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‘Extreme planet’ orbits star in three Earth days, has temperatures of 3120 degrees Celsius

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TORONTO —
Research on data from a new satellite is revealing strange new details about one of the “most extreme planets” in our known universe, and the blue, oddly-shaped star it orbits.

WASP-189b is 322 light years away from Earth in the constellation of Libra, has a permanent dayside and night side, and takes less than three Earth days to fully orbit its star — far faster than our 365 days.

“It is 20 times closer to [its star] than Earth is to the Sun,” Monika Lendl, lead author of the study from the University of Geneva, said in a press release.

WASP-189b is a gas giant, but it’s not any old gas giant. It is around one and a half times as large as Jupiter, and is part of a group called “ultra-hot Jupiters,” which are gas giants that are much larger and hotter than any planet we see in our solar system.

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And this planet is even hotter than most other ultra-hot exoplanets scientists have identified. A paper published in the Astronomy & Astrophysics journal last week which detailed the new research described WASP-189b as “one of the most highly irradiated planets known thus far.”

It not only orbits incredibly close to its star, but the star itself, known as HD 133112, is one of the hottest stars we know of that has its own planetary system, at around 2,200 degrees Celsuis hotter than our Sun.

“Because it is so hot, the star appears blue and not yellow-white like the sun,” Willy Benz, professor of astrophysics at the University of Bern and head of the CHEOPS consortium, said in the release.

The dayside of the WASP-189b — the side that faces the star — is roughly 3,400 Kelvin, which is more than 3,120 degrees Celsius. It’s so hot that if there were iron present in the planet’s makeup, it would be gaseous.

In our solar system, the way that our planets spin while they rocket around the sun in their orbit gives them a night and day and allows multiples sides of the planet to get some face time with the sun. This isn’t the case for planetary objects like WASP-189b.

“They have a permanent day side, which is always exposed to the light of the star, and, accordingly, a permanent night side,” Lendl explained.

These details were discovered using data from the CHaracterising ExOPlanets Satellite (CHEOPS), the first European Space Agency (ESA) mission dedicated solely to extra-solar planets. The mission was launched in partnership with Switzerland, and benefitted from contributions from numerous European countries.

The satellite, with its mounted telescope, was launched in December of 2019, and has been orbiting 700 km above Earth ever since. Unlike many previous exoplanet-focused missions, CHEOPS is not interested in identifying new exoplanets, but was designed to peer closely at systems where we already knew an exoplanet is present.

Exoplanets — or extrasolar planets — are planets orbiting stars outside of our solar system, and because they’re so far away, we identify them not by finding a coloured speck in the sky, but by measuring dips in the light from stars.

When a star dims, it means something has passed in front of it, blocking some of the light from reaching the Earth. Using this “transit method,” researchers can figure out how large exoplanets are, how big or long their orbit is, and even what materials they are likely composed of.

There is also a change in light when a particularly bright planet goes behind its star, something called an “occultation.”

“Only a handful of planets are known to exist around stars this hot, and this system is by far the brightest,” Lendl said in an ESA release. “WASP-189b is also the brightest hot Jupiter that we can observe as it passes in front of or behind its star, making the whole system really intriguing.

“As the planet is so bright, there is actually a noticeable dip in the light we see coming from the system as it briefly slips out of view.”

While CHEOPS was pointed at WASP-189b, cataloguing all of its strange properties, researchers discovered that the star was unusual for more than just its bright blue colour.

It is spinning so rapidly that it is actually thicker at the equator, distorting the shape itself.

“The star itself is interesting — it’s not perfectly round, but larger and cooler at its equator than at the poles, making the poles of the star appear brighter,” said Lendl. “It’s spinning around so fast that it’s being pulled outwards at its equator! Adding to this asymmetry is the fact that WASP-189 b’s orbit is inclined; it doesn’t travel around the equator, but passes close to the star’s poles.”

This misaligned orbit implies that the planet had been formed further away from the star, and then been somehow pushed closer to it. Lendl suggested that this could mean the planet had interacted with other planets, or even other stars that had changed its orbital path.

According to the research, the planetary and star system is fairly young, which means researchers will be able to use this system to track the “atmospheric evolution of close-in gas giants.”

The new research is exciting to scientists not only for what it reveals about this planet and star, but for what it reveals about the telescope that provided such clear information.

“This first result from Cheops is hugely exciting: it is early definitive evidence that the mission is living up to its promise in terms of precision and performance,” Kate Isaak, CHEOPS project scientist at ESA, said in the ESA release.

Researchers point out in the paper that CHEOPS allowed them to refine and correct the size of the planet, which had been estimated incorrectly years earlier when the exoplanet’s existence was discovered by telescopes on the ground on Earth.

The paper concludes that the levels of the precision in the data shows that CHEOPS will be an invaluable tool in studying more exoplanets.

“We are expecting further spectacular findings on exoplanets thanks to observations with CHEOPS,” Benz said. “The next papers are already in preparation.”

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NASA hears from Voyager 1, the most distant spacecraft from Earth, after months of quiet

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CAPE CANAVERAL, Fla. (AP) – NASA has finally heard back from Voyager 1 again in a way that makes sense.

The most distant spacecraft from Earth stopped sending back understandable data last November. Flight controllers traced the blank communication to a bad computer chip and rearranged the spacecraft’s coding to work around the trouble.

NASA’s Jet Propulsion Laboratory in Southern California declared success after receiving good engineering updates late last week. The team is still working to restore transmission of the science data.

