From agriculture to iconic Indigenous art, the North Battleford region has much to be proud of - CBC.ca | Canada News Media
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From agriculture to iconic Indigenous art, the North Battleford region has much to be proud of – CBC.ca

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CBC’s virtual road trip series Land of Living Stories explores the hidden gems across Saskatchewan. You can invite CBC’s Laura Sciarpelletti to your community for a virtual tour. Visit cbc.ca/lovesk to pitch your ideas.


It is worth looking at the land around North Battleford, Sask., through the strokes of Allen Sapp’s paintbrush. 

In his paintings you will find scenes of families helping families, Cree drumming circles, early ways of farming the land, mothers with their swaddled babies and families joining around the fire to eat. 

It’s a sincere look at what makes the community electric with life, strength and beauty. 

Allen Sapp (left), Ruth Gonor (centre) and Allan Gonor (right) in their home in North Battleford in the late 1960s or early ’70s. (Submitted by Leah Garven)

Sapp was a Cree painter born on the Red Pheasant Reserve, 30 kilometres south of the city of North Battleford. As a child, he was often sick, so he watched people and his surroundings. That is evident in his paintings. 

Sapp eventually moved to North Battleford, which sits by the North Saskatchewan River, to try to make a living as an artist by selling his paintings door to door.

He gained momentum when, in 1966, he met art collector Dr. Allan Gonor, who recognized Sapp’s artistic talent. Gonor encouraged him to paint what he knew — life on the reserve.

Sapp began to do just that. And by the 1970s, His work was known across North America. 

Allen Sapp playing his drum for visiting students at the Allen Sapp Gallery in North Battleford. (Submitted by Leah Garven )

Today, his work can be found at the Allen Sapp Gallery in North Battleford. 

“Allen captured that agricultural life at a very difficult time for most people, let alone First Nations people who had pass and permit restrictions upon their endeavours of making a living,” said Leah Garven, curator and manager of the gallery.   

“He recorded in his paintings a lot of traditions and ceremonies that were technically banned and outlawed … Speaking for people from Red Pheasant First Nation, of course they’re very proud of their son and who he became and and how he represented their community.”

We still have people who come to the gallery, men in their 60s and 70s, who will just weep looking at the paintings because of the memories that he brings back for that generation and that way of life that’s kind of gone.– Leah Garven

Prior to his death at age 87 in 2015, Sapp drove around the North Battleford in a big Cadillac wearing big hats and other cowboy fashions.

“He was a larger than life character in town. He was very singular and very much an individual. He brightened the historical cultural persona in town,” Garven said. 

Garven describes Sapp as humble, loving, sensitive and generous.

“He was brilliant, frankly. In his last days when he would visit the gallery, he knew exactly where he was. And he would come alive when he saw his paintings and he’d sing a song when he come to the gallery,” Garven said.

“We still have people who come to the gallery, men in their 60s and 70s, who will just weep looking at the paintings because of the memories that he brings back for that generation and that way of life that’s kind of gone.”

One of Garven’s fondest memories of Sapp is the way he would interact with children at the gallery. Sapp would often sing and play his drum with them. 

“I think he had a huge impact on the thousands of students that he met over the years. Imagine the power for Indigenous youth to have a prominent building in North Battleford dedicated to the art of Allen Sapp. In my mind, we work every day for Allen.”

(CBC News)

Positive stories

When you think of North Battleford or the neighbouring town of Battleford, what comes to mind?

It might be headlines about crime. Or maybe it’s the historical armed conflict between First Nations and white settlers in 1885.

For the people who live in the Battlefords and surrounding area, there is much beauty and much to be proud of. 

Photographer and journalist Matt Jacques hosts Untapped: An Original Battlefords Saskatchewan Podcast. The podcast focuses on positive stories and the people within the community.  (Matt Jacques)

Rob Rongve is the co-creator of Untapped: An Original Battlefords Saskatchewan Podcast. The podcast, hosted by photographer and journalist Matt Jacques, focuses on positive stories and the people within the community. 

“We decided to create the podcast series to try and maybe showcase that things are very, very good here. Despite what the headlines may say as far as crime and other social issues in the community, you don’t usually hear the really positive stuff coming on the news,” said Rongve.

