Art

Home is where the art is – La Salle University

Published

4 years ago

October 14, 2020

An innovative class project has La Salle students using household objects to recreate works of art housed in the University’s Art Museum.

If, for the moment, you can’t see works of art in person, why not recreate them with objects found around your house? That’s what La Salle University’s Mey-Yen Moriuchi, Ph.D., suggested to her students when classes shifted primarily online due to the COVID-19 pandemic.

Moriuchi, an associate professor of art history at La Salle, drew inspiration from the Getty Museum Challenge, which prompted social media followers of the famed Los Angeles museum to recreate famous works of art using household objects. Similarly, Moriuchi asked students to recreate works of art that are part of the La Salle University Art Museum’s collection, dubbing the extra-credit assignment the Art Recreation Challenge.

“I offered the Art Recreation Challenge as a way for students to engage with a creative art activity that was going viral on social media during the global pandemic,” said Moriuchi, who offered the assignment in her summer courses and extended the challenge into the fall. “I have been surprised at how students use the objects in their homes during quarantine with such ingenuity. Students have responded in extremely creative and fun ways.”

Students aren’t just limited to household objects in the Art Recreation Challenge. Humans in the home are fair game, too. Moriuchi pointed to the recreation of Maria Brooks’ 1884 painting The Letter by education major Gabriel Rappa, ’23, as one of her favorites to feature another person, in this case, Rappa’s cousin.

“The Letter depicts a young, blonde woman seated in an armchair looking straight out at the viewer,” said Moriuchi. “Having just read the letter in her right hand, her expression is a mix of sadness and longing. Gabriel used his cousin Abby as the model, and she beautifully captures the same facial expression.”

For Moriuchi’s Art History class during the summer sessions, Biology major Lauren Fenn, ’23, recreated Theodoros Stamos’s 1947 painting Sea Forms with a rock, a stick, a leaf, a small cardboard box, and a tissue, using a hot glue gun to hold those objects together.

“It was a fun and creative assignment,” said Fenn. “Professor Moriuchi gave us the opportunity to explore the La Salle Art Museum and be creative about art. This project really intertwined ways to describe art and what can art be.”

Following Moriuchi’s lead, several faculty members also have implemented the Art Recreation Challenge into their curriculum. Among them—English professor Kevin Harty, Ph.D., who is including it as a graded assignment in his fall First-Year Seminar course, Literature and Film Ask: Who Am I? Harty also will offer it in his spring course, Western Tradition in Literature Since 1700.

“I am an art museum addict,” said Harty. “I regularly visit art museums around the world whenever I can, and I encourage my students to do so, as well. This is one way of calling attention to art museums at a time when many are closed and losing much needed revenues. We need art and the museums that house it, and so the challenge essentially serves an educational, an artistic, a cultural, and a social purpose.”

—Patrick Berkery

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Art

A misspelled memorial to the Brontë sisters gets its dots back at last

Published

4 weeks ago

September 26, 2024

Anne Joseph

LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

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Art

Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

Published

1 month ago

September 13, 2024

Harry Miller

In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.