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Discover the Blue Cabin where heritage meets contemporary art – Richmond News

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Blue Cabin, a mobile artist studio, will join Richmond’s Doors Open taking place June 4 and 5.

Since the Blue Cabin floated to its new home in the Steveston Village earlier this year, people walking up and down the boardwalk have been curious about this mysterious artist’s studio that sits quietly at Imperial Landing.

Although mostly designated for artists to work in, the Blue Cabin welcomes local community members to participate in open houses, talks and workshops to learn about the region’s foreshore history and the communities connected to it.

“We want to be able to connect with audiences in Richmond and let them come in and see the space and hear the story,” said the Blue Cabin’s Managing Director Anthony Meza-Wilson.

“The story is quite rich, there’s a lot of facets to it,” Wilson said, looking at the patina-colour painting on the interior walls, which is authentic to the time period that the cabin was designed.

The current artist in residence Debra Sparrow, a Musqueam weaver, will be demonstrating her weaving projects during Doors Open, hoping to show audiences the beauty and integrity of her people’s history through her art.

“It is not art as you know it, but a way of life as we know it,” Debra said.

This coming Sunday, she will be holding an art event with artist Donna Grant to teach audiences how to make traditional Musqueam fishing nets from cedar sinew and tell the history of net building and fishing in the area.

“It’s a great experience to be here, because it’s where my people were, and still are. But they’re not visible,” she said.

Since its first artist-in-residence program Weaving on the Foreshore, which featured first nations textile artists, the Blue Cabin has been working on facilitating conversations and cross-cultural exchanges on the environment, foreshore histories, indigenous arts, and present-day issues.

During the COVID lockdown, the Blue Cabin moved its events online to continue connecting with audiences.

As COVID restrictions ease, Doors Open offers opportunities for in-person tours and activities, allowing the connection to be more “personal.”

As a floating structure, the Blue Cabin provides artists and the public with a new way to look at the city – from the water.

“Sometimes I’ve stayed in the evening when the sun’s going down, and just to be here and watch the water and the sun together,” said Debra. “I don’t know if I want to leave.”

As a mobile artist’s studio, the Blue Cabin moves around the Lower Mainland region, allowing artists to learn about different areas along the waterfront and use that to inform their practice. It will stay in the Steveston Village until 2024. 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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