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From cod to contemporary art: How the Bonavista Peninsula is finding a future – CBC.ca

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Project Bonavista: The post-cod culture boom on Newfoundland’s Bonavista Peninsula

8 hours ago

Duration 26:46

A rural part of Newfoundland has found a way forward after the cod fishery. But as contemporary art brings in tourists and business, it also questions uncomfortable aspects of the past.

Thirty years ago, cod was king in Newfoundland and Labrador, and the Bonavista Peninsula was no exception.

But in the wake of the cod moratorium in 1992, the rural communities began a years-long shift to find a way forward without the fishery. Over the years, the peninsula has managed to pivot and build up its arts, culture and history — bringing in new life, new ideas and crowds of tourists.

In a far cry from fishing culture, contemporary art has found a home on the Bonavista Peninsula, with the Bonavista Biennale leading the way. The biennale installs dozens of artworks every other summer, free for public viewing, bringing in award-winning artists from across Canada and around the world.

“People think it’s one of probably the premier festivals in the country now, just because how novel it is, its approach to community interaction and the buy-in from community,” said Gerald Beaulieu, an artist from Prince Edward Island.

In 2021, for the biennale’s third edition, Beaulieu installed a life-size Albertosaurus skeleton that had taken him six months to make for a statement about climate change, as well as two giant crows built out of used car tires.

Gerald Beaulieu’s work Extinction, in Upper Amherst Cove, was one of the many open-air art exhibits at the 2021 biennale. (Lindsay Bird/CBC)

But other works in 2021 confronted aspects of the area’s past that hit a nerve.

Logan MacDonald, an artist from Newfoundland and member of the Qalipu Mi’kmaq First Nation who now lives in Ontario, wanted to mount a installation involving Bonavista’s John Cabot statue — a request the Town of Bonavista denied.

“I was really disappointed that I couldn’t do the Cabot intervention,” MacDonald said.

Cabot is much celebrated on the Bonavista Peninsula as the presumed first European contact in the area: his statue overlooks the Town of Bonavista, a replica of his ship is open to tourists downtown, and the region’s highway is called the Discovery Trail.

Logan MacDonald’s work Bodies on the Beach was featured at the 2021 Bonavista Biennale art festival. (Lindsay Bird/CBC)

MacDonald switched focus and erected Bodies On The Beach, words and phrases placed on a fence lining a Bonavista shoreline, with the text drawn from Cabot’s sailings around Newfoundland that suggested a human presence in the area — the Indigenous people who once lived in the area, the Beothuk.

MacDonald said he wanted people to consider pre-colonial human history, and how that is represented — or not — in the present.

“I think the more that we understand about all aspects of culture and history, the better we are as people,” he said.

As the Bonavista Biennale got underway, the town pledged to find ways to better represent the area.

“I think the the piece that I think maybe Bonavista will have to do a better job at, is how we celebrate the history of exploration, and not colonialism,” said Bonavista Mayor John Norman.

The Town of Bonavista’s waterfront is pictured in August 2021. (Lindsay Bird/CBC)

While tensions can arise, the questioning of accepted histories and narratives is an essential part of art, and is welcome fresh air to the area, according to one local arts supporter.

“The whole idea is to get the mind engaged in perhaps another way of thinking, or seeing something. And contemporary art particularly does that,” said John Fisher, a longtime tourism operator on the peninsula who also helped sponsor the first edition of the Bonavista Biennale.

“I think people sometimes are a bit disappointed and say, ‘Well, it’s not cute or lovely to look at.’ It’s not supposed to be. It’s supposed to get you to thinking.”

Watch the documentary, The Bonavista Project, in the player above and take a tour through the 2021 biennale, as it asks big questions about climate change and colonialism.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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