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Find unique local artwork for the holiday season at December’s First Friday Peterborough

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This month’s First Friday Peterborough art crawl, taking place on December 2, provides a wealth of opportunities to find unique locally made artwork for everyone on your gift list this holiday season while also supporting local artists. art organizations, and locally owned small businesses.

The free, self-guided, family-friendly art crawl takes place at various galleries, businesses, venues, and artist studios, with most exhibits located in the downtown core — including several at the Commerce Building at 129 1/2 Hunter Street West — and running from 6 to 10 p.m.

December’s art crawl also includes a fine art and craft show just across the Hunter Street Bridge in East City. “8 at the Guild” takes place from 3 to 9 p.m. at the Peterborough Theatre Guild (364 Rogers St.) and features functional ceramics by Thomas Aitken and Kate Hyde, glass works by Christy Haldane, one-of-a-kind cards by painter Bea Quarrie, scratchboard originals by Lisa Martini-Dunk, glass works by Susan Rankin, original paintings and prints by David Smith, glass jewellery by Kira Robertson, and original paintings by Diana Collins Wilkes.

Also new to First Friday Peterborough this December is an outdoor winter market running from 6 to 8 p.m. in the Commerce Building Square (29 1/2 Hunter St. W.). The market features poetry, live music, hot beverages and treats, and artworks and gifts. Vendors include Kit Coffee, Jeff Macklin of Jackson Creek Press, Third Circle Ceramics, Cheek, Juli Sage, Bethany Davis, Miguel Hernandez Autorino, and Marcia Watt.

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Studio 5 at Heather Doughty Photography (129 1/2 Hunter St. W.) is hosting a pop-up art show from 6 to 9:30 p.m. featuring landscape and abstract art by Andrew Zahorouski and Donna Bolam, live storytelling by Hermione Rivison, and selected unframed prints from photographers showcased in past SPARK Photo Festival themed juried exhibits. The SPARK print sale accepts cash and onsite e-transfer only, with all proceeds supporting SPARK programming.

Along with the pop-up art show, you can also browse the current exhibit at Studio 5: a collection of fine art in oils, acrylics, watercolours, charcoal, pastels, and photography by
Arne Roosman, James Matheson, Hannah Spinney, Nancy Simmons Smith, Anita Murphy, Heather Doughty, Freddie Towe, Henry Gordon, Leilah Ward, and John Maris.

The work of 11 artists will be featured during a December 2022 First Friday Peterborough event at Riverside Tattoo in downtown Peterborough. (Poster/photo: Riverside Tattoo)
The work of 11 artists will be featured during a December 2022 First Friday Peterborough event at Riverside Tattoo in downtown Peterborough. (Poster/photo: Riverside Tattoo)

Artspace (3-378 Aylmer St. N.) is hosting its first annual holiday market from 6 to 9 p.m. on First Friday. Vendor artists and artisans include Linda Patterson of Arts of Delight (dolls), The Fanciful Hooker (textiles), DawnMoon Studio (earrings), Cedarlilie Beads (beadwork), Timothy Laurin (sculptural jewellery), Kathryn Durst (illustration), and Elizabeth Popham (acrylics and photographic decoupage). Other participating vendor artists and artisans include Rob Niezen, Haille Dockery, Summer Roads, Bethany LeBlonc, Kelly King Mosaics, Walnuts and Wonders, and Fairy Island Fibres.

As the holiday market is also a fundraiser for low-barrier arts programming in Artspace’s new Maker Space, entry is by donation ($3 recommended). Artspace will also be selling raffle tickets for a basket filled with local art and handcrafted goodies. If you can’t make it to First Friday, the market continues from 10 a.m. to 4 p.m. on Saturday, which also will feature a free art-making workshop from 12 to 4 p.m. in the new Maker Space. Drop in and make an ornament with facilitators from Creating Space Peterborough.

Note that masks are mandatory for all vendors, volunteers, and patrons during the holiday market.

The Art School of Peterborough (178A Charlotte St.) is also hosting a holiday art market from 6 to 9 p.m. on First Friday, featuring works by various local artists. If you can’t make it to First Friday, the market continues from 10 a.m. to 4 p.m. on Saturday.

