Their online show began Monday and is set to conclude June 12.
On May 7, 1920, a group of artists calling themselves the Group of Seven mounted their first formal exhibition at the Art Gallery of Toronto (now the Art Gallery of Ontario). Their landscape paintings captured the raw, rugged beauty of Canada, and although many of their works depicted scenes in Eastern Canada, members of the group also ventured westward and recorded what they saw, painting scenes in or around Ashcroft, Yale, Field, and other places in B.C. and Alberta.
Travel restrictions mean that it’s difficult to visit some of these sites, but Google Canada is inviting Canadians to celebrate the Group of Seven and this landmark of Canadian art history with virtual visits to the real-life locations that inspired the artists, alongside the paintings that the artists created.
The McMichael Gallery in Ontario has the world’s largest collection of works by members of the Group of Seven, and Google Canada is partnering with the gallery to digitize between 150 and 200 of the items. Alexandra Klein of Google Canada’s communications team says that they are “incredibly excited and humbled” to be working with the McMichael on the project.
“What Google can do really well is use their global platform to share Canadian culture with Canada and the world,” she says. “It’s especially significant given their importance, and the 100th anniversary.”
The original members of the Group of Seven were Franklin Carmichael, Lawren Harris, Arthur Lismer, Franz Johnston, J. E.H. MacDonald, Fred Varley, and A. Y. Jackson. In 1945 Jackson visited Ashcroft, leaving behind a painting and a sketch of the town, both of which have been interpreted as glass mosaics (one on the Rolgear building and one in the Heritage Park).
While the artists and their works are now seen as landmarks of the Canadian art world, initial reaction to their paintings was by no means one of universal praise. One critic dubbed them the “hot mush” school of art, a reference to the texture of the paint they used, which the critic said made him think of gobs of porridge.
Google Canada recently released images of several of the digitized paintings, along with Google street view images of the locations where or near where they were painted, including the historic church in Yale.
“We’ve made a commitment to create a digitized, centralized Group of Seven ‘hub’,” says Klein. “They’re representative of Canadian art history, and they have a significant history in the west. They definitely had a presence in B.C. and Alberta as well as in Ontario. It’s important for people to know that’s reflected in their work.”
She says that pairing the paintings with street view is a way for Canadians to engage with our culture, history, and geography from home during COVID-19. “Now is the time when people are usually planning what their summer will look like. Street view allows us to learn about the Group of Seven virtually from the comfort of our homes, and plan future trips.”
Klein says that another thing Google is trying to do is democratize art.
“Not only are the Group of Seven known across Canada for their work, which represents a certain place and time, they’re known around the world. Google has art from around the world, and it’s not just for people who can access galleries. I hope people around the world learn about each other and each other’s culture.”
While Google has the platform, Klein says they are relying on staff at the McMichael to guide them in terms of selecting the artwork. “They’re the curators. What we’ve done is show a taste of what’s to come, and hint at what the experience will be like.
“Google allows us to work with art from around the world. The cameras are designed to best reflect the details of a work of art. There’s a difference between taking a straight-on photo and one that shows interesting details in, say, a watercolour painting.”
Klein says the paintings and street views can be found at the Google Arts & Culture website (https://artsandculture.google.com/).
“Everything is in there. And we’ll be making a second announcement when everything is online.”
Oilers' Draisaitl reflects on Art Ross Trophy win: 'You dream of these things' – CKPGToday.ca
Davies, meanwhile, the Canadian refugee-turned-soccer-phenom, is turning more heads each week for Bayern Munich in the Germany’s Bundesliga, with his matches becoming must-see-TV for many fans back home.
The pair — elite talents from non-traditional countries in their sports — have stayed in touch since the 19-year-old Davies dropped the ceremonial puck at an Oilers’ game in December.
“I kind of know what he’s going through right now with soccer being so big back home and hockey being big in Canada,” Draisaitl said on a video conference call with reporters Thursday. “Coming over and trying to adjust and find your rhythm, find your game, find your life a little bit.
“He’s becoming a very, very good player. It’s very fun to watch, fun to see.”
After a stuttering start to his NHL career, Oilers fans feel the same way about Draisaitl.
The 24-year-old finished the regular season with 43 goals and 110 points in 71 games, 13 clear of teammate and fellow star Connor McDavid.
Draisaitl was on pace for 127 points — one short of Nikita Kucherov’s mark last season — a total that came on the heels of the 105 he put up in 2018-19.
“I’m proud of it,” he said of the Art Ross. “It’s a cool story for myself personally, no question.”
That story, however, had a somewhat rocky beginning.
The No. 3 pick at the 2014 draft got a 37-game audition with Edmonton as a teenager before getting sent back to junior. Draisaitl arrived at training camp the following September looking to stick, but was shipped to the minors for six games.
While it might not have seemed like it in the moment, that extra seasoning was important.
“I don’t think I was ready at the time,” Draisaitl said of playing in the NHL as a teenager. “It’s OK to maybe take a step down. That was the case with me. In the long run, that was probably the best thing for me, to go back down to junior and start the next year in the AHL.
“Sometimes it’s not a bad thing to take a step back and go at your own pace.”
Draisaitl’s pace has certainly ramped up drastically since those difficult first few seasons.
Along with McDavid, he’s been at the forefront of the Oilers’ resurgence that saw the team sitting second in the Pacific Division with 83 points when the COVID-19 pandemic forced the NHL to pause play March 12.
McDavid is the face of the franchise and one of the faces of the league — but it’s their team.
“It’s been great to stick around the same group of guys for so many years now and see them grow and watch the team grow, watch the organization grow,” Draisaitl said. “It’s definitely a lot of fun to be a part of. We still have a lot of upside.”
