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Art
Five Saskatoon gallery exhibitions to visit in March – Saskatoon Star-Phoenix
Saskatoon art this month includes high school and university student and staff works, nature, augmented reality and performance scores.
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Local and national visual artists share their unique world interpretations through various media in galleries around Saskatoon. Exhibitions this month include works in sculpture, painting, photography, video, augmented reality and performance. Here are five galleries with shows running in March:
THE GALLERY AT FRANCES MORRISON CENTRAL LIBRARY
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The Gallery at Frances Morrison Central Library presents A Journey through Mapping Nature’s Colours: Researching Canadian Plants that Gift Their Image through Botanical Printing, by Canadian artist Bonny Macnab, until March 14.
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In researching botanical printing, Macnab found a deeper connection to the land and an emotional link through sense memory. This research led to a unique blend of science, soil, environment and artistry in her work.
“My work is inspired by many women like Maibe Maroccolo of Brazil (mapping colour in her country), India Flint (eco-colour), as well as Carol Snyder. Most importantly, I am inspired by my grandmother, an unknown artist born in the early 1920s, who inspired my sense of curiosity and ability to explore and create,” Macnab said.
The Gallery is located on the second floor of the library on 23rd Street West. A closing reception is March 14, 6-8 p.m. Information is available at saskatoonlibrary.ca.
THE GALLERY/ART PLACEMENT INC.
The Gallery/Art Placement Inc. presents Spring Cleaning, featuring works by the staff and sessional lecturers in the Department of Art and Art History at the University of Saskatchewan, until March 16.
Artists include Joseph Anderson, Steve Bates, Terry Billings, Patrick Bulas, Ann Donald, Jasmin Fookes, Jesse Fulcher Gagnon, Xiao Han, Clint Hunker, Shelby Lund, Todd Lyons, Grant McConnell, Barbara Reimer, Frances Robson, Jordan Schwab, Jacob Semko, Laura St. Pierre, and Shawn Zheng.
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“Spring Cleaning is the 16th group exhibition by staff and sessional instructors working in the U of S Art & Art History Department. The incredible artwork displayed at The Gallery/Art Placement Inc. highlights the exceptional talent and dedication of these artists and educators,” exhibition coordinator Patrick Bulas said.
The Gallery/Art Placement Inc. is located at 238 Third Avenue South. Information is available at artplacement.com.
PAVED ARTS
Cardboard Coo-Coo by Andrei Feheregyhazi runs at PAVED Arts March 15 to April 20.
Through a series of cardboard clocks looking into the daily life of a robot, the interactive augmented reality exhibition aims to inspire a sense of exploration, discovery and adventure within the viewer. Experiences can be personalized based on how a viewer approaches each section.
“We are very excited about staging this solo exhibition of Andrei Feheregyhazi’s augmented reality artwork. Not only is Andrei a popular artist who lives and works in Saskatoon, but his work is engaging and somewhat magical for people of every age. Aptly entitled ‘Carboard Coo-coo,’ the artwork spans our shared window, gallery and billboard spaces, springing to life at various points with playful animations. It’s bound to be a showstopper,” artistic director David LaRiviere said.
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PAVED Arts is located at 424 20th Street West. Information is available at pavedarts.ca.
GALLERY ON THE GREENS
The Gallery on the Greens presents Ceramic Transformations until April 30. The exhibition features sculptures by Aden Bowman Collegiate students that represent metamorphosis through vessel forms. Student artists include Connor Merson-Davies, Charlie Briand, Danica Epp and Lucy Glyn-Jones.
“There are endless possibilities when working with clay which is what I love about it. It gives you a chance to make your imagination part of reality,” Briand said.
“We were asked to create a piece that represented metamorphic vessels, which made me think about metamorphosis in the real world where humans and nature interact like we see in ancient ruins,” Epp added.
“(My) piece is really special to me as I put a lot of thought and effort into it. It represents a time in my life where I went through a lot of growth,” Merson-Davies said.
The Gallery on the Greens is located in Market Mall, 2325 Preston Avenue. Information is available at moniqueart.com.
REMAI MODERN
Remai Modern features Other Arrangements: Poetics of the Performance Score until Sept. 22 in the Feature Gallery.
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Artists created new works in response to the malleable form of the performance score, which has no defined rules. The range of artistic responses includes open-ended invitations, playful proposals and poetic appeals to the body and weather.
“The exhibition highlights the ways artists use performance scores to stretch the imagination, to invoke action and possibility. We are excited to work with local artists, dancers and musicians to bring these works to life, many being performed in Saskatoon for the first time,” curator of performance and public practice Troy Gronsdahl said.
Remai Modern is located at 102 Spadina Crescent East. Information is available at remaimodern.org.
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Art
Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
Art
Ukrainian sells art in Essex while stuck in a warzone – BBC.com
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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Art
Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed
The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
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