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Harrison screw pumps inspire Okanagan art – Abbotsford News

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A work of environmental stewardship in Harrison inspired a work of art in Kelowna.

Visual arts students from UBC Okanagan (UBCO) collaborated during a five-week course in the summer to create a colourful, two-storey mural in the heart of Kelowna as inspired by the Archimedes srew pumps in Harrison Hot Springs. The mural, depicting a massive salmon coloured shades of white, red, yellow and blue, is part of a larger downtown beautification project in the Okanagan.

The five-week class ran between July and August, and the salmon mural is located adjacent to the CTQ Consultants building on St. Paul Street in Kelowna. CTQ has had a hand in a number of proposed projects for Harrison Hot Springs, including the Miai River Flood Pump Station and a master plan for the lagoon.

CTQ Consultants founding partner Matt Cameron reflected on the Archimedes screw pump project in a recent statement, calling the project “One of our highlights and challendges that turned into an amazing project at Harrison Hot Springs.”

RELATED: Flood pumps part of local flood mitigation tactics

The screw pumps were part of a flood mitigation effort along the Miami River in Harrison Hot Springs, installed in 2016. These new pumps replaced the 60-year-old model that previously took a serious toll on the fish population. Now, thanks to the new design, the, $1.9 million, screw-like transporation system allows fish to pass much more safely safely from the river to the lake in addition to more efficiently mitigating possible flooding. The mortality rate of fish going through the old pump system was once 100 per cent; with the new system in place, it’s plummeted to about two per cent. The pump was painted a fish-friendly canary yellow, echoed in parts of the Kelowna mural.

“This collaboration with UBCO and CTQ, combined with the hard work of many individuals, has given the students an opportunity to create their masterpiece in our parking lot on the north facing wall at CTQ’s Kelowna office. This is a great addition and our entire team is proud to have been a part of cheering up the downtown core,” Cameron said in a statement.

David Doody, a UBCO alumnus, is a visual arts director and member of the Uptown Rutland Business Association.

RELATED: Village earns merit award for Miami Flood Pump Station

“The uptown mural project grew out of desire to bring more art to public places,” Doody said in a statement. “By creating exciting and energetic works of public art, we are transforming our communities into dynamic open-air art galleries.”

Doody guided UBCO students through the mural-making process, from pitching to planning and finally, delivery.

“UBC’s department of Creative Studies partnered with CTQ Consultants to create this exciting new art education experience for BFA students,” Doody said. “This course gave students an experience common to painting murals including the use of projectors, mechanical lifts, and a variety of paint applications and techniques.”

To learn more about the mural project, visit www.uptownmurals.com.

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‘Gratitude’ art exhibit celebrates essential workers – MassLive.com

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Ashfield artist Robert Masla is grateful for essential workers who are often overlooked but are no less essential to a whole, functioning, prosperous human society.

So he has put together a solo exhibit of recent oil and watercolor paintings, “Gratitude: The Unrecognized Essential Workers Series,” that will be on view online beginning Oct. 1 or at the R. Michelson Galleries in Northampton.

“Most of us are acutely aware of the essential workers who are obvious to us during these challenging pandemic times — health care workers, doctors, nurses, etc.,” he said. “Hopefully this time has also brought a heightened awareness and appreciation to those that though providing these essential services, they remain unrecognized in their value to society at large.”

He listed teachers, service persons, postal workers, immigrant farmers, artists, musicians, writers, EMT’s, custodians, poets, social workers, dancers, repair persons, ” etc. etc.,” adding that “perhaps the most impassioned of these, (and unpaid), are the ‘Defenders of a Real Democracy’ who are formed by all of the diverse members and occupations of society, depicted in the paintings ‘Take a Knee: Rural Communities in Solidarity with Black Lives Matter’ (oil 22”x72″) and ‘The 30th of May: Persecution of the Defenders of Real Democracy’ (oil 48″x72″) that are on display in this exhibition at the R. Michelson Galleries.”

A full-time professional artist whose exhibition history extends over 40 years, Masla’s canvases, murals and portraits can be found in the United States and in Mexico in numerous public and private collections. His work has been featured in solo and group exhibitions in both countries and in various books and publications.

Throughout his more than 40-year career, his work has moved from visionary and symbolic paintings, to landscapes, particularly from, but not limited to the areas around his homes and studios in western Massachusetts and Mexico. His work has moved from trompe-l’oeil still lifes to abstract collages to portraits to murals. These are executed in a variety of methods and a variety of media — oil paint, alkyd, watercolor, gouache, acrylic, digital collage, charcoal, water soluble graphite, sumi-e ink.

“I do not call myself a watercolorist or ‘oilist’ or ‘portraitist or ‘landscapeist’ or either impressionist, surrealist, realist or abstractionist,” he said.

Sometimes he has been asked what is his favorite medium, and he replies, “Paint.”

Although Masla makes a living as an artist, art to him is more than a product:

“It is a process as well, it is also a way of life, of seeing, being and doing – of connecting with myself and with the universe around me.”

