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From Instagram to TikTok: How social media evolved this decade – CNN

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Instagram racked up over 100,000 users in less than a week, making it one of the fastest growing apps ever at the time. By December, it had hit 1 million sign-ups. Instagram cofounder Kevin Systrom predicted at the time that “communicating via images” would “take off” in the years to come.
By the end of the decade, Instagram had more than 1 billion users and was part of one of the most valuable tech companies in the world. But it’s also working to beat back a newer rival — TikTok — which is growing fast and looks as novel as Instagram did in the early 2010s.
Instagram’s evolution throughout the decade mirrors the evolution of the broader social media landscape over that time. It started out as a runaway success in the App Store at a time when small startups still appeared to have a fighting chance to compete with more established companies. In 2012, it got acquired by Facebook (FB) for a then-astounding $1 billion in a sign of the consolidation to come across the tech industry. In recent years, Instagram has been copying features from rival networks such as Snapchat (SNAP) and TikTok to adapt to shifting user habits. Like its parent company, Instagram has also had to confront the dark sides of its platform, from misinformation to online bullying.
“When Instagram started, it was primarily about following people without their approval, it was about sharing permanent photos with a wide group of people, and it was about sharing relatively frequently,” said Josh Miller, a former product lead at Facebook.
Now, Instagram — like so much of the social media industry — is focusing on ephemeral posts, experimenting with 15-second music videos and offering options to share privately rather than just publicly.
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  • How the social media landscape evolved in the 2010s: A Timeline

  • 2010: Instagram launches in October of this year and quickly tops one million users.

  • 2011: Snapchat and Google Plus launch. Only one of them would survive the decade.

    • On the eve of its IPO, Facebook agrees to acquire Instagram for $1 billion, a staggering sum at the time.
    • Facebook hits one billion monthly active users, a milestone figure that highlights its staggering reach. By the end of the decade, it would have well over 2 billion active users.
    • Twitter goes public but hits a rough patch on Wall Street as investors realize the size of its audience will never compare to Facebook.
    • The Wall Street Journal reports Snapchat turned down a $3 billion acquisition offer from Facebook.
  • 2014: Facebook buys WhatsApp for a staggering $22 billion, consolidating its power over the social media market.

  • 2015: Social network Friendster shuts down citing “the evolving landscape in our challenging industry” and the online community not “engaging” as much as it had hoped.

  • 2016: Facebook, Twitter and Google come under fire for the role that their platforms played in spreading misinformation during the 2016 presidential election.

    • Twitter shuts down Vine, a beloved app for sharing six second video clips.
    • Bytedance, a Chinese startup, buys Musical.ly, a lip sync platform and later moves its users to TikTok.
  • 2018: Facebook, Twitter and Google face mounting privacy scrutiny in the wake of the Cambridge Analytica data scandal.

  • 2019: Elizabeth Warren calls for breaking up Facebook by unraveling its acquisitions of Instagram and WhatsApp.