“North Battleford has been very publicly advertised as the crime capital of Canada. It’s not the reality for the vast majority of us that live in the community.”

That is not to say that the city and surrounding area does not have crime and social issues, Rongve said. It does — particularly due to poverty, he said. 

“But there’s a huge amount of work being done in the community to help and change that. The podcast was one way to promote the very, very positive underbelly of our great community.”

Rongve said podcast episodes about young and diverse people who are doing things to help their community or beginning creative projects are what impact him the most. 

The City of North Battleford. (Matt Jacques)

Taste of North Battleford

Have you ever wondered if you could enjoy a proper sit-down meal at a restaurant while also catching a live game of curling? Yes, that may be the most Canadian question of all time.

Well the answer is yes, you can. 

Rachel Lee owns and operates Beaver Grill Exprezz with her husband Howard in North Battleford. 

Howard and Rachel Lee own and operate Beaver Grill Exprezz in North Battleford. In the background is the local curling rink. (Don Somers/CBC)

The Korean couple moved to the city from Vancouver six years ago and serve up many different cuisines, including Korean, Vietnamese, Japanese and Western. 

“All the people who come to our restaurant, they’re all from everywhere … all different diversities … all different taste buds. But we have so many different [items on] the menu that they get to choose many different options here and they all enjoy,” Lee said.

The restaurant sits atop of the curling rink that is home to the Twin River Curling Club. Diners can catch the action. 

“It’s definitely excitement that you can see when the curling is happening. And also the customer gets to join as well.”

Vietnamese noodle soup from Beaver Grill Exprezz in North Battleford. (Beaver Grill Exprezz/Facebook)

Lee said their spin on the traditional Thai rice noodle dish Pad Thai is the favourite dish among customers. Her personal favourite is the Korean Kan-Poong Chicken — a deep-fried chicken breast mixed in Korean sweet and spicy sauce with rice. 

Elsewhere in North Battleford is Armoury Brewing Company. The microbrewery opened in late 2018 and quickly become a hub for the community. It was started by five friends and the enthusiasm is palpable as soon as you wank through the doors. 

The taps are always rotating with beers ranging from simple lagers to special holiday brews. Right now Armoury has the cinnamon Vi-Co stout — a bold stout with dark chocolate, cinnamon, vanilla and lactose. 

Armoury Brewing Company opened in North Battleford in late 2018 and quickly become a hub for the community. (Don Somers/CBC)

Saskatchewan Baseball Hall of Fame & Museum 

Let’s head across the river to the town of Battleford. There sits the Saskatchewan Baseball Hall of Fame & Museum, a treasure trove of memorabilia including uniforms, photographs, baseball bats, baseballs and trophies.

“Baseball played such a big role in the development and the settlement of this province. It was a game that everybody could participate [in].They did not need a whole bunch of equipment,” said Jane Shury, president and CEO of the museum.

Baseball also turned out to be a bit of a matchmaker.

“Baseball became a social event. Many of the ballplayers played ball because it gave them something to do. They loved the game and they would meet their girlfriend at the baseball game. And so the girls also would go to the game to watch the game … but mostly to see if they could find themselves a boyfriend!” Shury said. 

Between 1876 and 1883, Battleford was the capital of the Northwest Territories. The first recorded baseball game in the history of the North West Territories was played there on May 31, 1879. 

Today, you can find a picture of that historic game at the museum. 

Shury’s favourite artifact is a photo of the pitcher in an 1886 baseball game in Lumsden. That pitcher was Walter Scott, the first Saskatchewan premier. The image has been made into a mural that covers a wall outside the museum. 

Also outside the museum, you will Canada’s biggest baseball bat.

(CBC News)

Nature

Residents and visitors of North Battleford and the surrounding area do not lack things to do and see in the great outdoors.

Head 70 kilometres east of North Battleford and you will find Crooked Bush — equal parts magical and eerie.

Crooked Bush is considered to be a botanical mystery. The Crooked Bush trail winds through a cluster of aspen trees that twist and turn in all directions … except, for some unknown reason, upwards. 

Then, 50 kilometres north of North Battleford, is Jackfish Lake. It’s a gorgeous body of water surrounded by several beaches, with three campgrounds and several hiking trails at Battlefords Provincial Park.