If you’re interested in body art, you’ll want to drop by Riverside Tattoo & Skate Shop (127 Simcoe St.) on First Friday to check out the gallery of tattoo flash, paintings, prints, custom goods, and clothing featuring six artists from Riverside Tattoo (Stephen Shaw, Olivia Chessman, Cole Curtis, Kris Manbeck, Jesse Owen, and Emma Thompson), three artists Kent Street Tattoo in Lindsay (Corrie Worden, Danielle Poir, and Ainsley Worsley) and two artists from Take Care Tattoo in Port Perry (Jennifer Lawes and Jessica Channer).

Here are some of the other shows and exhibits taking place during First Friday Peterborough:

A "menu" of the collage, mixed media, and anime art items by Jade Wallace available at The Food Shop in downtown Peterborough during a December 2022 First Friday Peterborough event. (Graphic: Jade Wallace)
A “menu” of the collage, mixed media, and anime art items by Jade Wallace available at The Food Shop in downtown Peterborough during a December 2022 First Friday Peterborough event. (Graphic: Jade Wallace)
  • A framed arts show featuring a variety of local artists at Watson & Lou (383 Water St.)
  • “Winter Wonderland” by Kelly Albin at Blue Frogs Legs (393 Water St., 3rd Floor, Studio 7)
  • “Snow and Monsters” with augmented reality, animation, and interactive art by Kim Beavis Sanderson at Francey Studio (129 1/2 Hunter St. W., Studio 3)
  • Works by nature artist Jenn Baici at the Gallery in the Lounge in Revive Hair Lounge (73 Hunter St. E.)
  • Functional pottery including ceramic tableware and serving ware by Brenda Lee at East City Knife Co. (376 Water St.)
  • “Winter Wonderland” by Madi Day and Jessica KH at Turner & Pooch (142 Simcoe St.)
  • 4th Annual Winter’s Market featuring works by various Peterborough artists at Ludmila Gallery (129 1/2 Hunter St. W. 2nd Floor). The exhibit opens from 6 to 10 p.m. on Friday Friday and continues on Fridays, Saturdays, and Sundays from noon to 5 p.m. until December 23.
  • Collage, mixed media, and anime art by Jade Wallace at The Food Shop (372 Water St.)
  • A one-year anniversary group show by the Peterborough Arts Collective and “Psychedelic Holidaze,” a collection of projected festive visual art by digital artist Ashley Hall, at Jason Wilkins Factory (188 Hunter St. W. #7).
  • “Imagination & Art” by Lily Frampton at Tragically Dipped Donut (386 Water St.). This is Lily’s first art show, days before her 11th birthday.
  • Acrylic painter Kate “Gissy” Grightmire and cosmetic tattoo artist Emily Poisson at EJP Studio (395 Water St.).

For more information about First Friday Peterborough, visit firstfridayptbo.com.

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Art and Ephemera Once Owned by Pioneering Artist Mary Beth Edelson Discarded on the Street in SoHo – artnet News

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This afternoon in Manhattan’s SoHo neighborhood, people walking along Mercer Street were surprised to find a trove of materials that once belonged to the late feminist artist Mary Beth Edelson, all free for the taking.

Outside of Edelson’s old studio at 110 Mercer Street, drawings, prints, and cut-out figures were sitting in cardboard boxes alongside posters from her exhibitions, monographs, and other ephemera. One box included cards that the artist’s children had given her for birthdays and mother’s days. Passersby competed with trash collectors who were loading the items into bags and throwing them into a U-Haul. 

“It’s her last show,” joked her son, Nick Edelson, who had arranged for the junk guys to come and pick up what was on the street. He has been living in her former studio since the artist died in 2021 at the age of 88.

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Naturally, neighbors speculated that he was clearing out his mother’s belongings in order to sell her old loft. “As you can see, we’re just clearing the basement” is all he would say.

Cardboard boxes in the street filled with an artist's book.

Photo by Annie Armstrong.

