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Head turning art installation appears on Toronto waterfront – blogTO

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Fans of public art and 90s throwbacks like Chia Heads and Blue Man Group all have something new to enjoy on Toronto’s waterfront this week.

A new temporary art installation has appeared at Aitken Place Park in the East Bayfront neighbourhood, a 2019-opened public space along the harbour’s edge.

Known as Olamina, the six-foot-tall sculpture takes the form of a blue head with a yellow crown adorned in boxwood hedges, its imagery and symbolism referencing African and Afro-Caribbean culture.

This inspiration is clear in references to science fiction author Octavia E. Butler’s Parable series, borrowing its name from the series’ protagonist, Lauren Oya Olamina.

A quote from Butler’s Parable of the Talents is prominently displayed at the foot of the piece, reading “Consider — we are born not with purpose, but with potential.”

“I think the way in which the pandemic made us all slow down really created an opportunity to re-evaluate what our purpose is, especially as we emerge into a world that looks quite different than the one we knew two years ago,” explains BSAM Canada Co-lead, Nico Taylor.

Another source of inspiration, the sculpture draws imagery from African folktales, specifically embodying the African water spirit, Mami Wata.

Olamina was created by the Black Speculative Arts Movement (BSAM) Canada, the organization having been awarded the inaugural Waterfront Artists in Residence last September.

Olamina during its final assembly process in Aitken Place Park.

“BSAM Canada has created some exceptional work and this latest partnership with the City and Waterfront Toronto is one we are very proud of,” stated Tim Kocur, Executive Director of the Waterfront BIA, back in September.

The installation is part of BSAM’s broader public art project known as Earthseeds: Space of the Living, supported by a partnership between Waterfront Toronto and the Waterfront BIA.

The piece was designed and planned for a full ten months before its four-week fabrication process. A video from Waterfront Toronto shows the art in mid-production, its foam base carved and coated before its distinctive epoxy paint was applied.

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Olamina will be on display until late October.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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