“Eccentric … well, maybe I am, but never, never boring.”
That’s how artist Carolyn Kowalyk describes herself, and it’s the same way one could describe her home, which is as colourful as the woman who lives there, surrounded by art, books and treasures she’s collected on her travels.
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You won’t find any “Live, Laugh and Love” poster art from a big-box store in the artfully curated yet cosy home Kowalyk shares with her partner, Roy Walters.
Kowalyk believes houses should reflect the individuality, culture and history of their inhabitants, as well as showcasing what they love — which the couple’s home does in spades.
“I’ve never lived in a boring house. I’ve always lived in a place with my treasures around. It makes me feel warm,” she says, adding: “I’ll never be bored.”
There’s something magical about the house, which you can sense as soon as you pull up to the driveway and hear what sounds like a river flowing, but is actually wind blowing through a nearby row of trembling aspen trees.
Then there is the house’s unusual colour combination: ochre with green and blue trim. Its original colour was white with brown trim, which Kowalyk repainted soon after moving in 20 years ago with her cat.
Walters, an American scientist she met in New Zealand, joined her two years later. She jokes that it was a good thing Walters wasn’t around initially, lest he object to her exterior colour choices.
The house, which has had additions over the years, is a Second World War-era home that was originally built on the site of what is now Mayfair Mall. It was moved in 1971 to its present location, down a country lane in central Saanich.
When Kowalyk moved to the three-quarters-of-an-acre property, it was overgrown, but the avid gardener immediately set to work to create an enviable garden that has colours blooming practically year-round.
Walters is also a keen gardener who grows much of the couple’s vegetables and tends to the many fruit trees. From the office deck, you could reach out to pluck fruit from the top of one of six apple trees overflowing in the fall with apples. The property also boasts two pear trees and two plum trees.
The couple’s 1,700-square-foot house takes full advantage of the pastoral setting. “Every room here has multiple windows looking out to gorgeous scenes, birds, changing skies,” Kowalyk says.
The main living room has floor-to-ceiling windows, as does a nearby sunroom that leads to a backyard patio. The absence of window treatments allows the homeowners to fully enjoy the home’s park-like setting.
Kowalyk’s favourite room, though, is her light-filled work studio on the lower level, with sliding glass doors that open onto an inviting side-garden patio. While most of the flooring in the house is wood, she installed tiles in the studio for easy clean-up. And when her artist easel was not able to open fully because of the room’s height restriction, Walters took out part of the floor above so the ceiling could could be lifted, even though it meant sacrificing part of his office area.
The office is where Walters’ personal history is most evident, with maps and books like the The Nordic Seas. Above his computer is a wall full of photographs, including a picture of him with buddies on a long hiking excursion and a photo from his days working as a boat captain in Alaska.
Walters also loves art and commissioned New Zealand artist Cheryl Oliver to create a pottery piece of a Viking with his ship, one of many art pieces in the couple’s living room.
“Cheryl made a flag for the ship, one that she thought fitted in with the colour scheme, but Roy insisted on our next trip south that she make a proper Viking flag, an Icelandic one,” says Kowalyk, noting Roy has Icelandic genes.
Kowalyk, who is active in the local arts community, helped to bring Oliver as a guest artist to the Fired Up ceramic-art show in Metchosin in 2016.
Ceramic art is evident throughout the couple’s home — Kowalyk has been an avid collector since the 1960s.
Along a living-room ledge is a ceramic house made by a friend, while another pottery house on the mantle is from an artist in Tasmania, Australia, and a mixed-media house sculpture on sticks with fish below takes centre stage in the dining room. The piece, called Fishhaus, is by Victoria artist Leonard Butt.
“I am an artist, so the walls are filled with my work and that of fellow artists I admire,” she says.
Kowalyk’s studio has paintings on the go as well, beadwork to be turned into jewelry and paper maché sculptures of houses and “chickens with attitudes,” which she has returned to making in recent days.
It’s no surprise that so many of her paper maché art pieces are of homes, since Kowalyk “loves houses” and calls herself a nester by nature.
Everywhere you look in the home there are art pieces and little dioramas that Kowalyk has created. In the sunroom, for instance, she has combined a beloved sailor doll once owned by her father’s great aunt with heart-shaped and circular stones.
At the entrance to their bright kitchen, with open shelves full of bold-coloured Fiesta ware, there are two art pieces on each side with memorable back stories. One is a marionette-type figure called The Birdwatcher that Kowalyk purchased in Mahone Bay, NB, 40 years ago, before the internet made finding artists easy.
She knew about its artist, Kate Bird, and managed to find her “modest little house” and bought the Birdwatcher, which was adorning the artist’s mantle at the time.
The other piece at the kitchen entrance is an Indian magic basket, a quilted art piece that was rescued from Christ Church Cathedral in New Zealand after a devastating earthquake in 2011.
Kowalyk had just visited a friend, who was the artist in residence there, 10 days prior to the earthquake. Her friend was standing at an upper-storey window when the quake struck and plummeted to the basement. Luckily, she survived, as did the artwork now adorning Kowalyk’s wall.
“Everything has a story,” says Kowalyk.
Since the COVID-19 pandemic has stopped the couple from travelling overseas, Kowalyk has found some of her more recent “must have” pieces by visiting local auctions.
“I love the hunt and having new treasures,” she says.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
