump equally, it minimises Trump’s considerably disturbing behaviour, comments and plans for the future.

“The Democrats do have a legitimate complaint with the way the media is bothsides-ing this. The media should not be under any obligation to tell both sides of a lie or conspiracy theory or leading presidential candidate’s desire to tear up the constitution and become a dictator on day one. All things Donald Trump has said he would do.

The New York Times/Siena College poll was made up of 980 registered voters across the country and conducted on mobile and landline phones. It found that 61% of people who supported Biden in 2020 thought he was “just too old” to be an effective president. An accompanying article in the Times was headlined: “Majority of Biden’s 2020 Voters Now Say He’s Too Old to Be Effective.”

Larry Jacobs, director of the Center for the Study of Politics and Governance at the University of Minnesota, thinks it was a fair question. “The media’s not in this to help any candidate and Joe Biden is the incumbent and there are legitimate questions about an 81-year-old repeatedly struggling in public. To do a poll that asks questions about that is entirely fair.”

Others take a very different view. Jeff Jarvis, a journalism professor at the CUNY Craig Newmark Graduate School of Journalism, said: “The choice to ask the question and the way the question is asked and who the question is asked of and then how the result is played are agenda-filled. Polls become a self-fulfilling prophecy of: we’re going to set an agenda and say it all and then we’re going to do a poll and act as if that’s news when it’s just a reaction to what we’ve already done. This is the case with the age.”

Jarvis added: “The New York Times – which has been our best and which I criticise because I want it to be better – is horribly frustrating because it does not know how to cover the rise of fascism, and that’s what this story really is. Neither does it know how to cover the essence of why this is happening, which is race.”

Defenders of the New York Times point out that it has done extensive reporting on Trump’s plans for a second term and what it would mean for America and the world. Some commentators warn that Democrats’ attacks on the media are likely to backfire and lead to accusations that they are shooting the messenger.

Not even comedians are immune. When Jon Stewart returned to The Daily Show on Comedy Central, and skewered Biden and Trump as the two oldest presidential candidates in history, Mary Trump, a niece and fierce critic of the former president, wrote on X: “Not only is Stewart’s ‘both sides are the same’ rhetoric not funny, it’s a potential disaster for democracy.”

Stewart responded on his next show: “I guess as the famous saying goes, ‘Democracy dies in discussion’ … It was never my intention to say out loud what I saw with my eyes and then brain. I can do better.”

If history is any guide, there is no knight in shining armour coming to Democrats’ rescue. They have to win on the merits on 5 November. Henry Olsen, a senior fellow at the Ethics and Public Policy Center thinktank in Washington, observed: “The Democrats have wanted to use every trick in the book to defeat or unseat or stop Trump since 2016 and nothing has changed in that respect.

“The fact is he is a leading candidate. He is supported by almost half the country. The idea that he poses a threat to democracy is not unfounded but is also wildly overblown. If the media did what many Democrats want, they would effectively be acting like media in Orbán’s Hungary, so the irony might be telling.”

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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