Source: CNN

A time before Facebook was the only game in town

At the time of Instagram’s launch, Facebook was a major player in social media, but nowhere near as dominant as it is today.
Other tech giants, including Google (GOOG) and Apple (AAPL), were also trying to make their own social networks. Snapchat launched in 2011, and Twitter went public in 2013. It felt like a lot of social networks could coexist. But with just 24 hours in a day, users only had so much attention to go around and Facebook proved to be very masterful at garnering it.
Google has since shut down Google+, and Apple’s music-focused social network Ping never took off. Twitter’s audience stalled around 300 million monthly users, a far cry from Facebook’s 2.45 billion monthly users. Snapchat — which arguably set the tone for the decade by pioneering disappearing content — has proved to be more niche than mainstream.
“When Snapchat launched, it presented a totally different way of communicating,” said eMarketer principal analyst Debra Aho Williamson. “What ended up happening, is Snapchat has to a great extent changed the way young people communicate, but it hasn’t taken off with the older groups the way Facebook ended up taking off.”
By the end of the decade, the industry has consolidated quite a bit. Following its acquisition of Instagram, Facebook bought messaging platform WhatsApp for $22 billion in 2014. Facebook also reportedly tried to buy Snapchat for $3 billion in 2013, but founder and CEO Evan Spiegel declined.
In the second half of the decade, a number of social media applications did launch, but unlike Instagram and Snapchat, they never were seen as true competitors to Facebook. Their names — Ello, Peach, Meerkat, Mastodon, Vero — are little more than footnotes now.
For a time, it looked like Instagram would still maintain its independent spirit even after it was acquired. “Facebook let Instagram be this little island that was pumping out standalone apps and doing things a bit differently than Facebook,” said John Barnett, who joined Instagram in 2014 as a product manager when it employed fewer than 75 people.
But that wouldn’t last. In 2018, Instagram cofounders Systrom and Mike Krieger left the company reportedly because of tensions with Facebook CEO Mark Zuckerberg over the direction of Instagram. Facebook recently added the words “from Facebook” to the Instagram app and now refers to Instagram’s public relations staff as “Facebook Company” spokespeople.
With Instagram, WhatsApp, Messenger and its eponymous app, Facebook boasts four platforms that each have more than 1 billion users. It is so dominant that a growing chorus of politicians are now calling for Facebook to be broken up. Democratic presidential candidate Elizabeth Warren has suggested Facebook should spin off Instagram in particular. Facebook’s reputation also took a major hit after revelations that Cambridge Analytica obtained the personal data of as many as 87 million Facebook users, sparking a major privacy awakening across tech.

The rise of TikTok

As the decade came to an end, social media companies found themselves on the defensive. Once seen as useful and playful ways to keep in touch with friends and family, social networks faced a wave of criticisms for spreading misinformation, enabling election meddling and failing to protect user privacy — not to mention concerns about screen-time addiction and online bullying. As a result, Instagram and Facebook are rethinking “likes” and their impact on mental health, Twitter is working on improving well-being, and YouTube has started abbreviating subscriber counts on the platform to help address concerns from its star creators about stress.
The belief that connecting people and building platforms to share information are fundamentally good was challenged again and again.
It was against this backdrop that TikTok began to take off. Launched in 2016, TikTok is all about viral content and racking up lots of views and likes. It’s reminiscent of Vine — a popular six-second video service acquired by Twitter that was shut down in 2017.
Users share videos of themselves doing things like cooking, dancing and lip-syncing. They often feature music in the background. Like Instagram, users can follow other people and “heart” or comment on videos. But the similarities stop there.
Natalie Bazarova, an associate professor at Cornell University who studies social media, said TikTok is “totally different” from Facebook and Instagram. “There is nothing there about building social connections,” she said. “It’s about using algorithms to find content that will hold your attention. It’s an entertainment-based platform.”
That differentiation has made it a hit: TikTok has been installed nearly 1.6 billion times globally to date, according to data from Sensor Tower.
(Ironically enough, it’s partly because of Instagram that TikTok gained traction. The startup flooded its competitors with ads.)
Facebook — and Instagram — have taken notice of TikTok’s success and have released their own copycats of the app. In 2018, Facebook launched an app called Lasso, which lets users create and share short videos with music and camera effects. Earlier this year, Instagram launched a new tool called “Reels” in Brazil, for sharing 15-second videos with music.

How social media will evolve in the decade to come

For ABI Research analyst Eleftheria Kouri, advancements in technology this decade drove the biggest changes in social media, from better smartphone cameras and augmented reality to faster connectivity that allows people to upload Stories or TikTok videos in seconds.
Looking ahead, she believes 5G technology has the power to advance social media even further, and make way for more interactive content and immersive games.
Miller, the former Facebook product lead, believes the next decade will get people closer to feeling like they’re in the same room as people far away.
“Many of our social media experiences are an imperfect replacement for being with someone in person,” he said. “It’s hard to predict what hardware advances will bring, but I’m hopeful that one day I’ll sit down in my apartment in Brooklyn, and I’ll look across my dining room table, and I’ll be able to have dinner with my mom in Los Angeles, sitting across from me.”

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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