Game (Almost) Over, Exhibit Connecting Video Games And Contemporary Art Finishing Run At Akron Art Museum - Forbes | Canada News Media
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Game (Almost) Over, Exhibit Connecting Video Games And Contemporary Art Finishing Run At Akron Art Museum – Forbes

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In the same way artists of the Renaissance were influenced by the Bible they read every day and the Impressionists influenced by the rapidly modernizing Paris they observed every day, an increasing number of contemporary artists are being influenced by the video games they play every day. With more than 166 million American gamers according to a 2018 Entertainment Software Association survey, the Akron (Ohio) Art Museum examines the connection between gaming and visual art in “Open World: Video Games & Contemporary Art.”

“Open World” presents the work of artists who use video games as a catalyst for making art. The term refers to open-world video games which allow a player to roam through a virtual world, freely selecting their objectives.

“Although all of the artists in ‘Open World’ are influenced by video games, the artwork they make is about more than gaming culture,” Curator of Exhibitions at the Akron Art Museum Theresa Bembnister said. “The artists tackle topics crucial to contemporary life including the role of consumer products in shaping personal identity and technology’s ability to create credible—yet false—imagery.”

Video games have rarely been considered as a major influence on contemporary art previous to this exhibit.

Artworks in “Open World” reference a broad cross section of games ranging from early text adventure and arcade games through the Nintendo giants of the 1980s and 1990s including Super Mario Bros. and The Legend of Zelda to more recent releases such as World of Warcraft and Grand Theft Auto.

In addition to traditional media like painting, drawing and sculpture, the exhibition also highlights textiles, prints, animation, video games, video game modifications and game-based performances and interventions by makers who self-identify as artists.

“For ‘Open World’ I really wanted to go beyond the question or whether or not games are art and to demonstrate the growing influence of games on the creation of visual art in a variety of digital and traditional media such as painting, quilting and drawing,” Bembnister said.

Bembnister began contemplating a museum exhibit exploring the influence of video games on contemporary art in the early 2000s. The more artists she met–primarily digital natives (people raised with a full immersion to digital technology, computers, smart phones, the Internet, etc.)–and the more she heard them reference gaming as an influence on their practice, the more convinced she became of the validity of her idea.

These artists were not necessarily working in digital media. They could be making traditional landscape paintings, but the aesthetics of the backgrounds of, Sonic the Hedgehog, shaped the way they depicted color and space through paint on a canvas. This was a phenomenon I rarely saw acknowledged or examined in museum exhibitions.

Theresa Bembnister, Curator of Exhibitions at the Akron Art Museum

“Open World” can be seen at the Akron Art Museum through February 2 and will travel to the Currier Museum of Art in Manchester, New Hampshire (March 21–June 28), followed by the San José Museum of Art (September 10–January 10, 2021).

Meanwhile, in Boston, this same connection is highlighted as the city’s newest art museum, the MassArt Art Museum, opens its doors for the first time February 22. The non-collecting institution affiliated with the Massachusetts College of Art and Design presents “Game Changers: Video Games & Contemporary Art” as one of its inaugural exhibitions.

The Boston and Akron exhibits share in their displaying of virtual reality artwork.

“Virtual reality is becoming more and more prevalent in museum and gallery settings,” Bembnister said.

Her museum commissioned a new virtual reality work from artist Rachel Rossin specifically for “Open World.”

As the audience for gaming continues growing–competitive college and professional e-sports teams and leagues are now well established with star players, million-dollar prize pools, fan-filled arenas and major global television distribution–expect art museums to continue mining the genre to find new audiences. The Akron Art Museum gave thought to the question of how to convert some portion of the enormous gamer community into art lovers, museum goers and art collectors when crafting its marketing plan for the exhibit.

“Both gamers and art lovers are drawn by the visual, on some level, so that’s an important jumping off point,” Akron Art Museum Deputy Director and Chief Experience Officer Seema Rao said. “I also think both groups have an inherent love of craft, if perhaps different types of craft; in the end, I think the overlap is that art people love thoughtful art and learn about games in this exhibitions, and game lovers have the games as their entry point.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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