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Famous portrait of Winston Churchill missing from Ottawa hotel in suspected art heist

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One of the most famous portraits of Winston Churchill is missing from the Château Laurier’s Reading Lounge after apparently being replaced with a copy, but exactly how long ago it disappeared is a mystery.

A staff member at the storied downtown Ottawa hotel, just steps from Parliament Hill, discovered on Friday night that the portrait hanging on the wall was a replica, not the original that was installed in 1998.

Specifically, the employee noticed its frame wasn’t hung quite right and didn’t match those of the other five portraits in the lounge, which were also taken by photographer Yousuf Karsh.

Karsh, one of the 20th century’s most famous portrait photographers, took the photo in 1941 when the then-British prime minister was in Ottawa to address Parliament during the Second World War.

Jerry Fielder, who was hired by Karsh himself in 1979 and is now director of Karsh’s estate, got a call from the Château Laurier’s general manager on Saturday.

Like something out of a movie

The work that was supposed to be hanging there was made from a negative and signed by Karsh, but when Fielder asked to be sent a copy of the signature, he knew instantly that it was a forgery.

“It wasn’t his signature,” Fielder said.

The hotel then contacted Ottawa police, who confirmed to CBC on Monday that they are investigating the potential theft.

“I couldn’t believe that anyone would do this,” Fielder told CBC Radio’s Ottawa Morning on Tuesday. “It had been there for so long and had been such a part of the hotel. It was shocking and very saddening.”

What happened to the original iconic image is unclear. Fielder said that the last time he saw it hanging in the hotel was in July 2019, and that “it was the real thing.”

Removing the original and replacing it “was obviously thought out and planned,” Fielder said.

“I would like [whoever took it] to give it back, but I don’t think that’s going to happen.”

Michel Prévost, president of La Société d’histoire de l’Outaouais, said he didn’t know how much the portrait was worth, but that no prints of Karsh’s work have been allowed since his negatives were given to Library and Archives Canada in the 1990s.

“It’s like a movie,” Prévost said of the situation. “Famous hotel, and you have the security. And one of the most valuable portraits of your collection is stolen.”

Karsh’s history with the Château Laurier

Karsh had a long connection to the hotel. He and his first wife lived there for 18 years, and his studio was housed in the building until 1992, Prévost said.

The hotel said it has 15 original works by the photographer, six of which, including the Churchill portrait, were hanging in the lounge.

The remaining five have now been removed from the lounge until they can be better secured, according to a statement from the Fairmont hotel.

“We are deeply saddened by this brazen act. The hotel is incredibly proud to house this stunning Karsh collection, which was securely installed in 1998,” the statement said.

Portrait photographer Yousuf Karsh is shown at his Ottawa studio with an exposure he created of Queen Elizabeth in this Dec., 21, 1988 photo. (Ron Poling/The Canadian Press)

The Roaring Lion’s uncertain future

Karsh, originally from Armenia, made Ottawa his home from 1924 until the 1990s. He took pictures of 14,312 people in his career, according to Fielder, who says this portrait of Churchill launched him onto the international stage.

Fielder said the picture, known as The Roaring Lion, changed Karsh’s life and has a lasting legacy — it’s still the picture on the Bank of England’s £5 note.

A framed note from the hotel now sits where the photo of Winston Churchill was. (Claudine Richard/Radio-Canada)

Part of the appeal might be the story behind the photo shoot. Churchill didn’t want his picture taken, but permitted Karsh one photograph. To make the most of the shot, Karsh pulled the cigar from Churchill’s lips and caught him glowering as a result.

“Then [Churchill] said, ‘You may take one more.’ And then he was smiling and looked very benign. But it’s The Roaring Lion photograph that has become world famous,” Fielder said.

“It was a very uncertain time in Canada, the United States and the world, and I think the portrait shows determination and strength. I think it gave people some courage.”

Prévost, meanwhile, wonders how the story will end.

“I don’t know if the Château Laurier will receive a call asking $5 million for the portrait. It could also be in the collection of a fan of Sir Winston Churchill,” Prévost speculated.

“As a historian, I can speak about the past. I cannot speak about the future.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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