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Duncan art exhibit challenges narratives around sexualized violence – Monday Mag

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“What Were You Wearing?”

In response to sexualized violence in the Cowichan Valley, Warmland Women’s Support Services Society is hosting an art installation, What Were You Wearing? to address victim blaming and rape myths.

The “What Were You Wearing?” Survivor Art Installation originated at the University of Arkansas in 2013. Created by Jen Brockman and and Dr. Mary Wyandt-Hiebert, the project was inspired by Dr. Mary Simmerling’s poem, “What I Was Wearing.”

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Kendra Thomas, program coordinator at the Warmland Women’s Support Services Society says our society tends to default to the question, ‘Well, if she was raped, what was she wearing?’ implying that survivors of sexualized violence are responsible for anticipating, causing, or stopping the violence. The next series of questions usually are, ‘Why was she drinking? Why was she on that trail after dark? Why did she go to that party with those guys?’ This is victim blaming.

‘As long as we are asking questions about what the survivor was and wasn’t doing we are erasing the presence of the offender. The questions we should be asking? “Why did he rape her?” “Why did he stalk her?” “Why did he drug her drink?”

“Victim blaming obscures the actions an offender takes to plan for and overcome the victim’s resistance and tells potential victims, especially women, that it is their responsibility to make sure they are not assaulted. From date-rape drug-detecting nail polish to difficult-to-remove underwear, the message is clear: women should be trying harder not to get raped.

“Why do we victim blame? Sometimes it’s a psychological safety strategy. Holding victims responsible for their misfortune is partially a way to avoid admitting that something just as unthinkable could happen to us — even if we do everything “right”. We know with certainty that as long as we exclude the offender from the conversation we are creating barriers for the offender to seek help. We know that hurt people hurt people.

“Rape is a violent physical assault that is sexualized. Sexual assault is about power and control, not sexual attraction. It is never the victim’s fault, and it is never about ‘what they were wearing’.”

The art installation will be on display Saturday, Sept. 5 at Charles Hoey Park from 10 a.m.-2 p.m. and will be well marked to regard social distancing when viewing the display. Warmland Women’s Support Services invites community members to learn about affirmative consent, address rape myths and become more than a bystander to sexualized violence.

Survivors are invited to submit their own stories ahead of time. Contact Thomas at kthomas@warmlandwomen.org or on Facebook at warmlandwomen

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The “What Were You Wearing” art installation will return to Charles Hoey Park in Duncan on Sept. 5. (Submitted)

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Collaborative art project highlights the artistic and healing properties of trees – GuelphToday

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Combining nature, art and science came to fruition with a collaborative stick weaving project today.

At the How To Draw A Tree Wellness Circle on Johnston Green at the University of Guelph, people were welcomed to join artists Dawn Matheson and Agnes Niewiadomski to create a sculpture made out of sticks. 

Trees saved Matheson’s life. She has her own challenges with mental health but being with trees in nature relaxes her and calms her mind.

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“It’s just a practice I’ve developed. It grounds me,” she said. 

She wanted to bring a bit about what fuels her creativity and helps her mental health to the public with this art project.

The process of the sculpture will continue to unravel in the next couple of weeks as people add sticks to it. About 50 people came out to the event on Wednesday.

Eventually the sculpture will be used as a set piece for a play put on by Guelph Collegiate Vocational Institute (GCVI) students. 

“Our idea is always like, challenge yourself to try something that you’re not used to,” said Gerard Gouchro, teacher and minor head of arts at GCVI. Students came to help create pieces of art as part of the sculpture. 

The project stemmed from an idea to get people engaged with the wellness circle. An art project called How To Draw A Tree was created by Matheson four years ago. Although the project is finished she hopes people will still engage with it. 

The team behind the project is a mix of artists, sound composers, students, poets, ecopsychologists and more. They created sound walks. People can go through a guided tour in the Arboretum while listening to artists talk about their relationship to trees.

There are four guided sound walks onsite and each person has a tree planted at the wellness circle that they connected with while working on the project.

The stick sculpture will be a work in progress. There will be a sign that reads anyone is welcome to add a stick to the sculpture. “It’ll become a true process based community sculpture, maybe it’ll get destroyed, which is fine by me. I’m a process based artist, there’s no final product,” said Matheson.

Most of the materials used for stick weaving are sticks from trees in the Arboretum that were pruned in the winter. Instead of the material being put into a chipper “this was a great opportunity to share it here for this project,” said Justine Richardson, director of the Arboretum. 

Matheson hoped with minimal instruction people felt free to add sticks to the sculpture wherever they saw fit.

“It’s just kind of come alive to see everyone’s contributions. I’m really impressed,” said Niewiadomski.

Trees are the ultimate improvisers; they move wherever the sun is, said Matheson. Trees are good listeners and you can’t experience a lot of rejection from them.

“There’s two parallel crises that are the biggest crisis in the world right now. And that’s mental illness and climate crisis,” she said. This is what the project is about.

There will be researchers from the U of G who will be studying the art project and will give feedback to see how beneficial creating a connection between people and the earth is.

The question that runs through Matheson’s mind is; how do we glean life and creativity from trees but also give back to nature?

The art piece will be up for the next couple of weeks on Johnston Green and people can contribute by adding in their own sticks.

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PHOTOS: 'Urban art advocates' brighten up London with public murals – The London Free Press

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Squatters at Gordon Ramsay's Pub Have 'Left the Building' After Turning It Into an Art Café – PEOPLE

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Squatters occupying one of Gordon Ramsay’s London pubs have vacated the property, one week after police were made aware of their activity.

The Camden Art Cafe, an “autonomous cafe” who had identified themselves as the occupants of the celebrity chef’s York & Albany pub, shared the news in an Instagram post.

“We are sad to announce Camden art collective have left the building after being served papers yesterday,” the post read. “We wish those left in the building the best of luck in their endeavours. We hope to be a part of the community again soon, watch this space!!”

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The account did not specify who is left in the building, and London’s Metropolitan Police could not immediately be reached by PEOPLE for comment.

On April 13, BBC reported that the Central London pub had been occupied by at least six people, who allegedly boarded the windows. PEOPLE confirmed on April 15 that Ramsay’s pub had been occupied by squatters. 

York & Albany pub.

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The building where York & Albany was located and rented by Ramsay was listed on the market for £13 million, or about $16 million U.S. dollars, in December.

The Camden Art Cafe spoke about the price when they shared an official statement on April 15 about occupying the building.

“We aim to open our doors regularly to anyone and everyone, particularly the people of Camden who have been victims of gentrification and parasitic projects like HS2,” the statement said, adding that they will provide free food and “space to display their art without the ridiculous red-tape that galleries require people to jump over.”

The post continued, talking about how the wealth disparities in Camden made it “fitting that £13 million properties that most locals would never be able to afford to visit should be opened up to all.” 

On April 15, the Metropolitan Police told PEOPLE that they were made aware of the squatters at a “disused property” near London’s Regent’s Park on April 10.

“This is a civil matter and so police did not attend as an emergency call out,” the statement continued. 

In the statement, the police said they would get involved if necessary: “We [are] in the process of identifying if any subsequent offences [sic] have occurred, and will take action where appropriate.”

Ramsay’s team declined to comment on the situation since it is being handled legally.

According to the U.K.’s official squatter rules on the government website, “Simply being on another person’s non-residential property without their permission is not usually a crime.”

But the website lists vandalization, not leaving when ordered by the court and using utilities as crimes that would permit police involvement.

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