Google celebrates Group of Seven with online art display and virtual tour - Ashcroft Cache Creek Journal | Canada News Media
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Google celebrates Group of Seven with online art display and virtual tour – Ashcroft Cache Creek Journal

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On May 7, 1920, a group of artists calling themselves the Group of Seven mounted their first formal exhibition at the Art Gallery of Toronto (now the Art Gallery of Ontario). Their landscape paintings captured the raw, rugged beauty of Canada, and although many of their works depicted scenes in Eastern Canada, members of the group also ventured westward and recorded what they saw, painting scenes in or around Ashcroft, Yale, Field, and other places in B.C. and Alberta.

Travel restrictions mean that it’s difficult to visit some of these sites, but Google Canada is inviting Canadians to celebrate the Group of Seven and this landmark of Canadian art history with virtual visits to the real-life locations that inspired the artists, alongside the paintings that the artists created.

The McMichael Gallery in Ontario has the world’s largest collection of works by members of the Group of Seven, and Google Canada is partnering with the gallery to digitize between 150 and 200 of the items. Alexandra Klein of Google Canada’s communications team says that they are “incredibly excited and humbled” to be working with the McMichael on the project.

“What Google can do really well is use their global platform to share Canadian culture with Canada and the world,” she says. “It’s especially significant given their importance, and the 100th anniversary.”

The original members of the Group of Seven were Franklin Carmichael, Lawren Harris, Arthur Lismer, Franz Johnston, J. E.H. MacDonald, Fred Varley, and A. Y. Jackson. In 1945 Jackson visited Ashcroft, leaving behind a painting and a sketch of the town, both of which have been interpreted as glass mosaics (one on the Rolgear building and one in the Heritage Park).

While the artists and their works are now seen as landmarks of the Canadian art world, initial reaction to their paintings was by no means one of universal praise. One critic dubbed them the “hot mush” school of art, a reference to the texture of the paint they used, which the critic said made him think of gobs of porridge.

Google Canada recently released images of several of the digitized paintings, along with Google street view images of the locations where or near where they were painted, including the historic church in Yale.

“We’ve made a commitment to create a digitized, centralized Group of Seven ‘hub’,” says Klein. “They’re representative of Canadian art history, and they have a significant history in the west. They definitely had a presence in B.C. and Alberta as well as in Ontario. It’s important for people to know that’s reflected in their work.”

She says that pairing the paintings with street view is a way for Canadians to engage with our culture, history, and geography from home during COVID-19. “Now is the time when people are usually planning what their summer will look like. Street view allows us to learn about the Group of Seven virtually from the comfort of our homes, and plan future trips.”

Klein says that another thing Google is trying to do is democratize art.

“Not only are the Group of Seven known across Canada for their work, which represents a certain place and time, they’re known around the world. Google has art from around the world, and it’s not just for people who can access galleries. I hope people around the world learn about each other and each other’s culture.”

While Google has the platform, Klein says they are relying on staff at the McMichael to guide them in terms of selecting the artwork. “They’re the curators. What we’ve done is show a taste of what’s to come, and hint at what the experience will be like.

“Google allows us to work with art from around the world. The cameras are designed to best reflect the details of a work of art. There’s a difference between taking a straight-on photo and one that shows interesting details in, say, a watercolour painting.”

Klein says the paintings and street views can be found at the Google Arts & Culture website (https://artsandculture.google.com/).

“Everything is in there. And we’ll be making a second announcement when everything is online.”



editorial@accjournal.ca

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‘Mountain Solitude (Lake Oesa)’ near Field, painted in 1932 by J.E.H. MacDonald (l) beside the Google street view of the location. (Photo credit: Google)

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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