Some in the crowd criticized the disposal of the material. Alessandra Pohlmann, an artist who works next door at the Judd Foundation, pulled out a drawing from the scraps that she plans to frame. “It’s deeply disrespectful,” she said. “This should not be happening.” A colleague from the foundation who was rifling through a nearby pile said, “We have to save them. If I had more space, I’d take more.” 

Edelson’s estate, which is controlled by her son and represented by New York’s David Lewis Gallery, holds a significant portion of her artwork. “I’m shocked and surprised by the sudden discovery,” Lewis said over the phone. “The gallery has, of course, taken great care to preserve and champion Mary Beth’s legacy for nearly a decade now. We immediately sent a team up there to try to locate the work, but it was gone.”

Sources close to the family said that other artwork remains in storage. Museums such as the Guggenheim, Tate Modern, the Museum of Modern Art, the Brooklyn Museum, and the Whitney currently hold her work in their private collections. New York University’s Fales Library has her papers.

Edelson rose to prominence in the 1970s as one of the early voices in the feminist art movement. She is most known for her collaged works, which reimagine famed tableaux to narrate women’s history. For instance, her piece Some Living American Women Artists (1972) appropriates Leonardo da Vinci’s The Last Supper (1494–98) to include the faces of Faith Ringgold, Agnes Martin, Yoko Ono, and Alice Neel, and others as the apostles; Georgia O’Keeffe’s face covers that of Jesus.

Someone on the streets holds paper cut-outs of women.

A lucky passerby collecting a couple of figurative cut-outs by Mary Beth Edelson. Photo by Annie Armstrong.

In all, it took about 45 minutes for the pioneering artist’s material to be removed by the trash collectors and those lucky enough to hear about what was happening.

Dealer Jordan Barse, who runs Theta Gallery, biked by and took a poster from Edelson’s 1977 show at A.I.R. gallery, “Memorials to the 9,000,000 Women Burned as Witches in the Christian Era.” Artist Keely Angel picked up handwritten notes, and said, “They smell like mouse poop. I’m glad someone got these before they did,” gesturing to the men pushing papers into trash bags.

A neighbor told one person who picked up some cut-out pieces, “Those could be worth a fortune. Don’t put it on eBay! Look into her work, and you’ll be into it.”

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Biggest Indigenous art collection – CTV News Barrie

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Biggest Indigenous art collection  CTV News Barrie

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Why Are Art Resale Prices Plummeting? – artnet News

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Welcome to the Art Angle, a podcast from Artnet News that delves into the places where the art world meets the real world, bringing each week’s biggest story down to earth. Join us every week for an in-depth look at what matters most in museums, the art market, and much more, with input from our own writers and editors, as well as artists, curators, and other top experts in the field.

The art press is filled with headlines about trophy works trading for huge sums: $195 million for an Andy Warhol, $110 million for a Jean-Michel Basquiat, $91 million for a Jeff Koons. In the popular imagination, pricy art just keeps climbing in value—up, up, and up. The truth is more complicated, as those in the industry know. Tastes change, and demand shifts. The reputations of artists rise and fall, as do their prices. Reselling art for profit is often quite difficult—it’s the exception rather than the norm. This is “the art market’s dirty secret,” Artnet senior reporter Katya Kazakina wrote last month in her weekly Art Detective column.

In her recent columns, Katya has been reporting on that very thorny topic, which has grown even thornier amid what appears to be a severe market correction. As one collector told her: “There’s a bit of a carnage in the market at the moment. Many things are not selling at all or selling for a fraction of what they used to.”

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For instance, a painting by Dan Colen that was purchased fresh from a gallery a decade ago for probably around $450,000 went for only about $15,000 at auction. And Colen is not the only once-hot figure floundering. As Katya wrote: “Right now, you can often find a painting, a drawing, or a sculpture at auction for a fraction of what it would cost at a gallery. Still, art dealers keep asking—and buyers keep paying—steep prices for new works.” In the parlance of the art world, primary prices are outstripping secondary ones.

Why is this happening? And why do seemingly sophisticated collectors continue to pay immense sums for art from galleries, knowing full well that they may never recoup their investment? This week, Katya joins Artnet Pro editor Andrew Russeth on the podcast to make sense of these questions—and to cover a whole lot more.

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