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Home is where the art is – La Salle University

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An innovative class project has La Salle students using household objects to recreate works of art housed in the University’s Art Museum.

If, for the moment, you can’t see works of art in person, why not recreate them with objects found around your house? That’s what La Salle University’s Mey-Yen Moriuchi, Ph.D., suggested to her students when classes shifted primarily online due to the COVID-19 pandemic.

Moriuchi, an associate professor of art history at La Salle, drew inspiration from the Getty Museum Challenge, which prompted social media followers of the famed Los Angeles museum to recreate famous works of art using household objects. Similarly, Moriuchi asked students to recreate works of art that are part of the La Salle University Art Museum’s collection, dubbing the extra-credit assignment the Art Recreation Challenge.

Mey-Yen Moriuchi, Ph.D.

“I offered the Art Recreation Challenge as a way for students to engage with a creative art activity that was going viral on social media during the global pandemic,” said Moriuchi, who offered the assignment in her summer courses and extended the challenge into the fall. “I have been surprised at how students use the objects in their homes during quarantine with such ingenuity. Students have responded in extremely creative and fun ways.”

Students aren’t just limited to household objects in the Art Recreation Challenge. Humans in the home are fair game, too. Moriuchi pointed to the recreation of Maria Brooks’ 1884 painting The Letter by education major Gabriel Rappa, ’23, as one of her favorites to feature another person, in this case, Rappa’s cousin.

“The Letter depicts a young, blonde woman seated in an armchair looking straight out at the viewer,” said Moriuchi. “Having just read the letter in her right hand, her expression is a mix of sadness and longing. Gabriel used his cousin Abby as the model, and she beautifully captures the same facial expression.”

For Moriuchi’s Art History class during the summer sessions, Biology major Lauren Fenn, ’23, recreated Theodoros Stamos’s 1947 painting Sea Forms with a rock, a stick, a leaf, a small cardboard box, and a tissue, using a hot glue gun to hold those objects together.

“It was a fun and creative assignment,” said Fenn. “Professor Moriuchi gave us the opportunity to explore the La Salle Art Museum and be creative about art. This project really intertwined ways to describe art and what can art be.”

Following Moriuchi’s lead, several faculty members also have implemented the Art Recreation Challenge into their curriculum. Among them—English professor Kevin Harty, Ph.D., who is including it as a graded assignment in his fall First-Year Seminar course, Literature and Film Ask: Who Am I? Harty also will offer it in his spring course, Western Tradition in Literature Since 1700.

“I am an art museum addict,” said Harty. “I regularly visit art museums around the world whenever I can, and I encourage my students to do so, as well. This is one way of calling attention to art museums at a time when many are closed and losing much needed revenues. We need art and the museums that house it, and so the challenge essentially serves an educational, an artistic, a cultural, and a social purpose.”

—Patrick Berkery

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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