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It takes 22 1/2 hours to send a signal to Voyager 1, more than 15 billion miles (24 billion kilometers) away in interstellar space. The signal travel time is double that for a round trip.

Contact was never lost, rather it was like making a phone call where you can’t hear the person on the other end, a JPL spokeswoman said Tuesday.

Launched in 1977 to study Jupiter and Saturn, Voyager 1 has been exploring interstellar space – the space between star systems – since 2012. Its twin, Voyager 2, is 12.6 billion miles (20 billion kilometers) away and still working fine.

 

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SpaceX launches 23 Starlink satellites from Florida (photos)

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SpaceX sent yet another batch of its Starlink internet satellites skyward today (April 23).

A Falcon 9 rocket topped with 23 Starlink spacecraft lifted off from Florida’s Cape Canaveral Space Force Station today at 6:17 p.m. EDT (2217 GMT).

The Falcon 9’s first stage came back to Earth for a vertical landing about 8.5 minutes after launch as planned. It touched down on the SpaceX droneship Just Read the Instructions, which was stationed in the Atlantic Ocean.

It was the ninth launch and landing for this particular booster, according to a SpaceX mission description. Five of its previous eight liftoffs were Starlink missions.

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The Falcon 9’s upper stage will continue carrying the 23 Starlink satellites toward low Earth orbit (LEO) today, deploying them about 65 minutes after liftoff.

This evening’s launch was the 41st of the year for SpaceX, and the 28th of 2024 dedicated to building out the huge and ever-growing Starlink megaconstellation. There are nearly 5,800 operational Starlink satellites in LEO at the moment, according to astrophysicist and satellite tracker Jonathan McDowell.

The Starlink launch ended up being the first half of a spaceflight doubleheader: A Rocket Lab Electron vehicle launched two satellites, including a NASA solar-sailing technology demonstrator, from New Zealand today at 6:33 p.m. EDT (2233 GMT).

Editor’s note: This story was updated at 6:30 p.m. ET on April 23 with news of successful launch and first-stage landing.

 

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Exploring ecological networks in a digital world | News | Vancouver Island University | Canada – Vancouver Island University News

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Getting to know Samantha Letourneau

By day, Samantha Letourneau is Vancouver Island University’s Canada Learning Bond project lead and Volunteer Tutor Coordinator. She’s also a musician and dancer and for the past two years, she’s been collaborating with Swedish artist Mårten Spångberg, thanks to funding obtained through Crimson Coast Dance, to create a digital art installation that goes live on Friday, April 26. A launch event takes place at Black Rabbit restaurant in the Old City Quarter that night. Samantha is also hosting a creative process workshop on April 27 and 28.

Can you share a bit about your background as an artist and how you got into it?

I have been working in art for a very long time, as a musician and dancer as well as an art administrator and program coordinator. I started music at the age of 11 and dance came later in my life in my early 20s. I always wanted to do dance, but I grew up in a small community in Yellowknife and at that time the only dance classes available were highland dancing, which I was not very interested in. 

In my early 20s while living in Vancouver, I took classes in contemporary dance and was fortunate to land a small part in the Karen Jameison Dance company for a piece called The River. The River was about rivers and connection between the reality of a real and physical outdoor river and the different reality of “the river within.” It was both a piece of art and outreach for the community. It included working with the S’pak’wus Slu’lum Dancers of the Squamish Nation. Somewhat ground-breaking for 1998.

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From there I was hooked and wanted to do more in dance. I studied a lot and took many classes. Fast forward to now, I have been involved with productions and performances with Crimson Coast Dance for more than 15 years and greatly appreciate the talent and innovation that Artistic Director Holly Bright has brought to this community. She is amazing and very supportive of artists in Nanaimo.

How did this international exchange come about?

The Nordic/Nanaimo exchange is one of the innovative projects Holly created. At the height of the pandemic, funded by BC Arts Council and Made In BC, Crimson Coast Dance embarked on a project that explored the ways in which Nanaimo artists could participate in online exchanges. 

Two artists in Nanaimo – myself and Genevieve Johnson – were introduced to artists from Europe and supported through this international exchange. My collaborator, Mårten Spångberg, is a Swedish artist living and working in Berlin. An extension of that exchange is funded by Canada Council for the Arts – Digital Now.

What brought Mårten and myself together – and I quote Mårten here – is “questions around climate change, ecology and the influence contemporary society has on its environments. We are not interested in making art about the ecological crises or informing our audience about the urgency that climate change implies, but instead through our research develop work that in itself proposes, practices and engages in alternative ecologies.”

We share an understanding that art is a unique place, in the sense of practice, activation, performance and event, through which alternative ecologies can emerge and be probed and analyzed.

Tell us about the launch event.

We are launching the digital art installation that Mårten and I created on April 26 at The Attic at Black Rabbit Restaurant. The event is free to attend but people must sign up as seating is limited. I produced video art with soundscapes that I recorded mixing field recordings with voice and instrumentation. Marten explores text, imagery and AI.

My focus is on the evolving and ongoing process of how we communicate with each other and to nature within a digital context.

During our collaboration, Mårten and I talked about networks, though not just the expansive digital network of the internet but of nature. We shared thoughts on mycelium, a network of fungal threads or hyphae, that lately has received much attention on the importance of its function for the environment, including human beings.

Building off this concept, ideas of digital and ecological landscapes being connected emerged. From this we worked both collaboratively and individually to produce material for this digital project. Mårten will be there via Zoom as well and we will talk about this two-year process and the work we created together.

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