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Hot air balloons, drive-in concerts and highway art: What's on this weekend in Calgary – CBC.ca

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Organizations are continuing to come out with fresh and creative ways to entertain Calgarians, and this weekend is no different.

There’s good eats, concerts and multiple art shows that highlight local talent.

Ellis Choe from The Homestretch on CBC Radio has compiled some of those offerings, so check out the events below! 

Food

There’s a pop-up marketplace celebrating prairie food this weekend that also ensures gathering people safely.

The Prairie Grid Market will have over 50 local food and drink vendors at the Carter Cadillac car dealership on Heritage Drive in southeast Calgary.

Dan Clapsen, the organizer of the event, says a majority of the stalls are operated by local restaurant and bar owners.

 “There’s a really interesting build-your-own-cocktail kit booth setup by Cannibale, which is a popular cocktail bar in Bridgeland. Bridgette Bar has made a line of dried pastas,” he said.

On Saturday and Sunday, there will be music and art for patrons to enjoy.

It’s recommend you pre-book your visit online, given the limited capacity and physical distancing required.

Balloon Festival

The festival will feature 17 Canadian hot air balloons. ((CBC))

The 8th Heritage Inn International Balloon Festival is underway in High River, but due to COVID-19, only Canadian balloons are participating.

The festival was scheduled to take place from Wednesday through Sunday, although high winds have forced cancellations. As of 2 p.m. on Friday, it was unclear whether they’d be able to take off at 5 p.m. Friday. If not, there are three more chances depending on the weather: Saturday and Sunday at 7:30 a.m. and Saturday at 5 p.m. Check the festival’s Facebook feed to see if it’s a go.

The committee says that while no passengers or spectators will be allowed at the launch site, you can volunteer to be part of the field crew and get a front row seat. 

Karen Williamson, the committee vice-chair, says that while there’s no guarantee, the pilot may let you be a passenger on board as well.

And for those who don’t volunteer, head to the northwest corner of High River to see them launch. 

Arts

If you like road trips and art, you can catch the Most Beautiful Art Tour in Alberta, which is a part of Alberta Culture Days.

Along Highway 22 and Highway 2A, otherwise known as “Cowboy Trail,” there is a community of artists opening their studios and galleries to the public.

Catch artwork in Millarville, Turner Valley, Black Diamond and Okotoks to learn more about the diverse group of artists working outside of Calgary.

The open studio events will be on from Friday to Sunday, but each gallery has different operating hours.

And if you like your art paired with a movie, the Indefinite Arts Centre is holding an open house/movie night. 

You can check out the artwork of artists with disabilities, as well as the screening of Infinity — a documentary about the world-renowned Japanese artist Yayoi Kusama, famous for her polka dot installations.

The free event is on Saturday from 7 p.m. to 9:30 p.m., but make sure to reserve a spot.

Music

From the comfort of your car, you get to enjoy six concerts over the weekend. (Antoine Saito)

And finally, some concerts in the Calgary area! Grab your social circle and attend the drive-in concert at Telus Spark.

“Rise Up Weekend” is brought to you by local organizations, including Calgary ReggaeFest, Folk Fest and Stampede.

Patti Pon, one of the organizers as well as president of Calgary Arts Development, says the event is all about the coming together of six organizations presenting six concerts.

“We wanted to find a way to create some amazing art experiences, albeit smaller settings with fewer people,” she said.

Tickets are $25 per car for up to four guests.

The first show is Friday at 6:15 p.m., when Calgary Folk Fest presents Sargeant X Comrade and the Blake Read Band.

For something more contemporary, the National Music Centre is continuing its hybrid live music and virtual concert series, RBC Live, from the King Eddy.

You can attend the free event in-person or stream from the comfort of your home.

The first show is Friday at 8:30 p.m. and features Lucette, an alt-pop artist from Edmonton.

And then for another virtual concert experience, you can stream Early Music Voices, a local group that presents music from the medieval, Renaissance and baroque periods.

The group is kicking off its season with a virtual concert featuring Calgary musician Benjamin Narvey, who plays the lute.

Enjoy the music this Sunday at 7:30 p.m., and listen to a pre-concert talk at 7 p.m.


With files from The Homestretch

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First virtual Carmichael Art History Lecture 'absolutely fabulous' – OrilliaMatters

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NEWS RELEASE
ORILLIA MUSEUM OF ART & HISTORY (HISTORY COMMITTEE)
********************
“Absolutely Fabulous.” “A wonderful presentation, truly exceptional experience of art and land.” “A true labour of love.”

These were some of the online comments about Jim and Sue Waddington and their presentation, “In the Footsteps of the Group of Seven and Tom Thomson.”

The Waddingtons appeared live via Zoom at the first ever virtual Carmichael Art History lecture hosted by the Orillia Museum of Art & History (OMAH) on Oct. 21. 

When the OMAH History Committee, who coordinates this annual OMAH fundraiser, confirmed with the Waddingtons that the lecture planned for May would have to be cancelled, Jim and Sue rose to the occasion.

“Would you be interested in holding the lecture virtually?”

They were keen to help OMAH with their fundraising efforts by sharing their story this way.

Forced to step outside their comfort zone, OMAH and the History Committee partnered with the Waddingtons to make this virtual event a huge success.

Through their rich narration Jim and Sue shared with viewers a snapshot of their 43-year quest to find the over 800 actual sites where the Group of Seven and Tom Thomson painted, exhibiting their stunning photographs of the locations that mirrored each particular sketch or painting.

Special for the Orillia audience, they included many details about the Orillia-born Franklin Carmichael. 

