France should return much more looted African art, film-maker says - The Guardian | Canada News Media
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France should return much more looted African art, film-maker says – The Guardian

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The first major return of looted treasures from Europe to Africa in the 21st century has left a lingering feeling of humiliation because of the lack of follow-up action, a French-Senegalese film-maker who accompanied a hoard of artefacts on their journey from Paris to their country of origin has said.

In her film Dahomey, which premiered at the Berlin film festival on Sunday, the director, Mati Diop, documents the 2021 journey of 26 treasures that the commander of French forces in Senegal looted from the royal palace of the kingdom of Dahomey, part of modern-day Benin, in 1890.

The return of the items from the Musée du Quai Branly in Paris, the first act of restitution by a former colonial power in Africa, had been announced three years earlier by the French president, Emmanuel Macron, triggering a Europe-wide movement of governments investigating their national collections and in some cases taking concrete steps to return parts of them.

Diop’s film not only records the joyous celebrations marking the objects’ arrival in Benin’s economic capital of Cotonou, but also shows young people debating the moment’s significance, given that thousands more artefacts remain in European collections. “Restituting 26 works out of 7,000 is an insult,” one student says.

Diop told a press conference after the film’s premiere: “These 26 works are good, but it’s not enough. It’s quite clear that there were way too few compared with the 7,000 works held captive in these museums, and I certainly think that it is humiliating.”

Musée du Quai Branly, France’s largest ethnological museum, holds 3,157 other objects from Benin in its collection. More are believed to reside in smaller museums and private collections.

The artefacts already returned, which include a towering wooden throne and lifesize zoomorphic statues, were paraded from Cotonou airport to the presidency in trucks bearing large photographs of the objects.

“We need to think about how this process was staged,” Diop said. “There’s a political agenda certainly, but also there are other ways to respond, with artists, filmmakers, students.”

The filmmaker, whose 2019 feature debut Atlantics won the Grand Prix at Cannes and was distributed by Netflix, said she had originally conceived of Dahomey as a fiction film because she didn’t believe the physical transfer of the treasures would happen so soon.

“I thought it was going to be in 20, 30 years. I didn’t know if I was going to witness this in my lifetime, so I decided to write a fiction film,” she said.

Moves to restitute further colonial-era objects to Benin have stalled in recent months because a law enabling their return is being held up in the French parliament.

Bénédicte Savoy, a French historian who co-authored the 2018 report that led to Macron’s announcement, said their eventual return was nonetheless a question of when rather than if. “It will come; that’s certain,” she said. “It’s the march of history and nothing can stop it.

“Things will continue, regardless of Emmanuel Macron or the French government’s domestic policy considerations.” Diop’s film “shows how a society that reconnects with its heritage gains in strength and future”.

The film shows how the arrival of the Dahomey treasures sparked a wider debate about Benin’s national identity. “Many people had no idea these works were pillaged,” said Habib Ahandessi, who appears in the film, at the press conference in Berlin. “And when their return was announced, it kickstarted a debate.”

“We had been taught our ancestors were frivolous,” he said. “And then we learned our ancestors were real geniuses, their artworks were fantastic.”

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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