Art, like life, is not easily defined, he said; it is “a reflection and part of the great mystery we call the universe, (some would call God). Back in the ’70s, when I was constantly grappling with such existential questions, I coined the term SpiritRealism, to refer to artwork and a lifestyle that reflected these concerns, and had no ‘stylistic boundaries.’”

As an artist, Masla’s intention always has been to use his work as a spiritual practice, a form of ritual and meditation, a practice that ultimately helps him transcend his limited ego and reach a place of non-judgmental awareness and openness. “It grounds me in the present moment so I can connect with the creative flow of nature that surrounds me and is me. We are all a part of creation unfolding, and I see my role as an artist to play my part as co-creator, and hopefully help others make that connection through my work,” he said. “We all go about our work and our lives, hopefully trying to be present, aware and compassionate. In my case, a lot of that time is spent making art, and if I am still enough, present enough, I am able to connect – to be in the place of my essence — open awareness — that is where spirit is, and you catch it on the in breath, aha, the in-spiration.”

Masla graduated from The School of the Museum of Fine Arts at Tufts University with a bachelor of fine arts degree and diploma in painting in 1979 and received a master’s in fine arts in painting and art history from The City College of New York in 1986.

His exhibit, “Gratitude: The Unrecognized Essential Workers Series,” will be available online beginning Oct. 1 or at the gallery (masks and social distancing required). Masla will be at the gallery Oct. 3, from 3 to 8 p.m. and Oct. 4 from 1 to 8 p.m. and by appointment.

The gallery is at 132 Main St., Northampton.

For more information, go to MaslaFineArt.com or RMichelson.com.

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NYC Startup Maireann Makes Fine Art Collections More Accessible – The Ritz Herald

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Maireann is a New York-based Fine Art marketplace that sells top-quality signed and limited edition prints. They launched on August 15, 2020. The fine art prints they sell are targeted at consumers desiring to purchase high-value art but cannot afford outrageously-expensive collections. Maireann wants to ultimately make quality art that will appreciate in value more readily available.

Nebulous I – Photographed by Mario De La Isla. Yosemite National Park, California, 2015

“Maireann helps photographers survive and make a living, especially during these trying times,” exclaimed Creative Director Freddie Leiba who’s worked with some of the top names in art and fashion like Andy Warhol, Irving Penn, Annie Leibovitz, Albert Watson, Joseph Chen, Helmut Newton, Horst P. Horst, and Francesco Scavullo to name a few. “I’ve seen many Photographers struggle to find a good marketplace to sell to art collectors,” added Leiba, ” Maireann helps solve this problem.”

Says New York Fashion Photographer Joseph Chen, “The series Forme Féminine et Sensualité is an ongoing study I have been working on and off for the last 10 years, it revolves around the intricate relationship between sensuality and the female form. Maireann is a great platform to share my work to the world, it also gives me the opportunity to do what I feel, which is sometimes hard to do on commissioned advertising jobs.” Supermodel Megan Irminger, who worked with Chen over the years, adds, “I think it’s a beautiful piece illustrating the light that women bring to this world.” The series Forme Féminine et Sensualité by Chen is sold exclusively with Maireann.

Maireann accomplishes their mission by lowering the cost of the art to the consumer while offering a majority of the sales price to the artist. Maireann keeps a very low percentage of each print sold in comparison to other marketplaces. Maireann even offers free shipping on all orders $200 and above.

“It’s been a pleasure to work with Maireann to sell my photography,” added photographer Mario De La Isla. “Previously, I’ve struggled to find buyers who would appreciate my limited-edition prints. But with the help of Maireann, I’m able to focus more on creating art than worrying about selling my work.” De La Isla is a veteran photographer for National Geographic.

Lastly, Maireann is currently on the lookout for artists that they, themselves, bring a unique point of view, to help showcase fresh exceptional talent to the art world.

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New art piece in Lacombe acknowledges roots of the land and reconciliation – rdnewsnow.com

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“It is a metal sculpture of two rough grouse, with two logs; the female is sitting on one log and the male is landing at the end of the other,” explains Maureen MacKenzie, community services executive assistant with The City of Lacombe. “It was created to represent the affinity between rough grouse, but also that people have for one another. It also represents the two communities and local First Nations.”

According to a release, grouse was an imported food source for settlers and Indigenous peoples when bison populations dwindled across the prairies. The piece also pays homage to settler and Indigenous communities living and working together across Canada’s west.

MacKenzie adds The City had a robust anti-racism program planned earlier this year, but once again COVID-19 caused its postponement. The program was meant for large groups and would’ve included the blanket exercise, a 60s Scoop exhibition, and other workshops.

“The last census in 2016 indicated we have over 800 residents of Lacombe who are Indigenous, which is almost 10 per cent of our population, so it’s really important we show we’re willing to walk the walk,” MacKenzie says. “We as a city want to embrace all of our cultures, and in this instance, with truth and reconciliation in mind, our plan is to host those workshops eventually, and that’s our way of saying we’re taking action on inclusion and racism.”

‘Miweyihtowin’ was created at a cost of $18,000.

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