The audience was also treated to a “reveal” of the location where Carmichael painted Old Barns, Miner’s Bay, the painting OMAH hopes to purchase, which is in the la Cloche region of Ontario, not in the Minden area as was first thought.

It was a wonderful evening. Thanks go to the Waddingtons and to the community for supporting this event.

OMAH will be sending out a general survey regarding future virtual programming. In addition, a survey will be sent specifically to attendees at the virtual Carmichael Art History Lecture. We want to hear about what is in important to you so we can develop rich online experiences that meets your needs and interests.

OMAH is committed to find ways to stay connected to the community both at the museum and virtually. Stay tuned for more virtual programming in the future.

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Qaumajuq_new name of Winnipeg Art Gallery's Inuit art centre, an act of decolonization – Turtle Island News

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By Adam Laskaris

Local Journalism Initiative Reporter

WINNIPEG, MAN-The Winnipeg Art Gallery’s Inuit Art Centre has a new name.

Qaumajuq Street View Day Rendering. Photo Michael Maltzan Architecture

In a ceremony on Oct. 28, the gallery, known as WAG, announced the centre would be renamed Qaumajuq  1/8HOW-ma-yourq 3/8, an Inuktitut word meaning “It is bright, it is lit”.

Qaumajuq is set to open in February 2021 after construction began in March 2018 on a new 40,000-square-foot-building designed by Michael Maltzan Architecture with Cibinel Architecture. It’s home to the largest public collection of contemporary Inuit art in the world.

The WAG building itself was given a name in Anishinaabemowin,Biindigin Biwaasaeyaah  1/8BEEN- deh-gen Bi-WAH-say-yah 3/8, meaning “Come on in, the dawn of light is here” or “the dawn of light is coming.”

The naming ceremony was hosted by Dr. Stephen Borys, director and CEO of WAG. The ceremony occurred with a small gathering of Borys and Julia Lafreniere, WAG manager of Indigenous Initiatives. A Qulliq lighting ceremony was conducted by Elder Martha Peet, with virtual appearances from Theresie Tungilik and Elder Dr. Mary Courchene. The latter two formally announced the new names in Inuktitut and Anishinaabemowin respectively.

Tungilik, an Inuk artist from Rankin Inlet, Nunavut, said “Qaumajuq will be a place where all walks of life will experience, through the creation of Inuit art, our survival, hardships and resilience.”

Courchene, who comes from the Sagkeeng First Nation in Manitoba, said the Biindigin Biwaasaeyaah name was created to “include all the Indigenous populations of Manitoba, the First Nations, the Metis, and the Inuit populations.”

“The language keepers and Elders came together in a powerful moment of cross-cultural reflection and relationship-building,”

Borys said. “This initiative is an act of decolonization, supporting reconciliation and Indigenous knowledge transmission for generations to come in an effort to ensure WAG-Qaumajuq will be a home where Indigenous communities feel welcome. Where everyone feels welcome.”

In addition to the new name of Qaumajuq, which will serve as the primary name for the space, various areas within the WAG will also have new names in Inuvialuktun (Inuit), Nehiyawewin (Cree), Dakota, and Michif (Metis) that were given by Indigenous language keepers.

“Indigenous-focused and Indigenous-led initiatives will be at the heart of this new space and giving the spaces Indigenous names is just the start,” reads the WAG’s website where pronunciations and audio clips for the new names are available.

“We are thrilled to share the names of the spaces in the seven Indigenous languages of Manitoba and Inuit Nunangat,” said Dr.

Heather Igloliorte and Dr. Julie Nagam, co-chairs of the Indigenous Advisory Circle for Winnipeg Art Gallery, in a joint statement.

“The Circle demonstrates the breadth of knowledge that represents the relationship to the collection and the buildings and it has been an incredible experience for all Circle members. We are so honoured to gift the institution with these new names that point to a new path forward for galleries and museums in this country,” the statement continued.

The WAG also states that the “historic naming responds to the United Nations Declaration on the Rights of Indigenous Peoples Article 13 and the Truth and Reconciliation Commission’s Call to Action 14i, both of which reference the importance of Indigenous languages.”

Article 13 reads:

Indigenous peoples have the right to revitalize, use, develop and transmit to future generations their histories, languages, oral traditions, philosophies, writing systems and literatures, and to designate and retain their own names for communities, places and persons.

TRC Call to Action 14i states: Aboriginal languages are a fundamental and valued element of Canadian culture and society, and there is an urgency to preserve them.

A press release issued by WAG states that Qaumajuq “will innovate the art museum, taking art from object to full sensory experience with Inuit-led programming.” One of these features includes the three-storey tall column called the `visible vault’ that is filled with thousands of Inuit carvings and immediately viewable upon entry into Qaumajuq.

“This is a place that amplifies and uplifts Inuit stories, connecting Canada’s North and South. This is a site for reconciliation… We can’t wait to unveil this new cultural landmark in the heart of the country with these new names honouring Indigenous voices and languages,” Borys said.

Adam Laskaris is a Local Journalism Initiative reporter who works out of Windspeaker. com. The Local Journalism Initiative is funded by the Government of Canada. 

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Pay Phones Turned Into Public Art, in “Titan” – The New Yorker

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Photograph by Chris Maggio for The New Yorker

New York City’s pay phones are obsolete, and, by early next year, they will also be history—removed to make way for Wi-Fi kiosks. Through Jan. 3, a dozen artists (including Glenn Ligon, Patti Smith, and Jimmie Durham, whose contribution is pictured above) are making creative use of phone booths along Sixth Avenue, from Fifty-first to Fifty-sixth Streets. The project, called “Titan,” was co-curated by Damián Ortega and Bree Zucker, in collaboration with the Kurimanzutto gallery.

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