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Google Called the Shots. It Chose Indie Media

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Earlier this month, Google selected a collective of small, indie, digital-first outlets to manage the distribution of the ubiquitous search engine’s $100-million annual contribution to the Canadian media industry.

The deal comes after the Online News Act, formerly known as Bill C-18, made large tech platforms — namely Google and Meta — pay news publishers for the news content they host. Meta responded by blocking Canadian news links across Facebook and Instagram.

Google, after some bargaining, came to an agreement to distribute $100 million annually to various news outlets, indexed to inflation. They also achieved their demand to deal with only one single collective representing all broadcasters and publishers that want to take part in the deal. On June 7, they opted for a proposal put forth by the Canadian Journalism Collective to dole out the fund.

Two groups were vying for the role.

The non-profit coalition they chose, created to aid in the process of distributing Google’s fund, features representatives on its steering committee from outlets like Pivot, IndigiNews and Village Media.

The alternate proposal was from the Online News Media Collective, led by the CBC, the Canadian Association of Broadcasters and News Media Canada, which, according to Toronto Star vice-president of public and government relations Ryan Adam, encompasses about 95 per cent of the news media industry in Canada.

Some interpret the moment as a sign that the power centres of Canadian media are shifting in favour of these smaller, independent media outlets.

Others, including representatives from the rejected proposal, have expressed concerns of conflict of interest and lack of experience among the indie journalism collective to distribute the fund.

Jean La Rose of the CJC steering committee, who is also president of Dadan Sivunivut, said the CJC was not looking at the fund distribution job from the perspective of gaining power.

“There was a process meant to ensure smaller players, like [The Tyee], would be considered equally in the final distribution of the funds,” he said.

Jeff Elgie, CEO of Village Media, which owns and runs nearly 30 local news sites across Ontario, said he was initially surprised by Google’s decision to run with the CJC’s proposal.

“I think it certainly signals a moment in time where there’s enough independent publishers that are passionate about the industry, confident enough, to put their hand up,” he said. “It’d be reading too much into it to say that it’s any material, large-scale power shift.”

La Rose would not disclose details of the proposal but said it will be made public once the Canadian Radio-television and Telecommunications Commission reviews it and makes any needed amendments.

“Then we can hit the ground running to work with all the players to start distributing the funds and everything,” La Rose added.

Rolling out a plan

Some details around the distribution of the funds are already laid out in the Online News Act. The federal government set a cap of $7 million that the CBC can receive, and a maximum of $30 million for private broadcasters. The remaining $63 million will go toward newspapers and digital outlets. Small print and digital outlets can expect to receive about $17,000 per journalist they employ.

The act also required Google to put out an open call for news organizations to self-identify as eligible to take part in the fund and shared the final list of applicants.

The CJC will be responsible for reviewing eligible applicants and auditing the number of employees at each company, as well as distributing the funds in accordance with the act.

“There isn’t a lot of room for judgment,” said Elgie. “It really comes down to making sure that it’s fair and transparent and that it operates efficiently, because at the end of the day, I think everyone wants the same thing, which is to move the money out to publishers as expediently as possible,” said Elgie.

When asked about Google’s decision, in a statement to The Tyee, the CBC said, “The objective of the legislation is to ensure that Canadian news organizations receive fair compensation for the content they invest in, which is currently being used to earn revenue for foreign digital companies.

“What is important is that this compensation flows to news organizations as quickly and fairly as possible.”

Concerns of conflict of interest, inexperience

Late last week, the Toronto Star and La Presse reported that Unifor, Canada’s largest private sector union, which represents over 10,000 journalists and media workers, was questioning the independence of the CJC.

Unifor noted half of the CJC’s representatives are from outlets that are clients of the chair of the group: Indiegraf CEO Erin Millar.

Indiegraf, an organization that helps launch independent and local news startups, was founded with financial support from Facebook and Google, noted La Presse, and the CJC’s independent board director Sadia Zaman is also the CEO of Inspirit Foundation, which helped finance Indiegraf.

“This organization needs to be rebuilt properly, including with a lawyer and an accountant, in order to manage $100 million in a professional manner,” News Media Canada CEO Paul Deegan told La Presse.

In a statement to The Tyee, Millar wrote, “Indiegraf is proud of our partner publishers who have demonstrated leadership and courage in proposing a vision for managing Google’s $100-million annual contribution.

“I have complete faith in the interim board’s ability to rapidly implement its plan which represents the full diversity of the news ecosystem.”

Millar also highlighted that thousands of news organizations around the world, including major players in Canada, have received funding from the Google News Initiative and cited a National Post report.

In the Star article, Millar also emphasized the CJC board members are only for the interim. Legacy media players will be invited to be included on the board, the Star reported.

A group of Canadian news publishers also expressed concern earlier this month and demanded the CRTC implement further regulations for the fund distribution such as a tighter definition on full-time employed journalists and a maximum cap to the administrative fee that the CJC can collect, at 0.5 per cent.

The Tyee did not hear back from other Online News Media Collective representatives in time for publication.

Star public relations vice-president Adam told the National Post he found it “frankly fairly perplexing” that Google chose an organization “that has relatively little experience in this area,” citing concerns around bias, transparency and timing of the payments.

“It’s unfounded,” said Elgie when asked about these concerns. “The fact that this group will be focused on transparency is very important. There is no difference in that it is industry groups that will be pulled together in a proper and fair governance structure.”

Was the Online News Act worth it?

Elgie said it’s a complicated question.

Prior to the act, many organizations, including Village Media, had content licensing deals with Meta and Google, which have been nullified due to the legislation. Any money coming in from this new Google deal would result in about the same revenue they had before — or less, said Elgie.

But this time around, they have lost their Meta traffic, too, he noted.

“The potential winners are all the smaller publishers who didn’t get any money before, and now they’ll get presumably somewhere in the range of $15,000 to $20,000 per journalist, which is great,” said Elgie, adding they should have been able to get that money prior to the act.

“But they also have lost all their Meta traffic,” he added.

“You’ll see some will be happy about it because of the money and some will say, ‘I just wish things could go back to the way they were before. And I want my Facebook traffic back.’”

“The net outcome for the industry is we are worse off than we were before this thing even existed.”

La Rose is one of those individuals who sees a positive net outcome of the Online News Act.

“Was it worth it from our end? Absolutely,” said La Rose, who also chairs the board of directors of First Peoples Radio.

“All I can do is speak for myself. From the Indigenous perspective, we feel that the act will provide us an opportunity and to be able to support our small, very budding industry to ensure that there is an opportunity for Canadians to hear us.”

While many news consumers online have found creative ways to share news content online in spite of the Meta news ban, Elgie said he doesn’t have faith in audiences being able to seek out news sources.

Some outlets have reported traffic tanking and have gone on a publishing hiatus.

There are two sections of local news consumers, he said: the well-educated audience that is news-seeking, and the “very passive, secondary audience” who doesn’t seek news every day and isn’t necessarily informed and engaged.

That’s why Village Media has moved “all of [its] investment into newsletter acquisition” and is also in the beta phase of a new social platform of its own — something it began developing in anticipation of the Online News Act coming into effect — in order to “win back some of that engagement” on a platform that they are in control of.

But as Reuters reported in its most recent Digital News Report, news avoidance and distrust are once again on the rise.

“I think the industry has to retool itself in order to survive.”


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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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