The lake provides great fishing with perch, walleye, pike and whitefish. An annual ice fishing derby takes place every February, usually attracting more than 2,000 competitors during non-COVID times.

Saskatchewan’s first Black settlement

Murray Mayes will repeat at least 20 times in an interview how hard it was growing up in Saskatchewan’s first Black settlement during the first half of the 20th Century. But he will immediately follow that up with how thankful he is for those hard time, because they made him stronger.

Mayes has a lot of joy, and a lot to be joyful about. He exudes pride and love for all his children, who have gone on to have successful careers, give him grandchildren and make differences in their communities. 

Murray Mayes is a descendant of black pioneers in Saskatchewan. (CBC)

Mayes was born at the beginning of the Great Depression in the Black settlement of Eldon — 100 kilometres northwest of North Battleford.

After the U.S. Civil War many freed slaves, like his grandparents Joe and Mattie Mayes, moved to Oklahoma to begin a new life.

“Then some of the people that came from the south came up and see these African people. And they said, ‘let’s re-enslave them.’ And they thought, ‘we better get out of here,'” said Mayes. 

Freed slave Mattie Mayes was a well-respected midwife in the Eldon district. (Provincial Archives of Saskatchewan/R-A10362)

At the time, Canada was inviting people to settle in the country and cultivate the land. 

In 1910, Joe and Mattie Mayes led a group of Black families up from the U.S. The pioneer family bought about 49 hectares of land in Saskatchewan for $10.

I just thank God I came through all those hard times because I learned so much from them.– Murray Mayes

They weren’t exactly welcome, however. The Canadian government discouraged black immigration, preferring white immigrants, according to Mayes. 

The family set up a life in Saskatchewan regardless. 

During the Depression, Mayes lived in a one-room log house with eight other people.

“I used to trap weasels and did some hunting. We didn’t have a gun even out there. We were so poor,” Mayes said of his upbringing. 

“We struggled and we had bedbugs. But I just thank God I came through all those hard times because I learned so much from them.”

Three generations of the Mayes family in front of the Shiloh Baptist Church they built. (Leander Lane Family Photo Archives)

Sweetgrasss First Nation

Saskatchewan has a rich agricultural history. As early as 1885, Battleford area farmers had formed an agricultural organization. Then in 1906, the North Battleford Agricultural Society was formed. It advocated for farmers and ranchers and spotlighted their successes in the industry.

The Cree First Nation of Sweetgrass — located 25 kilometres west of North Battleford — is part of Saskatchewan’s agricultural legacy.

Garry Albert and his wife Carma Swimmer Albert on their farm in 1997. They have been married for 47 years and counting. (Submitted by Garry Albert)

Back in 1884, a reserve was surveyed for Sweetgrass band members. At that time they sold hay and wood, and kept gardens and livestock.

Today, Sweetgrass farmers like Garry Albert carry on the tradition of their ancestors. Albert’s efforts have produced results that he takes great pride in.

Albert is a third-generation crop farmer with 55 acres of land. His grandfather began farming on Sweetgrass land in about 1920. His father would go on to farm the land as well. Albert took over in 1974. 

The Sweetgrass First Nation reserve had between 12,000 and 15,000 cultivated acres around 1920, according to Albert. 

In 1992, the federal and provincial governments signed a treaty land entitlement agreement with Saskatchewan First Nations. Under the agreement, the First Nations received money to buy land on the open market.

“With that Sweetgrass has gone forward and purchased an additional 12,000 and 15,000 acres of land. And ever since then, I’ve been continuously cropping.”

An aerial shot of the Sweetgrass First Nation. (Submitted by Chief Lorie Whitecalf)

Albert thinks he was always meant to become a farmer. He said he knew from an early age. 

“I think I was as young as 10 years old I was involved with following my grandfather around and my dad. I would be with my dad on an open-cab combine. He was combining into the evening, and I’m there in a little platform falling asleep … a little blanket covering me,” he said.

“Then there would be times he’d be hauling grain on a small truck to Cut Knife, which is only about 15 miles from here. I’d be right there. I never turned them down when they asked me if I wanted to come along.”

Albert said he clearly remembers his grandfather running a team of horses and a wagon on the farmland. 

“I’d go with him to a little pasture to the north of us where he kept a few horses and maybe a few cows. That was the biggest fond memory about my grandfather.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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