He’s also keenly aware he’s become the face of German hockey, which continues to produce high-end talent, including projected top-5 draft pick Tim Stutzle.
“We’re heading in the right spot as a country,” Draisaitl said. “Germany just isn’t a big hockey country. That’s just how it is, but we can still become a very solid hockey country.”
The NHL unveiled its return-to-play plan earlier this week — there’s still lots of hurdles to overcome for the games to actually resume this summer — but the Oilers know if that happens, they’ll face the Chicago Blackhawks in one of eight best-of-five qualifying round series for a right to make the playoffs.
Draisaitl and McDavid started the season on the same line, as they had in the past, but were split up in December to give the team a different look. Draisaitl then carried the load himself when McDavid went down with an injury in February.
“What he’s done for our group has been great,” said McDavid, who along with Draisaitl are in the running for the Hart Trophy as league MVP. “He’s helped both our team and me personally out a ton.”
Oilers defenceman Darnell Nurse said Draisaitl’s breakout the last two seasons after 50-, 77- and 70-point campaigns was part of a natural progression.
“He’s always been very confident, he’s always been an unbelievable hockey player, and he just continues to work,” Nurse said. “He didn’t change much. He just kept playing.”
Never one keen to talk about himself, Draisaitl was more than happy to share the credit for his Art Ross.
“There’s always people that help you get there,” he said. “You dream of these things.
“But until you do it, it always seems so far away.”
A certain Canadian soccer star probably feels the same way.
This report by The Canadian Press was first published May 29, 2020.
Follow @JClipperton_CP on Twitter
Joshua Clipperton, The Canadian Press
Senior art now being showcased by Allied Arts Council of Spruce Grove – Spruce Grove Examiner
The Allied Arts Council of Spruce Grove knows seniors can create and intends to showcase that in their current exhibition.
To coincide with the province’s Seniors Week, which runs from June 1-7, the organization which oversees the art gallery within the public library in the city is running a 2020 Open Online Seniors Competition and Show. It began Monday, is set to conclude June 12, and, similar to other shows they have done during the COVID-19 pandemic, will see the variety of work ranging from paintings to drawings to 3D pieces and photographs posted on their websites and individually on social media feeds across Facebook and even through Instagram as well.
“We do have quite a few local people,” gallery manager Rebecca New said. “The show has always been Alberta-wide and we will have a judge who will score the pieces before we announce results Saturday in a Zoom call. People will see with this how talented local artists are and how accessible local art is. We hope that people will choose local art for their homes and it is an excellent level of work that we are seeing.”
New and the Allied Arts Council’s peers at the Multicultural Heritage Centre in Stony Plain have been running a version of digital shows during this time as well. They are debating whether to continue on with online offerings as seriously as they have now once they reopen and, for New, in the wake of this show and others they are doing, that is something the Spruce Grove Art Gallery will end up debating, too.
“I think having a digital presence is something that this will eventually shift to,” she said. “Whether or not we still have digital entries to contests, we are not sure how we will proceed with that. We are talking through a lot of options for the future that lies ahead of us.”
More information about the current show and future events can be found on the council’s website.
Grimes is selling a piece of her ‘soul’ at an art exhibit. SÆriously. – Globalnews.ca
FOR SALE: One soul piece, slightly used. About 32 years old. Speaks and sings in English and made-up languages. May or may not have belonged to Elon Musk. Name your price. SERIOUS INQUIRIES ONLY.
Grimes is offering up a little part of herself at her very first art gallery show, an online exhibition called Selling Out which features several of her artistic works — and one piece of her supposed “soul.”
The Canadian-born singer, whose real name is Claire Elise Boucher, opened her online art show on Thursday, less than a month after giving birth to her first child, X Æ A-12 X Æ A-Xii Musk. The exhibition is presented by the Gallery Platform Los Angeles and Maccarone Los Angeles, and it features various “rarities” from her career, including album art, a poem about artificial intelligence and some of Grimes paintings.
Oh, and a piece of her soul.
“Selling Out is executed as a contract in which Grimes sells a fraction of her soul, formalizing the idea that every time an artist sells a piece of their art, part of the soul is sold with it,” the online exhibit says. “The purchaser will enter into a contractual agreement that outlines the terms of ownership and ultimately the connection to the joy of artistic expression.”
It’s unclear what that contractual agreement includes, or whether it restricts the buyer from doing certain things with the soul, such as playing soldiers with it.
Grimes initially planned to put a US$10-million price tag on her soul, Rolling Stone reports. However, she ultimately decided to go with whoever makes the best offer.
That means Grimes’ soul could be yours — if you want it. You just have to shoot the art gallery an email to make your pitch.
Grimes told Bloomberg that she’s excited to put on her first visual art show, after honing her skills by making all of her album covers herself.
“I see myself as a visual artist first and foremost,” she said. “I’ve always felt strange that people know me for music.”
She describes her artistic style as “edgy-looking, anime horror,” although she wanted to go for something more “philosophical” with selling a piece of her soul.
“The idea of fantastical art in the form of legal documents just seems very intriguing to me.”
Grimes supposedly tapped into her artistic talents to come up with X Æ A-12, the name she and Musk gave their first child after he was born earlier this month. Musk told podcaster Joe Rogan that the name was largely Grimes’ idea.
“Yeah, she’s great with names,” Musk said.
The couple later changed the “12” to Roman numerals to conform with California naming laws.
Grimes’ artwork is being sold for between $500 and $15,000, depending on the piece.
The online exhibit is open now, and it runs until Aug. 31 at Maccarone Los Angeles.
© 2020 Global News, a division of Corus Entertainment Inc.
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