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Elton John lyricist Bernie Taupin to stage first UK visual art show

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They are one of the most successful songwriting duos in pop music, but while the musician Elton John is the ultimate flamboyant showman, the lyricist Bernie Taupin has always preferred to be out of the spotlight.

However Taupin, who has been writing songs with John for more than half a century, will now take centerstage – as a visual artist – with his first UK exhibition taking place next month at the Iconic Images gallery in central London.

In a rare interview, he told the Guardian: “I’m by no means Greta Garbo, but I couldn’t do the kind of things that he [John] does. He’s probably one of the most identifiable characters in the world and it’s tough to live in that bubble. I couldn’t do that.

“He’s absolutely exemplary at it, but I like to be able to go to the market on my own and go and get my coffee in the morning. I keep very much to myself. I’m a very private person. I don’t enjoy celebrity that much,” he added.

Art has been a lifelong passion for Taupin and, if he had not got lucky as a songwriter, he might well have pursued it as a career. The son of a farmer from Lincolnshire, he met John in London in 1967, after they each answered the same record company advertisement for songwriters. Taupin was 17 and could not write melodies, and the singer and pianist John – then still known as Reginald Dwight – was 20 and could not write lyrics.

They hit it off immediately, becoming the closest of musical partners, the lyricism of Taupin’s words inspiring John’s melodies. Their many classic songs include Rocket Man, Crocodile Rock, Candle in the Wind, Sorry Seems to Be the Hardest Word, Goodbye Yellow Brick Road and Daniel.

The duo have always written separately. Taupin says he has written dozens of new songs, but they are in an early stage and he has yet to show them to John: “Too early to say anything about that right now,” he adds.

Since 1970, Taupin has lived primarily in the US, where he has had exhibitions of his abstracts and mixed-media pieces with found objects, among other works.

His show at the Iconic Images gallery is inspired by his friend, the photographer Terry O’Neill, whose shots captured the spirit of the pop and film worlds of the 1960s and 1970s.

Called Taupin and O’Neill: Two Sides of the ’60s, the exhibition features 15 mixed-media paintings, each a pop-art reworking of one of the photographer’s images of famous faces of the decade, including Audrey Hepburn, John Lennon and Queen Elizabeth: “The 1960s were very alive and colourful,” says Taupin. “Times were changing rapidly and these were the people that were on the cusp of that change … They were the lights that burned brightest.”

Paul Newman – Made in the USA.

Before O’Neill’s death in 2019, they had collaborated on the project, Taupin says. “[Terry was] very keen … We didn’t really know how or when to present them. That’s why they got pushed into the background for a while.”

Discussing the reworked images, he said: “The portrait of Paul Newman, for instance, is a combination of acrylic spray paint and bubblegum wrappers … [With] the portrait of the Queen and Prince Philip, I took out the tapestry that’s in the rear of them and filled it in with [a collage of] things that are wholly English [including Marmite and custard wrappers].

“The thing about this particular exhibition is it’s all done in great good humour … Hopefully, [it’ll] make you smile.”

While Taupin speaks of feeling a “little gun-shy” about unveiling his work in the UK – “I’m always wary of how people react to things” – he pays tribute to O’Neill: “Terry was such a dynamic photographer … When you did a photo session with Terry – usually photo sessions are laboured and time-consuming – he made them fun. It was like having your picture taken by an East End barrow boy. He got the very best out of the best. You can see that totally in his work.”

When Taupin is working on his art, he listens to music, everything from jazz to blues: “I’m not much of a pop guy.”

He does not listen to songs that he co-wrote with John: “I think you have to be of a certain ego to sit around listening to your own.”

 

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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