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Gibsons Public Art Gallery's wraparound exhibit uses nature to nurture – Coast Reporter

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A new exhibit at the Gibsons Public Art Gallery is taking the gallery in a new direction, as Roberts Creek artist Mieke Jay weaves nature with technology through an immersive, three-dimensional installation.

Jay’s show The Fabric of Our Lives opened on Jan. 13, transforming the gallery’s alabaster walls into an undulating blaze of colours, shapes and shadows. Five projectors beam organic settings — beaches, woods, water — overlaid by a latticework of computer-generated patterns.

“Until now, most of our shows have been paintings hanging on walls,” said gallery manager Christina Symons.

If most art shows require patrons to amble solemnly through painting-lined corridors, Jay’s show is a dazzling counterpoint to tradition.

Symons has seen visitors standing stock-still for minutes while Jay’s illuminations dance around them. One woman, lulled by the accompanying soundscape created by Baeden Shendebray, extended her arms and began to dance. Her swaying shadow fell onto one of three trapezoidal columns in the room, adding a human-shaped void to the kaleidoscopic tapestry.

“I have a lot of motion [in the work] and I really wanted it to feel uplifting,” Jay said, reflecting on pandemic conditions, which have required all gallery visitors to be vaccinated and masked. “It’s been a tough time for people. I just really wanted them to be able to have an experience that’s outside of our norm. My hope is that it gives people a little push of creativity that they can immerse themselves in and just hopefully feel a little bit more upbeat.”

Jay has been creating original projections since completing formal art studies at Emily Carr University in 2002. She began devising graphics for live performances and found a way to translate audience spontaneity into her work. “I’m live-mixing the media in response to what’s happening onstage,” she said. “The musicians are following the crowd and I’m following the musicians.”

A recent tenure as artist-in-residence at Sechelt’s Sunshine Coast Arts Centre took place amid strict COVID-19 restrictions, requiring her to conceive new material in isolation.

“At first I was actually working with fabric itself,” she said, “but fabric from my own history, which is of European descent. When I got the show at the GPAG, I wanted it to be more open and less about me. So I went to imagery that’s more about the metaphorical fabric of our lives here on the Coast, which for a lot of us really revolves around nature. It revolves around everyday things.”

Everyday sounds fill the aural palette of multi-instrumentalist Baeden Shendebray, also of Roberts Creek, composer of the 25-minute soundtrack for The Fabric of Our Lives. “All the background sounds are from the Coast,” said Shendebray, who performs under the name Goats and Lasers. “It’s all birds, squirrels, waves, wind and rain — tiny little textures. I like to add organic elements over electronic music to make it just a little less sterile.”

Jay will broadcast a program of live music and dance from the exhibit on Jan. 29 at 6 p.m., which can be viewed online at https://fb.me/e/1A37k1v1v. The Fabric of Our Lives remains on display until Feb. 6.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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