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FSU professor's art pieces on display in local gallery – FSView & Florida Flambeau

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Carrie Ann Baade, an internationally recognized painter and art professor at Florida State University whose art “return(s) to the haunting moments in art history to reclaim them for our contemporary sensibilities,” has a show in Tallahassee at the Venvi Art Gallery.

“Carrie Ann Baade is a visionary artist,” author Ann VanderMeer has said of her work. “She is ferocious in her approach, not thinking about the casual observer but solely considering the resounding strength of the work before her.”

Baade has studied at the School of the Art Institute in Chicago, where she received her BFA, the University of Delaware, where she received her MFA and the Florence Academy of Art in Italy.

Baade’s upcoming show is called “Twilight Sleep,” named for the form of childbirth that was used in the 20th and 21st centuries, and a concept in which Baade has a personal connection to as well. 

“It sounds pretty… but Twilight Sleep was considered a panacea for women. It was a solution to childbirth anesthesia that… was utilized in Europe… it was this idea that they were going to relieve women of the pain of childbirth but it didn’t quite work like that,” she said. “It worked like you were anesthetized but you actually were experiencing all the pain, you just didn’t remember it.”

Baade continued to explain that while “Twilight Sleep” mostly went away in the 1960s in America, she was born in 1974, and her mother was one of the last women to be given “Twilight Sleep.”

“Within this body of work are themes of female aberrations, the irreconcilable, the struggle of becoming conscious and the goddess being drowned,” Baade said. “The concepts behind this new work are informed by a lack of women’s voices in the past and their lack of agency. I could never understand why my mother would not or could not speak of my birth.”

Her mother eventually told her that she simply did not remember her birth, and was one of the last women to be given “Twilight Sleep.” Baade relates the use of “Twilight Sleep” with the “sleep of female genius during patriarchy.” 

She continued to explain, “When men ruled the world and the home, women were repressed and their inability to have agency was incapacitating, some to the point of madness.”

Baade’s shows often occur around Halloween, which is a holiday she describes as “a time of dark art… we look at monstrosities.”  She explained that “monstrum” means an omen or sign, coming from the root of “monere,” which means to warn.

“By painting monsters, these become a warning,” she said.

She described her work as “cathartic and dark,” explaining that with the paintings in this gallery she is “comparing the anesthesia of women to the rise of the patriarchy… one of the greatest horrors is women losing their intelligence, their genius, their agency and (being) unable to fulfill their creative destiny.” 

Baade says that while not all of the work in the gallery is similar to this, a good portion of it is. 

Baade’s show “Twilight Sleep,” which includes 27 paintings, will be on display from Nov. 6, 2021 through Jan. 9, 2022 at the Venvi Art Gallery in Tallahassee, Florida. The show opening will be on Nov. 6 from 5 p.m. to 8 p.m. Baade will also show at Tallahassee Community College in 2023.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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