Art

Five Saskatoon gallery exhibitions to visit in March – Saskatoon Star-Phoenix

Published

8 months ago

March 8, 2024

Saskatoon art this month includes high school and university student and staff works, nature, augmented reality and performance scores.

Daily Grind by Andrei Feheregyhazi, digital print and augmented reality, on display at PAVED Arts March 15 to April 20, 2024. Photo by Courtesy of the artist /Supplied photo

Local and national visual artists share their unique world interpretations through various media in galleries around Saskatoon. Exhibitions this month include works in sculpture, painting, photography, video, augmented reality and performance. Here are five galleries with shows running in March:

THE GALLERY AT FRANCES MORRISON CENTRAL LIBRARY

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The Gallery at Frances Morrison Central Library presents A Journey through Mapping Nature’s Colours: Researching Canadian Plants that Gift Their Image through Botanical Printing, by Canadian artist Bonny Macnab, until March 14.

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In researching botanical printing, Macnab found a deeper connection to the land and an emotional link through sense memory. This research led to a unique blend of science, soil, environment and artistry in her work.

“My work is inspired by many women like Maibe Maroccolo of Brazil (mapping colour in her country), India Flint (eco-colour), as well as Carol Snyder. Most importantly, I am inspired by my grandmother, an unknown artist born in the early 1920s, who inspired my sense of curiosity and ability to explore and create,” Macnab said.

The Gallery is located on the second floor of the library on 23rd Street West. A closing reception is March 14, 6-8 p.m. Information is available at saskatoonlibrary.ca.

THE GALLERY/ART PLACEMENT INC.

The Gallery/Art Placement Inc. presents Spring Cleaning, featuring works by the staff and sessional lecturers in the Department of Art and Art History at the University of Saskatchewan, until March 16.

Artists include Joseph Anderson, Steve Bates, Terry Billings, Patrick Bulas, Ann Donald, Jasmin Fookes, Jesse Fulcher Gagnon, Xiao Han, Clint Hunker, Shelby Lund, Todd Lyons, Grant McConnell, Barbara Reimer, Frances Robson, Jordan Schwab, Jacob Semko, Laura St. Pierre, and Shawn Zheng.

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“Spring Cleaning is the 16th group exhibition by staff and sessional instructors working in the U of S Art & Art History Department. The incredible artwork displayed at The Gallery/Art Placement Inc. highlights the exceptional talent and dedication of these artists and educators,” exhibition coordinator Patrick Bulas said.

The Gallery/Art Placement Inc. is located at 238 Third Avenue South. Information is available at artplacement.com.

PAVED ARTS

Cardboard Coo-Coo by Andrei Feheregyhazi runs at PAVED Arts March 15 to April 20.

Through a series of cardboard clocks looking into the daily life of a robot, the interactive augmented reality exhibition aims to inspire a sense of exploration, discovery and adventure within the viewer. Experiences can be personalized based on how a viewer approaches each section.

“We are very excited about staging this solo exhibition of Andrei Feheregyhazi’s augmented reality artwork. Not only is Andrei a popular artist who lives and works in Saskatoon, but his work is engaging and somewhat magical for people of every age. Aptly entitled ‘Carboard Coo-coo,’ the artwork spans our shared window, gallery and billboard spaces, springing to life at various points with playful animations. It’s bound to be a showstopper,” artistic director David LaRiviere said.

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PAVED Arts is located at 424 20th Street West. Information is available at pavedarts.ca.

GALLERY ON THE GREENS

The Gallery on the Greens presents Ceramic Transformations until April 30. The exhibition features sculptures by Aden Bowman Collegiate students that represent metamorphosis through vessel forms. Student artists include Connor Merson-Davies, Charlie Briand, Danica Epp and Lucy Glyn-Jones.

“There are endless possibilities when working with clay which is what I love about it. It gives you a chance to make your imagination part of reality,” Briand said.

“We were asked to create a piece that represented metamorphic vessels, which made me think about metamorphosis in the real world where humans and nature interact like we see in ancient ruins,” Epp added.

“(My) piece is really special to me as I put a lot of thought and effort into it. It represents a time in my life where I went through a lot of growth,” Merson-Davies said.

The Gallery on the Greens is located in Market Mall, 2325 Preston Avenue. Information is available at moniqueart.com.

REMAI MODERN

Remai Modern features Other Arrangements: Poetics of the Performance Score until Sept. 22 in the Feature Gallery.

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Artists created new works in response to the malleable form of the performance score, which has no defined rules. The range of artistic responses includes open-ended invitations, playful proposals and poetic appeals to the body and weather.

“The exhibition highlights the ways artists use performance scores to stretch the imagination, to invoke action and possibility. We are excited to work with local artists, dancers and musicians to bring these works to life, many being performed in Saskatoon for the first time,” curator of performance and public practice Troy Gronsdahl said.

Remai Modern is located at 102 Spadina Crescent East. Information is available at remaimodern.org.

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Art

A misspelled memorial to the Brontë sisters gets its dots back at last

Published

4 weeks ago

September 26, 2024

Anne Joseph

LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

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Art

Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

Published

1 month ago

September 13, 2024

Harry Miller

In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.